Evelyn Cisneros-Legate is bringing her hard-earned expertise to Ballet West. The former San Francisco Ballet star is taking over all four campuses of The Frederick Quinney Lawson Ballet West Academy as the school's new director.
Cisneros-Legate, whose mother put her in ballet classes in an attempt to help her overcome her shyness, trained at the San Francisco Ballet School and School of American Ballet before joining San Francisco Ballet as a full company member in 1977. She danced with the company for 23 years, breaking barriers as the first Mexican American to become a principal dancer in the U.S., and has graced the cover of Dance Magazine no fewer than three times.
As an educator, Cisneros-Legate has served as ballet coordinator at San Francisco Ballet, principal of Boston Ballet School's North Shore Studio and artistic director of after-school programming at the National Dance Institute (NDI). Dance Teacher spoke with her about her new position, her plans for the academy and leading in the time of COVID-19.
Congratulations on your recent appointment! What does this hiring mean to you?<p>For me, it's kind of the pinnacle of my after-dancing career. To join a wonderful, large organization with such a fantastic reputation in the industry is really rewarding. To have used all my experience with San Francisco Ballet, Boston Ballet and NDI—all of that comes together to give me the experience I need for this.</p>
Courtesy Ballet West
What drew you to this particular opportunity?<p>Ballet West feels like completing a circle. I started at San Francisco Ballet as a student at the end of the Harold Christensen regime. I was hired into the company by Lew Christensen, and Ballet West founder Willam Christensen would come out and visit his brothers often. I had the chance to meet him, and was even able to come to Utah to stage Michael Smuin's <em>The</em> <em>Tempest </em>at one point. It feels like family.</p>
What are your goals for the school?<p>I'm particularly excited about building up our youth—the future generation. It's important that the base of our company pyramid is broad. These dancers are more than just our future company members, they're our future audience, musicians, donors, staff. There is something for everyone. The things these young dancers learn will give them the ability to focus, to understand spatial awareness, to recognize their own physical capabilities, self-confidence, work ethic and critical thinking. These skills will allow them to become the best workers in any discipline.</p>
Beau Pearson, Courtesy Ballet West