Justin Peck’s New Ballet Has Some of the Most Extravagant Costumes Ever

On Tuesday night, New York City Ballet’s Justin Peck premiered his first evening-length ballet for the company—a narrative work called The Most Incredible Thing, based on a story by Hans Christian Andersen. And while I haven’t seen much of the ballet’s actual choreography (here’s a fun trailer, but it doesn’t show too much dancing), I can’t remember the last time I was this excited about a ballet’s costumes.

They’re designed by Marcel Dzama, and every single look he’s created is fantastic. (And I think I mean fantastic in its most literal definition.) Check out this slideshow from WWD showing several of the dancers trying on their costumes. (The cast is 56 people strong!)

Maybe most telling is this behind-the-scenes slideshow from T: The New York Times Style Magazine with backstage, dressing room and aerial shots. I wonder how many hours NYCB’s director of costumes, Marc Happel, put into executing these beauties?

Don’t miss a single issue of Dance Teacher.

Photos courtesy of T: The New York Times Style Magazine

Higher Ed
The author, Robyn Watson. Photo courtesy Watson

Recently, I posted a thread of tweets elucidating the lack of respect for tap dance in college dance programs, and arguing that it should be a requirement for dance majors.

According to onstageblog.com, out of the 30 top-ranked college dance programs in the U.S., tap dance is offered at 19 of them, but only one school requires majors to take more than a beginner course—Oklahoma City University. Many prestigious dance programs, like the ones at NYU Tisch School of the Arts and SUNY Purchase, don't offer a single course in tap dance.

Keep reading... Show less
Teaching Tips
Getty Images

After months of lockdowns and virtual learning, many studios across the country are opening their doors and returning to in-person classes. Teachers and students alike have likely been chomping at the bit in anticipation of the return of dance-class normalcy that doesn't require a reliable internet connection or converting your living room into a dance space.

But along with the back-to-school excitement, dancers might be feeling rusty from being away from the studio for so long. A loss of flexibility, strength and stamina is to be expected, not to mention emotional fatigue from all of the uncertainty and reacclimating to social activities.

So as much as everyone wants to get back to normal—teachers and studio owners included—erring on the side of caution with your dancers' training will be the most beneficial approach in the long run.

Keep reading... Show less
Teachers Trending
Photo courtesy TUPAC

When legendary Black ballet dancer Kabby Mitchell III died unexpectedly in 2017, two months before opening his Tacoma Urban Performing Arts Center, his friend and business partner Klair Ethridge wasn't sure she had what it took to carry his legacy. Ethridge had been working with Mitchell to co-found TUPAC and planned to serve as its executive director, but she had never envisioned being the face of the school.

Now, Ethridge is heading into her fourth year of leading TUPAC, which she has grown from a fledgling program in an unheated building to a serious ballet school in its own sprung-floor studios, reaching hundreds of students across the Tacoma, Washington, area. The nonprofit has become a case study for what it looks like to carry out the vision of a founder who never had the chance to see his school open—and to take an unapologetically mission-driven approach.

Keep reading... Show less

Get Dance Business Weekly in your inbox

Sign Up Used in accordance with our Privacy Policy.