October 2016

Buy this issue!

  • Finding Inspiration

    By Karen Hildebrand

  • Kim McSwain Is Beloved on the Convention Circuit

    By Jen Jones Donatelli

  • Bob Boross: How I Teach Matt Mattox Freestyle Jazz

    By Rachel Rizzuto

  • Face to Face: Morgan Thorson

    By Rachel Rizzuto

  • Teachers’ Tools: Drew Ellison

    By Rachel Caldwell

  • Ask the Experts: Building a Studio Business in a Bad Location

    By Kathy Blake and Suzanne Blake Gerety

  • Music: Josh Bergasse

    By Alyssa Marks

  • Health: What You Need to Know About Concussions

    By Andrea Marks

  • History: Anna Pavlova

    By Rachel Caldwell

  • Theory & Practice: Help Students Develop a Unique Sense of Artistry

    By Julie Diana

  • Higher Ed: Dual-Enrollment Programs Offer College Students a Link Between School and a Pro Career

    By Kat Richter

  • Studio Business: How to Build—or Whittle Down—Your Staff

    By Betsy Farber

  • Winging It: Train Your Students to Nail the Improvisation Category at Competitions

    By Kristin Schwab

  • Prepping for Competition and Convention Season

    By Nancy Wozny

  • 2016-2017 Competition & Convention Guide

    Compiled by Caitlin Dutton and Lauren Renck

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Securing the correct music licensing for your studio is an important step in creating a financially sound business. "Music licensing is something studio owners seem to either embrace or ignore completely," says Clint Salter, CEO and founder of the Dance Studio Owners Association. While it may seem like it's a situation in which it's easier to ask for forgiveness rather than permission—that is, to wait until you're approached by a music-rights organization before purchasing a license—Salter disagrees, citing Peloton, the exercise company that produces streaming at-home workouts. In February, Peloton settled a music-licensing suit with the National Music Publishers' Association out-of-court for an undisclosed amount. Originally, NMPA had sought $300 million in damages from Peloton. "It can get extremely expensive," says Salter. "It's not worth it for a studio to get caught up in that."

As you continue to explore a hybrid online/in-person version of your class schedule, it's crucial that your music licenses include coverage for livestreamed instruction—which comes with its own particular requirements. Here are some answers to frequently asked questions about music licensing—in both normal times and COVID times—as well as some safe music bets that won't pose any issues.

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Teaching Tips
A 2019 Dancewave training. Photo by Effy Grey, courtesy Dancewave

By now, most dance educators hopefully understand that they have a responsibility to address racism in the studio. But knowing that you need to be actively cultivating racial equity isn't the same thing as knowing how to do so.

Of course, there's no easy answer, and no perfect approach. As social justice advocate David King emphasized at a recent interactive webinar, "Cultivating Racial Equity in the Classroom," this work is never-ending. The event, hosted by Dancewave (which just launched a new racial-equity curriculum) was a good starting point, though, and offered some helpful takeaways for dance educators committed to racial justice.

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Higher Ed
The author, Robyn Watson. Photo courtesy Watson

Recently, I posted a thread of tweets elucidating the lack of respect for tap dance in college dance programs, and arguing that it should be a requirement for dance majors.

According to onstageblog.com, out of the 30 top-ranked college dance programs in the U.S., tap dance is offered at 19 of them, but only one school requires majors to take more than a beginner course—Oklahoma City University. Many prestigious dance programs, like the ones at NYU Tisch School of the Arts and SUNY Purchase, don't offer a single course in tap dance.

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