In December I attended Ballet West's Nutcracker in Salt Lake City. The show started about 15 minutes late, and during intermission one of the company's PR reps came to apologize. He let me know that the backstage/stage area was too cold, based on the union's rights, and that it had to warm up before the dancers could perform.

This idea really struck me. I hadn't thought much about the rights dancers had to a backstage that was warm. Having spent most of my life as a comp kid performing on concrete floors, it never occurred to me that I should protect my body from an environment that might be harmful to it. We just danced wherever we were told to.

Ever since that performance last month, I haven't been able to get the idea of union rights and studio kids out of my head. Every dancer, professional or not, deserves a safe space to perform. I reviewed union benefits for the Screen Actors Guild—American Federation of Television and Radio Artists (SAG-AFTRA), the American Guild of Musical Artists (AGMA) and the Actors' Equity Association (AEA), and determined a list of five rights I believe studio kids should be entitled to. I'm not advocating that they unionize, but, dance teachers, make sure you're taking care of your kiddos!!

Let us know in the comments on our Facebook page what you think about union rights and studio kids!


1. Safe workplaces

Do your due diligence to make sure your studio is a safe place for your dancers. Be vigilant about hiring teachers who are responsible and caring, and who won't bring physical or emotional harm to your kids.

2. Reasonable working conditions

I know there isn't much we can do about the fact that conventions are held on the concrete floors of hotel ballrooms, but do your best to create reasonable conditions for your dancers. Fix the bubbles in your marley floors so that nobody breaks an ankle, keep the space clean and void of mold, and don't ask your dancers to do work that will obviously cause physical harm (even if it will look cool onstage).

3. Guaranteed breaks

While there is certainly a lot to get done in preparation for rehearsals and performances, water and lunch breaks are important. Make sure you schedule some rest time during your long rehearsal days. Your dancers need it!

4. Regulated work hours

Though the number of dancing hours a student is capable of safely maintaining varies among individuals, there is certainly a point where studios cross the line. Be smart, and consider setting a limit on how long your dancers can be in the studio. Help them find balance between school, dance, family and friends. Their emotional well-being and ultimate success depends on it.

5. Vacation and sick days

Let your dancers take the day off if they are puking their guts out, even if there is a competition that coming weekend. Don't require your dancers to rehearse on important national holidays. You need the day off, too, so make vacation and sick days a priority!

The Conversation
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Photo by Quinn Wharton, courtesy of Forance

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Courtesy Dance Teacher Web

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At Dance Teacher Web's Conference and Expo, attendees will spend July 29–August 1 in Las Vegas, Nevada learning everything from new teaching methods to studio management software. And as if the dance and business seminars weren't enough, participants can also choose from three certifications to earn during the conference to help expand their expertise, generate new revenue and set their studios apart:

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The celebration of tap dance legend Bill "Bojangles" Robinson's birthday comes each year May 25, and the dance world goes wild for it! Since 1989 the day has been celebrated by tap lovers everywhere through music, movement and festivals.

Interested in joining the party this year? Here's one special way to celebrate NTDD in 2019.

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New York City is a dream destination for many dancers. However aspiring Broadway stars don't have to wait until they're pros to experience all the city has to offer. With Dance the World Broadway, students can get a taste of the Big Apple—plus hone their dance skills and make lasting memories.

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Dance Teacher 2014 K–12 public-school education award recipient, Joan Sheary, is starring in a new documentary, Toe the Line: Arts Education for Life. The film, which is currently wrapping 10 years of filming, follows a group of high school students as they participate in a public arts magnet middle school program in Worcester, Massachusetts, under the direction of dance teacher and former Rockette, Sheary.

Through the eyes of the students, the audience has the opportunity to see the value of arts education in action. The film shows students as they navigate daily practice, grueling workouts, competition, bullying, peer pressure and complex home dynamics, all culminating in the school's year-end performances.

"We have filmed for a total of 450 hours over a 10-year period," director Barbara Copithorne says. "The result is Toe the Line: Arts Education for Life—a 76-minute documentary about Joan Sheary, the origin and breadth of the program she created, the students' lives she's touched and a city that supports the arts."

As the film creeps toward festival submissions, the creators are reaching out to the dance community to raise funds for its release. You can contribute here.

Sheary's success as a teacher was celebrated at our yearly Dance Teacher Award presentation in 2014. To participate in this year's DT Awards, join us at The Dance Teacher Summit in Long Beach, California. Follow the link to get more information on registration, class schedules and events.

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Photo by Julianna D. Photography, courtesy of Abreu

Although Rudy Abreu is currently JLo's backup dancer and an award-winning choreographer—his piece "Pray" tied for second runner-up at the 2018 Capezio A.C.E. Awards, and a variation of the piece made it to the finals on NBC's "World of Dance"—he still finds time to teach. Especially about how he hears music.

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Q: Our dancers' parents want to observe class, but students won't focus if I let them in the room. I've tried having them observe the last 10 minutes of class, but even that can be disruptive and bring the dancers' progress to a halt. Do you have any advice on how to handle this?

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James Payne, director of The School of Pennsylvania Ballet, starts class each day by asking students how they feel. "If they're collectively hurting, and I know that the day before they were working hard on something new, I might lessen the intensity of the class," he says. "I won't slow it down, though. Sometimes it's better to move through the aches and get to the other side."

A productive class depends, in part, on how well it is paced. If you move too slow, you risk losing students' interest and creating unwanted heaviness. Move too fast and dancers might not fully benefit from combinations or get sufficiently warm, increasing their risk of injury. But even these guidelines may differ depending on the students' age and level. Good pacing is a delicate balance that can facilitate mental and physical growth, but it requires good planning, close observation and the ability to adapt mid-class.

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Running your own studio often comes with a pull-yourself-up-by-your-bootstraps mentality. After all, you're the one who teaches class, creates choreography, collects tuition, plans a recital, calls parents, answers e-mails, orders costumes—plus a host of other tasks, some of which you probably don't even think about. But what if you had someone to help you, someone who could take certain routine or clerical tasks off your hands, freeing you up to focus on what you love?

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Derek and Julianne Hough via @juleshough on Instagram

Here at Dance Teacher, we LOVE a talented dance family. Something about parents and siblings passing their passion for dance down to those who come after them just warms our hearts.

While there are many sets of talented siblings across all genres of dance, ballroom seems to be particularly booming with them.

Don't believe us? Check out these four sets of ballrooms siblings we can't take our eyes off of. Their parents have raised them right!

This is far from a comprehensive list, so feel free to share your favorite sets of dance siblings over in our comments!

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This weekend, Roxey Ballet presented a sensory-friendly production of Cinderella at the Kendell Main Stage Theater in Ewing, New Jersey, with sound adjustments, a relaxed house environment and volunteers present to assist audience members with special needs. The production came on the heels of three educational residencies held at New Jersey–based elementary schools in honor of Autism Awareness Month in April.

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