According to the new documentary DANSEUR, 85% of males who study dance in the United States are bullied or harassed. A quote in the film from Dr. Doug Risner, faculty member at Wayne State University, states, "If this scope of bullying occurred in any activity other than dance, it would be considered a public health crisis by the CDC."

So why is it allowed to persist in ballet? And why aren't we talking about it more? These are the questions that DANSEUR seeks to answer. But primarily consisting of dance footage and interviews with male dancers like ABT's James Whiteside, Houston Ballet's Harper Watters and Boston Ballet's Derek Dunn, the film only addresses these issues superficially, with anecdotes about individual experiences and generalizations about what it's like to be a male dancer.



DANSEUR MOVIE TEASER www.youtube.com

The film often comes across as tone-deaf: Though there is lots of discussion about the challenges that professional male dancers face (not having their career taken seriously, being a "prop" onstage for women, etc), there's no acknowledgment that ballet is almost entirely run by men, who often ride a "glass escalator" into positions of power in the field. (And yes, ballet may be a traditionally feminine art form, but one of the country's major companies is currently being sued for having a "frat-like" culture.) Nor does it tackle other complex gender dynamics at play, like the fact that alongside being bullied, boys often receive scholarships and preferential treatment from teachers because they are so scarce, or that women face outsized competition due to sheer numbers.

Still, DANSEUR accomplishes an important goal: To show boys facing bullying that they're not alone, and to present role models of (mostly gay) professional male dancers. We spoke to one of these roles models, Boston Ballet principal John Lam, about the film, why his parents still haven't seen him dance as a professional, and why ballet's issues don't end with bullying:

What He Thought of the Film

Danseur - Teaser www.youtube.com

"I thought it was a powerful message for our youth, especially now within our political temperature," Lam says. "Bullying has essentially been a growing pain of being a male dancer. People don't discuss it or allow kids to know that others have gone through it." Director and producer Scott K. Gormley was inspired by his son's experience with bullying to make the film, according to Lam. "I'm a father myself so it hits me a little deeper," he says.

Why His Parents Won't Go See Him Dance

Early in the film, Lam mentions that his parents have never seen him dance as a professional. As a viewer, it's easy to assume that this is because they don't approve of men doing ballet, or of Lam being gay. But the reality is more complicated: "The American culture says that our parents are going to be there in anything that we do," says Lam. "My parents are refugees from Vietnam. Coming here, all they cared about was making sure I was safe, fed and doing well at school. They do love me dearly. But in terms of what I do for a living, they haven't really come through with that. I think it's a lack of a cultural education, and I don't blame them. It's sad but at the same time it helps me become a stronger person. I think that has been a blessing in disguise."

Why We Need to Talk About More Than Just Bullying

The film implies that ballet is just as competitive for men as it is for women. When asked if he agrees with that sentiment, Lam brought up another important facet of the argument: "I believe that if you're a white male that's tall and can partner, your career is going to be much easier than a dancer from any other ethnicity," he says. "I only say that from personal experience. I've dealt with things like, Oh we don't want you in that part. They can't tell you it's because you have Asian eyes and dark hair but the presumption is that an Asian dancer has never done that role before."

Dance Teachers Trending
Rising Waters, by Gianna Reisen. Photo by Josh Rose, courtesy of L.A. Dance Project

For Gianna Reisen, a classically trained ballet dancer who now performs with L.A. Dance Project, the process of finding music for her choreography is everything. "If I'm not 100 percent inspired by the music, the movement just doesn't come out," she says. Following this natural creative spirit, though, wasn't always the driving force behind her artistry.

Keep reading... Show less
Site Network
Alvin Ailey surrounded by the Company, 1978. Photography by Jack Mitchell, © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, all rights reserved

From 1961 to 1994, legendary photographer Jack Mitchell captured thousands of moments with Alvin Ailey American Dance Theater. Now, this treasure trove of dance history is available to the public for viewing via the online archives of the Smithsonian's National Museum of African American History and Culture.

The collection includes both color and black-and-white images of Ailey's repertoire, as well as private photo sessions with company members and Ailey himself. Altogether, the archive tracks the career development of many beloved Ailey dancers, including Masazumi Chaya, Judith Jamison, Sylvia Waters, Donna Wood and Dudley Williams—and even a young Desmond Richardson. And there's no shortage of photos of iconic pieces like Blues Suite (Ailey's first piece of choreography), Cry and Revelations.

We couldn't resist sharing a few of our favorites below. Search the collection for more gems here.

Keep reading... Show less
Dance News
Photo by CJ Harris, courtesy of PHILADANCO

Each anniversary celebration of a dance company might also be considered a lesson in dance history and a study of endurance and perseverance. Thus the 50th anniversary of PHILADANCO is an opportunity to celebrate the remarkable legacy of founder and artistic director Joan Myers Brown as a source of inspiration for students, dancers and colleagues nationwide.

PHILADANCO is a resident company at the Kimmel Center in Philadelphia and kicked off its 50th season on October 5. Brown and the company will participate in the International Association of Blacks in Dance's 32nd annual conference, January 14–19, in Philadelphia. And you can catch the company throughout the U.S. in 2020, including February performances in Massachusetts and New Jersey.

Keep reading... Show less
Dancer Health
Getty Images

Q: My 13-year-old daughter has always been flexible, but last year she suffered an acute injury to her hip flexor from an overstretch position. Since then I have told her not to participate in over-splits or other extreme positions. Is that the right thing to do?

Keep reading... Show less
Dance Teachers Trending
Photo by Jacqueline Chang, courtesy of Ailey Extension

Marshall Davis Jr.'s introduction to tap dance began at 10 years old at African Heritage Cultural Arts Center, where his father is director, in Miami, Florida. Training began in sneakers and dress shoes that Davis Jr. did his best to get sound out of. "My father was reluctant to invest in tap shoes, because he thought it was likely I would change my mind about dancing," he says. But it didn't take long before Davis Jr.'s passion for tap became undeniable, and his father bought him his first pair of tap shoes. Just one year later, Davis Jr. became the 1989 Florida winner for the Tri-Star Pictures Tap Day contest, a promotion for the movie Tap, starring Gregory Hines and Sammy Davis Jr. Through that experience, a new tap-dancing future was opened.

Keep reading... Show less
Getty Images

Q: Are there good sources to find replacement dance teachers? When I go through standard employment services, I get people who are not properly trained or lack experience.

Keep reading... Show less
Dancer Health
Courtesy of Susan Jaffe

Throughout Susan Jaffe's performance career at American Ballet Theatre, there was something special, even magical, about her dancing. Lauded as "America's quintessential American ballerina" by The New York Times, Jaffe has continued to shine in her postperformance career, most recently as the dean of dance at the University of North Carolina School of the Arts. She credits the "magic" to her meditation practice, which she began in the 1990s at the height of her career. We sat down with Jaffe to learn more about her practice and how it has helped her both on and off the stage.

Keep reading... Show less
Dance Teacher Tips
Getty Images

Reviewing a simple recording of your voice when you're teaching can help you hear how you sound to your students. Taking the time to play back your instructions, corrections and compliments throughout class will help you find any weak spots as well as recognize some of your strengths. It's a great technique to help you evaluate your instructional ability and make improvements, and pat yourself on the back for things you are doing well. Plus, it's super-easy to do!

Keep reading... Show less
Site Network
Including ballet competition standout Alina Taratorin (photo by Oliver Endahl, courtesy Taratorin)

Congratulations to the 39 talented dancers just named 2020 YoungArts award winners! This year's group of awardees includes several familiar faces from the competition scene.

Keep reading... Show less
To Share With Students
Photo by Brian Babineau, courtesy Burghardt

When Alicia Burghardt entered Dean College in Massachusetts as a freshman dance major, it hadn't occurred to her that the Boston Celtics had a dance team. A competition kid with aspirations for Broadway, Burghardt never imagined herself as an NBA dancer. But by the time she was finishing her senior year, she'd not only joined the Celtics Dancers, she was choreographing a number for a major playoff game. And after finishing her rookie year, surrounded on that TD Garden parquet floor by uproarious fans, she couldn't help but stay for another. "It's unbelievable performing for Boston fans," she says. "They're so loyal to their team. It could be third quarter, down 20 points, and they're still cheering."

Keep reading... Show less
Dance Teacher Tips
"The Greatest Show on Earth." Photo by Brenda Rueb, courtesy of Vona Dance

Your year-end recital is your studio's pot of gold at the end of the rainbow. Not only is it the time for your dancers to celebrate what they've accomplished during the year, it's your opportunity to demonstrate to parents firsthand the value of a dance education. A successful recital can also grant your school an influential role in the local community. Whether a prominent conservatory or a small-town studio, and whether your dancers win competitions or take classes once a week, your year-end recital is the chance for your dancers—and your program—to shine.

Keep reading... Show less
Dance Teachers Trending

"No formal training. No dance studio. No mentor," says Erik Saradpon about his beginnings in hip hop.

"I think that's why I'm especially tough on these guys, because I don't take the relationship for granted," he says, referring to his students. "I'm like a dad to them. I had a shortage of role models in my life. I wanted that so badly. I project that onto my kids."

Keep reading... Show less

mailbox

Get DanceTeacher in your inbox