News Flashes

  • Tharp during a lecture-demonstration of her Treefrog in Stonehenge

    Choreographer Twyla Tharp will be a guest artist at Barnard College in New York City for the 2014–15 school year. Tharp--who is a graduate of Barnard--will give lectures, master classes and workshops during her tenure. This announcement came on the heels of her residency at Barnard this past spring, which culminated in the premiere of Tharp's new piece, Treefrog in Stonehenge, as part of Barnard and Columbia University's annual dance concert in April.

  • William Forsythe will join the faculty of the University of Southern California's Glorya Kaufman School of Dance in fall 2015, as USC enrolls its first group of bachelor of fine arts dance majors.

    Forsythe and USC Kaufman School of Dance director Jodie Gates

    (For more on USC's new dance major, stay tuned for our September issue!) Forsythe, who announced that he will no longer head his own group, The Forsythe Company (though he will remain an artistic advisor), will teach improvisation and choreography at USC. Plans are underway to establish the Choreographic Institute at USC, with Forsythe as artistic director.




Photos from top: by Paul B. Goode, courtesy of Barnard; by Ian Carney, courtesy of USC

Getty Images

Despite worldwide theater closures, the Universal Ballet Competition is keeping The Nutcracker tradition alive in 2020 with an online international competition. The event culminates in a streamed, full-length video of The Virtual Nutcracker consisting of winning entries on December 19. The competition is calling on studios, as well as dancers of all ages and levels, to submit videos by November 29 to be considered.

"Nutcracker is a tradition that is ingrained in our hearts," says UBC co-founder Lissette Salgado-Lucas, a former dancer with Royal Winnipeg Ballet and Joffrey Ballet. "We danced it for so long as professionals, we can't wait to pass it along to dancers through this competition."

Keep reading... Show less
Robbie Sweeny, courtesy Funsch

Christy Funsch's teaching career has taken her from New York City to the Bay Area to Portugal, with a stint in a punk band in between. But this fall—fresh off a Fulbright in Portugal at the Instituto Politécnico de Lisboa, School of Dance (ESD), teaching and researching empathetic embodiment through somatic dance training—Funsch's teaching has taken her to an entirely new location: Zoom. A visiting professor at Slippery Rock University for the 2020–21 academic year, Funsch is adapting her eclectic, boundary-pushing approach to her virtual classes.

Originally from central New York State, Funsch spent 20 years performing in the Bay Area, where she also started her own company, Funsch Dance Experience. "My choreographic work from that time is in the dance-theater experiential, fantasy realm of performance," she says. "I also started blending genres and a lot of urban styles found their way into my choreography."

Keep reading... Show less
Courtesy Meg Brooker

As the presidential election approaches, it's a particularly meaningful time to remember that we are celebrating the centennial of the 19th Amendment, when women earned the right to vote after a decades-long battle.

Movement was more than a metaphor for the fight for women's suffrage—dancers played a real role, most notably Florence Fleming Noyes, who performed her riveting solo Dance of Freedom in 1914 to embody the struggle for women's rights.

This fall, Middle Tennessee State University director of dance Meg Brooker is reconstructing Dance of Freedom on 11 of her students. A Noyes Rhythm teacher and an Isadora Duncan scholar, Brooker is passionate about bringing historic dance practices into a contemporary context.

Keep reading... Show less

Get Dance Business Weekly in your inbox

Sign Up Used in accordance with our Privacy Policy.