Teaching Tips

Find Out How Jessie James Has Established Herself as an Indispensable Guest Teacher

Jessie James (photo by Alex Esch (courtesy of James)

Over the past six years, Jessie James has established herself as an indispensable guest artist to competition studios across the country, thanks to her lively personality and character-filled choreography. She got her start by setting pieces as a resident teacher at Center Stage Performing Arts Studio in Orem, Utah, then moved on to Larkin Dance Studio in Maplewood, Minnesota, and Woodbury Dance Center in Woodbury, Minnesota. Her choreography has since been seen by studio owners around the country as her pieces have won local and national competitions. It didn't take long before dance studios from coast to coast were contacting her to set choreography and teach master classes. Now she works with roughly 15 studios yearly and is hoping to grow her practice even more in the future.


Because James only has a short time to work with each studio, she has created a formula for conducting efficient and meaningful workshops. "I generally begin each of my choreography trips with a master class," James says. "I like to see the dancers before I work, so I can get an idea of what their skills are. Studios tend to like this, because the money they earn from the class spreads the cost of my travel among all of their dancers rather than just the kids who are having a piece set on them. Once we start working on a number, I workshop a chorus with them, and then I begin setting the rest of the number. That way each student has something to practice, and they never get cold when I'm not working with them."

As a guest teacher and choreographer in the digital age, James is committed to growing her practice authentically rather than shaping her work around what will play well on social media. "We can get caught up in social media and try to get people to see our work," says James, whose professional credits include Justin Giles' company SoulEscape, "America's Got Talent" and the Donny & Marie show in Vegas and on Broadway. "My advice to anyone who is trying to choreograph and teach is to keep your head down, hustle and do work you believe in. Don't focus on what other choreographers are doing online. Hold your integrity, and studio owners will see that and want to hire you."

TEACHERS' TOOLS:

​HOW SHE FINDS MUSIC:

James Teaching Choreography

Photo by Alex Esch (courtesy of James)

"Throughout the year, I have a Spotify playlist that I'm constantly adding to with Shazam. If I can listen to one of the songs and have an entire concept come to life in my mind, I know I've found the right one."

GO-TO TEACHING ATTIRE:

James Teaching Choreography

Photo by Alex Esch (courtesy of James)

"You can always find me in a pair of black Lululemon align pants, or sweatpants made of Rulu fabric. I love American Apparel baggy tees and light throw-over crew-neck sweatshirts. When I've been on my feet all day and need added support, I throw on my Nikes with plantar fasciitis inserts to help with arch support."

FAVORITE ENERGY-BOOSTER FOOD:

Google Images

"Protein bars, almonds and fruit. "When it's a real long night of teaching, a Diet Coke doesn't hurt, either."

RECOMMENDED READING:

"Big Magic: Creative Living Beyond Fear, by Elizabeth Gilbert. "She talks about living a creative life, and I felt like she was speaking directly to me."

ITEMS SHE NEVER LEAVES HOME WITHOUT:

Thinkstock

"Lip balm, my phone and doTERRA Deep Blue Rub—especially when I'm teaching."


News
Getty Images

Despite worldwide theater closures, the Universal Ballet Competition is keeping The Nutcracker tradition alive in 2020 with an online international competition. The event culminates in a streamed, full-length video of The Virtual Nutcracker consisting of winning entries on December 19. The competition is calling on studios, as well as dancers of all ages and levels, to submit videos by November 29 to be considered.

"Nutcracker is a tradition that is ingrained in our hearts," says UBC co-founder Lissette Salgado-Lucas, a former dancer with Royal Winnipeg Ballet and Joffrey Ballet. "We danced it for so long as professionals, we can't wait to pass it along to dancers through this competition."

Keep reading... Show less
Robbie Sweeny, courtesy Funsch

Christy Funsch's teaching career has taken her from New York City to the Bay Area to Portugal, with a stint in a punk band in between. But this fall—fresh off a Fulbright in Portugal at the Instituto Politécnico de Lisboa, School of Dance (ESD), teaching and researching empathetic embodiment through somatic dance training—Funsch's teaching has taken her to an entirely new location: Zoom. A visiting professor at Slippery Rock University for the 2020–21 academic year, Funsch is adapting her eclectic, boundary-pushing approach to her virtual classes.

Originally from central New York State, Funsch spent 20 years performing in the Bay Area, where she also started her own company, Funsch Dance Experience. "My choreographic work from that time is in the dance-theater experiential, fantasy realm of performance," she says. "I also started blending genres and a lot of urban styles found their way into my choreography."

Keep reading... Show less
News
Courtesy Meg Brooker

As the presidential election approaches, it's a particularly meaningful time to remember that we are celebrating the centennial of the 19th Amendment, when women earned the right to vote after a decades-long battle.

Movement was more than a metaphor for the fight for women's suffrage—dancers played a real role, most notably Florence Fleming Noyes, who performed her riveting solo Dance of Freedom in 1914 to embody the struggle for women's rights.

This fall, Middle Tennessee State University director of dance Meg Brooker is reconstructing Dance of Freedom on 11 of her students. A Noyes Rhythm teacher and an Isadora Duncan scholar, Brooker is passionate about bringing historic dance practices into a contemporary context.

Keep reading... Show less

Get Dance Business Weekly in your inbox

Sign Up Used in accordance with our Privacy Policy.