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Gene Kelly and Leslie Caron in a scene from An American in Paris. Courtesy Fathom Events.

If you loved Christopher Wheeldon's An American in Paris on Broadway, you can now see the 1951 Oscar-winning movie it's based on in all its Technicolor glory. Fathom Events will present MGM's An American in Paris, starring Gene Kelly and French ballerina Leslie Caron, and with music by George and Ira Gershwin, in select theaters nationwide January 19 and 22.

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Dance Theatre of Harlem's Derek Brockington and Da'Von Doane in Claudia Schreier's Passage. Photo by Brian Callan, courtesy of DTH

Back to your routine after the holidays, but still looking for something to watch? Then this new PBS documentary titled Dancing on the Shoulders of Giants is for you. The hour-long film tracks the creation of two dance pieces: Claudia Schreier's Passage for Dance Theatre of Harlem, and Sir Richard Alston's Arrived featuring students of Norfolk's Governor's School for the Arts. Both works were co-commissioned by the American Evolution 2019 Commemoration and the Virginia Arts Festival last May, in recognition of the 400th anniversary of the first arrival of Africans to English North America and the history of slavery that followed.

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Boston Ballet School students tour Walnut Hill School for the Arts. Photo by Igor Burlak, courtesy of Boston Ballet

Over the years, one thing kept Boston Ballet School director Margaret Tracey up at night. While she feels enormous pride in the training the school's pre-professional division provides, she worried about how her students are doing outside of dance: namely, in academics and residential life. "My sleepless nights happen when I think about a young student who's living on their own and struggling with something, or whose online school program is overwhelming them," says Tracey. "Those sit outside our core competencies as a ballet school, and, yet, I can't ignore that it's a huge part of their daily experience."

Though Boston Ballet School has provided housing and academic options to its pre-professional students, they haven't proved sustainable. That will soon change. Next fall, BBS will join forces with the dance program at Walnut Hill School for the Arts, a boarding high school in nearby Natick, Massachusetts. The partnership, called Boston Ballet School's Pre-Professional Division at Walnut Hill, seems like a win-win for both organizations: It offers BBS dancers college-preparatory academics and an on-site residential facility, and gives Walnut Hill an affiliation with a major ballet company.

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Stella Abrera in Alexei Ratmansky's The Seasons. Photo by Rosalie O'Connor, courtesy of ABT

Yesterday, Kaatsbaan, the Tivoli, NY–based cultural park for dance, announced that Stella Abrera will join the organization as its new artistic director, effective January 1, 2020. This news come just weeks after we learned that Abrera will be taking her final bow with American Ballet Theatre in June.

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Stella Abrera in Le Corsaire. Rosalie O'Connor, Courtesy ABT.

American Ballet Theatre announced today that, after 24 years, beloved principal dancer Stella Abrera will retire from the stage this coming summer. Her farewell performance will be June 13, 2020, at the Metropolitan Opera House, dancing the title role in Giselle.

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Alicia Alonso with Igor Youskevitch. Photo by Sedge Leblang, courtesy of Dance Magazine Archives

Her Dying Swan was as fragile as her Juliet was rebellious; her Odile, scheming, her Swanilda, insouciant. Her Belle was joyous, and her Carmen, both brooding and full-blooded. But there was one role in particular that prompted dance critic Arnold Haskell to ask, "How do you interpret Giselle when you are Giselle?"

At 8, Alicia Alonso took her first ballet class on a stage in her native Cuba, wearing street clothes. Fifteen years later, put in for an ailing Alicia Markova in a performance of Giselle at with Ballet Theatre, she staked her claim to that title role.

Alonso received recognition throughout the world for her flawless technique and her ability to become one with the characters she danced, even after she became nearly blind. After a career in New York, she and her then husband Fernando Alonso established the Cuban National Ballet and the Cuban National Ballet School, both of which grew into major international dance powerhouses and beloved institutions in their home country. On October 17, the company announced that, after leading the company for a remarkable 71 years, Alonso died from cardiovascular disease at the age of 98.

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The New York Times reports this morning that Jeffrey Epstein, the wealthy financier accused of sex trafficking dozens of teenage girls and young women, and who died by suicide in prison on August 10 while awaiting trial, preyed on dancers in New York City. The article tells the accounts of four women, two referenced in court papers and two who were interviewed by the newspaper. All were approached by a recruiter—and in half the cases, that person was another dancer.

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Getty Images

The New York Times reported this morning that Jeffrey Epstein, the wealthy financier accused of sex trafficking dozens of teenage girls and young women, and who died by suicide in prison on August 10 while awaiting trial, preyed on dancers in New York City. The article tells the accounts of four women, two referenced in court papers and two who were interviewed by the newspaper. All were approached by a recruiter—and in half the cases, that person was another dancer.

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