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Michael Jackson Musical Announces Title, Early Plot Details and Pre-Broadway Run

Michael Jackson performing in 1992. Via Wikimedia

If you love Michael Jackson, you'll love this news: A pre-Broadway run of the MJ jukebox musical will hit Chicago this fall.

Don't Stop 'Til You Get Enough boasts more than 25 MJ hits and has set its premiere for October 29. As previously reported, Christopher Wheeldon will direct and choreograph the new musical, while Lynn Nottage pens the book.


The musical will be set in 1992, as Jackson prepares for his Dangerous World Tour. The timing makes his first eight studio albums fair game—which include pretty much every iconic MJ track you could possibly wish for (not to mention the instantly recognizable moves from the music videos). Using tour prep as plot scaffolding also lends itself to a structure that could allow for ample flashbacks to earlier iconic moments in his career. As Nottage told the Chicago Tribune, "We are endeavoring to tell the story of one moment in the life of a very complicated man...We want to look at the pieces of his life that went into selecting his song list."

It sounds like Wheeldon will have plenty of source material to draw upon, both dramatically and musically—but how will the master ballet choreographer's style mesh with the King of Pop's? And with Wheeldon's Tony-winning track record, will he be able to elevate the oft-derided jukebox musical genre?

Sponsored by A Wish Come True
Courtesy A Wish Come True

With so much else on your plate, from navigating virtual learning to keeping your studio afloat, it can be tempting to to cut corners or to settle for less in order to check "costumes" off of this season's to-do list. Ultimately, though, finding a costume vendor you trust is paramount to keeping your stress levels low and parent satisfaction high, not to mention helping your students look—and feel—their absolute best. Remember: You are the client, and you deserve exceptional service. And costume companies like A Wish Come True are ready to go above and beyond for their customers, but it's important that you know what to ask for. Here are some tips to make sure you are getting the most out of your costume company.

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Charles Anderson (center) in his (Re)current Unrest. Photo by Kegan Marling, courtesy of UT Austin

Given the long history of American choreographers who have threaded activism into their work—Katherine Dunham, Pearl Primus, Donald McKayle, Joanna Haigood, Bill T. Jones, Jo Kreiter, to name a few—it's perhaps surprising that collegiate dance has offered so little in the way of training future generations to do the same.

Until now, that is. Within the last three years, two master's programs have cropped up, each the first of its kind: Ohio University's MA in community dance (new this fall), and the University of Texas at Austin's dance and social justice MFA, which emerged from its existing MFA program in 2018. These two programs join the University of San Francisco's undergraduate performing arts and social justice major, with a concentration in dance, which has been around since 2000.

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Getty Images

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When schools and studios launched their virtual dance programs at the beginning of the pandemic, many operated under the assumption that all their students would be able to take class online. But in reality, lack of access to technology and Wi-Fi is a major issue for many low-income students across the country, in many cases cutting them off from the classes and resources their peers can enjoy from home.

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