Pregnancy changes the brain structure, per the latest research, in ways that help a mother understand the needs of her infant. The study (from Leiden University and published in Nature Neuroscience) suggests the brain adapts to motherhood by enhancing the ability to empathize. And the effects can last two years. Of course, brain changes are only one of a myriad of ways motherhood can impact a dancer's daily studio practice. Whether you're expecting or coaching a dancer through her pregnancy, you'll want to know what our experts advise to best support a pregnancy physically, emotionally and mentally.


Pregnant Posture ≠ Ballet Posture

What happens to your perfect ballet posture can be alarming. Anneliese Burns Wilson, founder of ABC for Dance, recommends accepting the inevitable and offers some help for two common changes.

Your butt sticks out and your lower back sways

As the baby develops, it shifts forward in your pelvic basin, and your pelvis develops an anterior tilt. Don't fight it. Instead, begin early on to practice finding a healthy pelvic position. Train yourself out of lengthening the lower back, or worse, tucking the tailbone.

First trimester. Photo by Kyle Froman

Find your changing healthy pelvic position (based on the Feldenkrais pelvic clock exercise)

In the first trimester you can do this exercise lying flat on your back; in the second and third trimesters, sit and recline back on your elbows instead of lying flat. Knees bent and soles of your feet together, imagine your pelvis as the face of a clock. Twelve o'clock is where the pelvis meets the spine; 6 o'clock is your tailbone; your left hip is 3 o'clock; your right hip is 9 o'clock. The turned-out position allows for movement of the pelvis on the thighs with less exertion, making it a good choice during pregnancy.

Second and third trimester. Photo by Kyle Froman

Rock your tailbone toward your navel (from 6 o'clock to 12 o'clock), allowing your back to gently lengthen against the floor. Pass through the center or neutral position to rock your tailbone in the other direction, allowing the top of your pelvis to shift forward and your back to gently arch (from 12 o'clock to 6 o'clock). Continue to gently transition between these two positions 4–5 times. Rest in the position where your pelvis feels balanced between the 12 and 6 o'clock positions.

Next rock from the 3 o'clock to the 9 o'clock positions. You will feel your weight transfer from the back of one side of the pelvis to the other. The goal isn't to lift one hip off of the floor, but instead to feel the transition from one side to the other. After 4–5 sets of shifting, find center and compare it to the centered position you found above.


6–12 o'clock. Photo by Kyle Froman

Now, find the numbers in between and trace arced paths around the clock in both directions. From your centered position, shift to 12 o'clock, and then trace your way to 1 o'clock and return to 12. Then go to 12, through 1 to 2, and return; 12 through 1 and 2 to 3 and return. Continue to make your way around the clock and then reverse.

At the end, feel your weight centered on your pelvis and move to standing and feel your natural position.


3–9 o'clock. Photo by Kyle Froman

Your shoulders round

To counter the tilt of the pelvis, the thoracic spine increases its curve toward the back of the body. This, combined with the development of fat stores between the shoulder blades, may make you look more round-shouldered and hunched.

Try this chest opener to build strength between the shoulder blades and the muscles that extend the middle and upper back.

Hold a resistance band in your hands with arms straight out in front of you at chest height.

Open your arms toward second position, feeling the shoulder blades sliding toward each other. Release, and repeat.

Try it with an extension: As you pull your arms open, lift your collar bones and sternum toward the ceiling.

Understanding Your Pelvic Floor

Dancers tend to have superficially tight pelvic floors, says Marimba Gold-Watts, who owns Articulating Body Pilates studio (and teaches Horton technique), but not necessarily enough strength in these deep stabilizing muscles at the base of the spine. She recommends three exercises for a more comfortable pregnancy and easier delivery. The idea is to strengthen the pelvic floor muscles, while at the same time learning to lengthen and fully release them. This will guard against issues like incontinence and worse—organ prolapse—after birth.

Find Stability on a Ball

1. Sit on a large physio ball with your feet slightly wider than hip-width apart. Choose a big enough ball that your knees and hips form at least 90-degree angles.

2. On an exhale, engage your pelvic floor. Imagine the muscles are an elevator that you are lifting away from the ball. Move the elevator to the second floor. Using deep exhales, lift the elevator to the third, fourth and fifth floors, holding for at least a second on each level.

3. Then release the muscles completely. You can do this for a few minutes daily.

Quadruped Exercise

1. Begin on your hands and knees with a neutral spine.

2. Engage your pelvic floor muscles and your abdominals together. You will feel your baby belly lift toward the ceiling. Think of snuggling your baby closer to your spine without changing the position of your spine.

3. Flex at the hips as you move your pelvis back over your heels, maintaining the engagement and the position of your spine.

4. Release the pelvic floor muscles. Then re-engage and move your hips back over your knees so the hips are slightly elevated.

5. Release.

Repeat 10–20 times.

Note: If your wrists are uncomfortable (which is common during and after pregnancy), fold your yoga mat over a few times under the heels of your hands.

Assisted Squats

1. Hold on to something with both hands—a barre, a Pilates springboard or Cadillac, a TRX at your gym or your significant other—and stand with your feet slightly wider than hip-width apart and slightly turned out (no more than 45 degrees).

2. Engage your pelvic floor muscles as you lower your pelvis down to a full squat.

3. At the bottom, release your muscles completely, and allow them to stretch.

4. Re-engage your muscles, and maintain engagement as you rise back up to standing.

Eating for Two

As the baby takes up an increasing amount of your internal body real estate, digestion becomes a challenge. But dancers still need plenty of fuel for their busy days and don't have the luxury of sitting around while their body processes a meal. Try these snack and meal ideas from Rebecca Dietzel, co-author of A Dancer's Guide to Healthy Eating. Reach for whole foods as much as possible. Processed products won't give you the nutrients you or your baby need.

Consuming nuts and seeds as butters makes them easier to digest: great sources of protein and healthy fats, try almond, sunflower-seed or hemp butter. Best to skip peanuts, since they have omega-6 fatty acids and inflammatory properties.

Q Whip up your own nut butter in a food processor, using the chopping blade and a big pile of plain, raw nuts. Add cinnamon, mild curry powder, cardamom or cloves to aid digestion and enhance flavor.

Make a smoothie with coconut milk. Add mango or pineapple with cinnamon, or blueberries with ginger. No refrigeration needed. Sip from it all day.

Mash an avocado with lime and cumin—kind of like guac, but skip the raw garlic (could be too pungent and cause nausea).

Keep a jar of olives on hand: easy to snack on, easy to digest, and they're full of good fats for cardiac health.

Pack your soup in a thermos. Make a simple vegetable and rice soup with rosemary and basil.

As the trimesters go on, it will become harder to scarf the whole thermos in a 15-minute break, so bring foods you can eat bite-by-bite, too.

Drink Up

Sometimes, the added pressure of a growing baby on the bladder discourages women from drinking enough. Be sure you drink regularly, even if it means going to the bathroom every 15 minutes.

Add some nutrients to your water

Steamy drinks: rose hip tea, or hot water with lemon or lime for Vitamin C

Refreshing: coconut water, pomegranate juice

Breathe to Calm Your Mind and Body

As the baby grows inside you, you may find you get short of breath more easily. Anneliese Burns Wilson,

a specialist in dance medicine and the director of ABC for Dance, recommends these exercises for early and later stages of pregnancy.

Four-part breath

Before the baby has grown too much is a good time to practice using breath to relieve stress. This conscious breathing exercise is a gentle way to maintain spinal alignment and tone in the abdominal and pelvic floor muscles.

Imagine yourself standing inside an inner tube. When you inhale, think of expanding all the way around the circle, not just in one or two directions.

Try to find the four parts of your breath. That is, in addition to the inhales and exhales, notice the brief pause that comes after the inhale and again after the exhale.

During the pause before each exhale, think about lifting your collar bones and gently extending your upper back.

After the exhale, enjoy a moment of stillness. This is when the supportive tone of the stabilizing transversus abdominus muscle can be most easily felt.

Port de bras side

As the baby grows, breathing can become more challenging. This exercise can be done standing or sitting in a comfortable straddle position, and it will help maintain mobility in the rib cage.

Bring your arms to second position (or one arm if you want to use the barre for support).

Lift one arm over your head and lengthen toward the ceiling before stretching over to the side. Maintain length from your hip to your ribs on the underside, instead of crunching them together.

To create even more length on the side you're stretching, rotate your top hand palm up, and then flex your hand at your wrist so you are pushing away from your body. At the same time, consciously press the same-side foot into the floor if you're standing, or the sitz bone if you're sitting.

Feel the dynamic tension from your heel (or sitz bone) to your wrist, as you take a few breaths in this position. Return to your starting position.

We Polled Dance Teachers Online About Their Must-Have Supplies and Gear

Saltines and ginger ale to get you through morning sickness

Capezio dance sneakers to cushion swollen feet and support your back

Myofascial release ball (17 cm/280 grams size) to release the pelvic floor

Balera high-waisted leggings

Never underestimate the benefits of a reliable student assistant. They jump; they turn; they lead warm-ups while you rest your feet!

Seat of Your Soul meditation cushion for a comfy seat

Belly band for extra support

Use a rolling chair to make hands-on corrections after you're done walking for the day.

Loose-fitting Irma top from LulaRoe

Photos by Kyle Froman, Katie Dettling of Fit-Arts, demonstrator; Thinkstock; myofascial release ball: photo by Kyle Froman; shirt: photo by Nathan Sayers, shirt supplied by LulaRoe/Becky Williamson

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The Conversation
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When it comes to running a thriving dance studio, Cindy Clough knows what she's talking about. As executive director of Just For Kix and a studio owner for more than four decades, she's all too aware of the unique challenges the job presents, from teaching to scheduling to managing employees and clients.

Here, Clough shares her best advice for new studio owners, and the answers to some common questions that come up when you're getting started.

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Facebook. Twitter. Instagram. Snapchat. The list goes on—and you have to decide not only what type of presence you'll have on each platform, but also whether you and your faculty will network with students and family members. How can you set boundaries for yourself and your faculty on social media?

The easiest option may be to prohibit these interactions entirely. At the Harid Conservatory in Boca Raton, Florida, staff and faculty may not "friend" or otherwise connect with current students or those under the age of 18 on social media, explains Gordon Wright, Harid's executive vice president and director.

At the Dance Zone in Henderson, Nevada, the handbook states that social media should be handled "in a professional manner." Owner Jami Artiga encourages students and faculty to share photos and tag the studio, but prefers not to "friend" kids from her personal account. "Of course, my son dances at the studio, and we have teachers with kids who go here, so sometimes the line gets blurry," she says.

Robin Dawn Ryan of the Robin Dawn Academy in Cape Coral, FL, also has a few students on her Facebook friend list, "but I don't put a lot about my personal life on the site," she says. She uses the platform more to keep track of what dancers and their parents are posting about the studio. "If they put up something they shouldn't," she says, whether that's a bullying post or an unflattering image, "I'll ask them to take it down."

Ryan tends to keep her social-media shout-outs generic: "So proud of this year's graduates!" and "Our dancers looked beautiful at prom!" That way, she can show support without spending hours online or worrying about missing any one student's achievement.

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When ballet star David Hallberg sought out the medical team at The Australian Ballet to help him recover from his ankle surgeries, one of the things rehabilitation specialist Megan Connelly had him learn was to jump from his hips. By doing so, he learned to put less stress on his lower legs and feet and access the powerhouse group of muscles surrounding the hips, most commonly referred to as the glutes. While many parts of his rehab were particular to him, understanding how to properly engage the glutes is something many professional and pre-professional dancers can stand to gain from.

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Studio Owners
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Many a studio owner might agree that the idea of maternity leave is laughable. "So many people say, 'I was back after two weeks—we had a competition,'" says Meagan Ziebarth, a former owner who sold her studio two years ago. "If that works for you, and you feel great, wonderful. But I feel passionately that having a baby is one of the most transformational life events, and you don't need to put that kind of pressure on yourself and accept that that's the norm."

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Be OK With Crazy

Suzana Stankovic and Natalia.

Suzana Stankovic
Wild Heart Performing Arts Studio
Astoria, New York
Enrollment: 500 (drop-in)
2 years in business

Suzana Stankovic signed the lease on her New York studio a mere 10 days before she gave birth to her first child. The space she'd been renting hourly for private and group lessons unexpectedly became available for a lease takeover, and, despite the timing, it felt like the right decision. "I said, 'This is happening for a reason,'" she says.

For the first two months after her baby was born, Stankovic recovered (she'd had a C-section). She held a soft opening in mid-November (2 1/2 months postdelivery) for existing students and officially opened her studio—with a drop-in class format—to the public the following January (4 months postdelivery).

  • Figure out your childcare. "It's the most important thing. You've got to figure that out, whether that means visiting daycare centers and finding one you're comfortable with or involving your entire family," she says. Stankovic's parents are retired and live near her, luckily, so they became her nannies. "That's the major reason I was able to do this," she says.
  • Expect to feel different after giving birth. "When I had my baby, and it came time to leave her and go to work, it was very, very difficult," says Stankovic. "I wasn't prepared for that. I was texting my mother constantly: 'Is she OK? Did she have her milk? Is she colicky?' It was hard to be fully present, initially. Be prepared for the effects of sleep deprivation and not eating well and the postpartum blues."
  • Have a support system in place. That's how Stankovic got through the roughest times, postbirth. "Have a friend or your husband or partner," she says. "And know that the very difficult times are temporary. They do abate. And if they don't, there are resources. There's help out there."
  • Be OK with crazy. "I would plan my lesson and do my combos in the shower," she says. "On my way to the studio, I'd finish up my grand allégro in my head. I'd send e-mails in the middle of changing her diaper—I'd write two sentences, change the diaper, write two more, then hit send." The result of so much multitasking? "I realized, 'Wow, I can do so much more than I thought I could,'" says Stankovic. "I'm ready for anything."
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