November 2005

Blueprint for Success

Joan Finkelstein is on the verge of a great achievement: providing dance instruction to every public school student in New York City.

The 2006 Costume Preview

130 of the newest costume styles, plus new shoes

A Fitting Occupation

Dance costumer Sandra Woodall shares her creative process.

Costuming on a Budget

The four Bs of dressing dance on the cheap

Competition Chic

Expert advice for dressing versatile hair and makeup looks for competition

Performance Planner: Revamp Your Holiday Show

Create a non-traditional holiday show with these refreshing ideas from fellow studio owners.

When The Nutcracker Suite Turns Sour

Learn from veteran teachers' mistakes to avoid a Nutcracker nightmare.

Agrippina Vaganova

An influential teacher of classical ballet

No More Problem Parents

Develop these communication skills to improve the parent-teacher relationship.

Teaching in Outreach

How to make the most out of being a teaching artist in public school

How to Start a Company, Part 2

What are the pros and cons of being a nonprofit, and the logistics of becoming one?

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Despite worldwide theater closures, the Universal Ballet Competition is keeping The Nutcracker tradition alive in 2020 with an online international competition. The event culminates in a streamed, full-length video of The Virtual Nutcracker consisting of winning entries on December 19. The competition is calling on studios, as well as dancers of all ages and levels, to submit videos by November 29 to be considered.

"Nutcracker is a tradition that is ingrained in our hearts," says UBC co-founder Lissette Salgado-Lucas, a former dancer with Royal Winnipeg Ballet and Joffrey Ballet. "We danced it for so long as professionals, we can't wait to pass it along to dancers through this competition."

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Robbie Sweeny, courtesy Funsch

Christy Funsch's teaching career has taken her from New York City to the Bay Area to Portugal, with a stint in a punk band in between. But this fall—fresh off a Fulbright in Portugal at the Instituto Politécnico de Lisboa, School of Dance (ESD), teaching and researching empathetic embodiment through somatic dance training—Funsch's teaching has taken her to an entirely new location: Zoom. A visiting professor at Slippery Rock University for the 2020–21 academic year, Funsch is adapting her eclectic, boundary-pushing approach to her virtual classes.

Originally from central New York State, Funsch spent 20 years performing in the Bay Area, where she also started her own company, Funsch Dance Experience. "My choreographic work from that time is in the dance-theater experiential, fantasy realm of performance," she says. "I also started blending genres and a lot of urban styles found their way into my choreography."

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Courtesy Meg Brooker

As the presidential election approaches, it's a particularly meaningful time to remember that we are celebrating the centennial of the 19th Amendment, when women earned the right to vote after a decades-long battle.

Movement was more than a metaphor for the fight for women's suffrage—dancers played a real role, most notably Florence Fleming Noyes, who performed her riveting solo Dance of Freedom in 1914 to embody the struggle for women's rights.

This fall, Middle Tennessee State University director of dance Meg Brooker is reconstructing Dance of Freedom on 11 of her students. A Noyes Rhythm teacher and an Isadora Duncan scholar, Brooker is passionate about bringing historic dance practices into a contemporary context.

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