Depending upon whom you ask, there are different approaches to mastering the art of turning. Whether it's fouetté turns or a single pirouette, every teacher tends to have their own unique way to break down the physics of pulling off balance, strong arms and quick spotting to students. And here's one more visual to consider, courtesy of master ballet teacher Finis Jhung.
Bottom line: There are never enough ways to describe how to do a pirouette.
Do you call the pirouette position passé or retiré, or do you use both? What about the term élevé? Do you use it? Have you ever considered what these French words actually mean?
“Ballet terminology is somewhat subjective," says Raymond Lukens of ABT's JKO School. “Often there is no definitive way to say something. What's really important is to create a picture in the minds of your students so that they will do the step you're asking the best way possible. You can split hairs forever over this stuff!"
Taylor Swift's latest music video for her hit song "Delicate" has taken the internet by storm since its premier at the 2018 iHeartRadio Music Awards. (Is anyone surprised? 💁) If you've been watching headlines, you know that it's simultaneously dancey, goofy, nods at Margaret Qualley's dance advertisement for KENZO and is chock-full of secret messages for all of Swift's biggest fans.
This entertaining video has us reflecting on some other dance-centric music videos we'll never get over. Check out our list of dancey music videos you need to watch right now. Let us know your favorite over on our Facebook page!
Today in Ballet Dancers Are Actual Superheroes news:
You've no doubt heard that the fabulous Alicia Vikander is playing Lara Croft in the newest iteration of Tomb Raider, which hits movie theaters this Friday. But while her training for the high-octane action role was crazy tough, she says, studying at the Royal Swedish Ballet Schoolwas far tougher.
Chanel DaSilva has two pillars of focus for every class she teaches: performance quality and musicality. The former Trey McIntyre Project dancer asks her students to really listen and be the music, emphasizing the importance of being expressive artists. She wants students to find that euphoric place dancers feel when they're under the lights with an audience watching. "I want that in class," she says. "Don't wait for the stage."
When Boston Ballet's Lasha Khozashvili prepares for a role, his strategy feels more reminiscent of an NFL athlete than a principal dancer. He reviews his past performances like a football player studying game tapes. He recalls the technical choices he made and chooses what to keep or change in his upcoming performance. Unlike a football player, though, he leaves one element of his performance untouched before the curtain goes up: the storytelling. "I try to not spend too much time worrying about how I'll act out the character," says Khozashvili. "I prefer to step onstage and follow the story as it happens. I focus my attention on falling in love with my partner throughout the show."
You can see Khozashvili fall in love with his partner, Seo Hye Han, onstage this month in Boston Ballet's production of Romeo & Juliet, March 15–April 8 at the Boston Opera House.
On corrections: "It doesn't matter if it's a coach or a dancer who comes to me and gives me a professional correction—I trust them. If someone sees me struggling with something, and they show me how I can make it better, that's how I'll continue to improve. Even if I disagree with their correction, I'll think about what they've said, and try it out anyway."
On the rigors of a professional ballet career:"I didn't always know if this was what I wanted to do for my profession. The learning process at school got so intense, I had to ask myself, 'Do I really want to go through all this?' You have to go through hell to become one of the highest-ranking dancers in one of the best companies in the world. You have to sacrifice and dedicate yourself completely."
His next step: "I hope to one day be a master coach in a ballet company, as well as spend some time working with young students. I want to teach young dancers how to take corrections in the way that I was taught to take corrections. I want them to pay attention and really work to fix their mistakes."
If you're looking to find new teaching jobs or just expand your reach as a teacher, look no further than your Instagram account. Developing a digital voice that connects with studios and dancers is an easy (and cost-free) strategy to boost your profile.
"Instagram has definitely shined a spotlight on my gifts as a teacher," says Kelby Brown, who's taught for American Ballet Theatre and at conventions like The PULSE.
"I have had many inquiries about teaching master classes or being asked to be on faculty at different schools. It has also kept dance competitions in the know and reminds them to bring me out as a judge and educator."
Here, Brown offers his insights to make your Insta account start working for you.