Dance News
The Top 10 in Travis Wall's opening number (Adam Rose/FOX)

Last night marked—finally!—the first live show of Season 15. We made it! And so did the Top 10. Now, it's up to the viewers (that's you!) to determine which contestants end up in the Top 4 and, eventually, which one will snag the sweet prizes up for grabs: $1 million, the cover of Dance Spirit (that's us!), and a role in FOX's live production of RENT, which will air January 27. Also awesome: tWitch is officially on the judging panel for the long haul, alongside Nigel, Mary, and Vanessa. Dreams do come true!

So how'd the two-hour event play out? Each contestant couple performed twice: once in the girl's style and once in the guy's. Here's what went down.

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Dance News
Adam Rose/FOX

At the start of last night's episode of "So You Think You Can Dance," 41 dancers remained. An hour later, we had a Top 20. And then there was a BIG FAT TWIST. (We'll get to that.)

The 41 still-standing Academy dancers showed up at the Dolby Theater in L.A. ready to tackle three rounds: contemporary choreography with seven-time Emmy nominee and one-time "SYTYCD" contestant Travis Wall; an "epic group routine" with jazz choreographer and La La Land she-ro Mandy Moore; and a last-chance solo showdown. Here's what happened.

The Contemporary Competition

"I'm not looking for robots," SuperTrav immediately explained. He gave the dancers shapes, but from there, each was expected to make the choreography his or her own. Everyone got sweaty and exhausted, and after 90 minutes, it was time to perform in groups of three for Nigel, Mary, Vanessa, and Travis.


Allen Genkin

The ballroom babe struggled during hip hop last week, but (naturally) crushed the ballroom choreography. This time around, the judges still couldn't resist Allen's charm, and he got to stay—though, Nigel said, "We need more."

Cole Mills

Cole has stood out during each round of choreography thus far, and not just because of his full-back tattoo. Travis called him absolutely beautiful. "I don't know where you came from or where you've trained, but I am very excited for you," TWall said. And he made it through.

Tessa Dalke

The pressure was on for this early favorite—and the judges weren't feeling her contemporary performance. Vanessa was expecting more, Travis didn't think she commanded the space with her energy, and Nigel said she needed to step up. But they weren't ready to give up on her, so she stayed for jazz.

Sydney Moss

She stood out, Nigel said, simply. She got to stick around, too.

Hannahlei Cabanilla

All the judges agreed that they couldn't take their eyes off her. Hannahlei made it on to jazz as well.

David Greenberg

The ballet dancer didn't totally crush Travis's choreography, so the judges decided to send him home. "I hate this part," Travis said through gritted teach. (We hate it, too.)

Eddie Hoyt

The judges needed to make cuts, and despite Eddie's awesome personality, the tapper's "SYT" journey ended here. Tear!

Evan DeBenedetto

The other tapping standout in the competition killed this choreo. Vanessa said he rose to the occasion, and he made it to the jazz round.

Bridget Derville-Teer

Nigel told Bridget she lost him today, and Mary didn't connect with the performance. Bridget was sent home—but Nigel hopes to see her again. (Season 16, girl! Be ready to crush it!)

Genessy Castillo

Genessy seemed to lose confidence halfway through the performance, but the judges still adored her, so she made it through.

Emily Carr

Emily was totally captivating in this round. Her jumps were the highest, her expression the fullest, her performance the boldest. Travis thought the competition was hers to lose: "Girl, I can't wait for you to get on the show so I can work with you," he said. Holy ultimate compliment, TravMan!

The Group Production Number

With 33 dancers left, it was time to bring in Mandy Moore for the final round of choreography. Her jazzy group routine featured all the dancers shining in their individual styles, plus a grand finale where everyone came together. "If they can't hang in the group routine, then it is cutsville, buh bye," Mandy said. STONE. COLD.



This routine looked so fun. (Was anyone else standing up, trying to learn it at home? No? Just us? OK.) The high-energy choreography was fairly simple, but there was a LOT of it. Each group got just an hour to perfect their portion of the routine—and to choreograph two eight-counts of the performance themselves. Intense much?

There were so many wonderful moments during the enthusiastic performance. Emily Carr was a standout again. The tappers looked awesome, and Jensen Arnold had undeniable presence. (The entire ballroom group is looking super strong this year, TBH.) The exhausting routine earned a standing O from the four judges, whom we were not envying at that point.



But cuts had to be made, and Tessa Dalke, sadly, was one of them. Other favorites—Alexis Gilbert, Jay Jackson, Gaevin Bernales—were sent home, too.

The Last-Chance Solo Round

The remaining 27 dancers got to perform one final solo before the judges chose the Top 20. Jay Jay Dixonbey's number was powerful, precise, and pretty darn perfect. Chelsea Hough rocked heels for hers. Hannahlei Cabanilla earned a "love. her." from Mary. And Allen Genkin wrapped things up with a booty wiggle, a big smile, and a Magic Mike-esque shirt toss that Nigel called "a little desperate." (AGREE TO DISAGREE, NIGEL.)

Without further ado...

The "So You Think You Can Dance" Season 15 Top 20

THE GUYS

Jay Jay Dixonbey

Cole Mills

Justin Pham

Slavik Pustovoytov

Peyton Albrecht

Dustin Payne

Evan DeBenedetto

Darius Hickman

Kyle Bennett, Jr.

Allen Genkin

THE GIRLS

Genessy Castillo

Magda Fialek

Jensen Arnold

Stephanie Sosa

Dayna Madison

Sydney Moss

Brianna Penrose

Chelsea Hough

Emily Carr

Hannahlei Cabanilla

BUT WAIT. After the reveal, there was another reveal: Turns out only 10 dancers will continue on to the live shows. What is happening?!

Next week, each of the Top 20 dancers will be paired with an All Star and a choreographer. See you then for more madness!

Dance News
www.youtube.com

This video is many things: a throwback to award shows that really knew how to put on a show; an ode to props (particularly scaffolding); a snapshot of late '80s/early '90s hair and costume; and, best of all, a shining example of straight-up, hard-hitting jazz dance. (It's also the video Nick Lazzarini said he'd love for teachers to share with their students, to get them excited about jazz.)

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For dancing in heels, Quigley (right) prefers high boots.

Teachers share the philosophies and materials that make them successful in their careers and classes.

You’d think a “Stiletto Heels” class would be excruciatingly painful. Surely spending an hour or more in a pair of sky-high heels, performing Beyoncé-esque choreography full-out can’t feel good. And yet, New York City–based instructor Shirlene Quigley says her classes are all about comfort.

Quigley, who has danced for Beyoncé, Rihanna, Missy Elliott and Chris Brown, wants her students at Broadway Dance Center and Peridance—mostly females 16 or older—to feel good physically and emotionally during her classes. That means not just finding shoes that will help them dance their best (Quigley recommends tight, thigh-high boots for ankle support and stability), but also creating a classroom environment where the dancers aren’t worried about performing overly sexual or suggestive choreography just because they’re dancing in high heels.

Quigley telling students they are “all created for greatness”

“We start class with a warm-up filled with core strength, leg exercises and stretching,” says Quigley. “Then we circle up for a quick chat to bring unity into the room and to create a safe environment for people to grow and take risks.” From there, she leads the students in across-the-floor drills, followed by a combination in her girly, feminine style. “At the end, everyone performs the routine in small groups while we cheer each other on,” she says. “My rule in class is to treat each other with kindness, love and respect at all times. Dancing in heels is scary, but it’s such a mental thing, like, ‘You want me to do what?!’ Women can give birth, but it’s scary to dance in a high heel. I want to help my students be less scared.” DT

What she wears to teach: “I always dress the part. If I’m going for a more hip-hop street stiletto vibe, I’ll wear leggings with a flannel shirt tied around my waist and a loose crop top. If I’m teaching a combo that’s more about precise lines and movements, I’ll go for something tight and black so the students can see my body.”

High heels of choice: For her preferred thigh-high boots, Quigley isn’t picky about brand or style as long as she can move in them. She says she likes to visit DSW or Payless and dance around in them to see what she likes best.

Her ideal day off: “I either want to spend an entire day taking classes, or the opposite: a day of watching movies in bed with my journal or being pampered, then heading to the park with a good book.”

What she never leaves home without: heels, water, body spray and lip gloss.

What she wants her students to watch: “I always suggest studying the greats—Paula Abdul, Janet Jackson, Michael Jackson and Tina Turner—to learn from the true stars who paved the way for dance.”

Class photos courtesy of Quigley (2); boot and book: Thinkstock

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