Dance News

Why Bringing in Guest Teachers (Like Kennedy Center's Ballet Class Series) Will Benefit Your Students

Photo by Aurora Lutty

Hiring guest teachers to come to your studio can offer more than just new choreography for competitions. They can bring a fresh perspective to your students' education, and they'll expose them to exciting new styles and teaching methods.

"I've told my students to keep their shoulders down countless times," says Shannon Crites, owner of Shannon Crites School of Dance in Ardmore, OK. "Then, a guest teacher will come in and say, 'You should really release those shoulders,' and they finally do it!"


For instance, take the Kennedy Center's Ballet Class Series. This program for advanced dancers ages 14–18 gives students the opportunity to take classes taught by companies like New York City Ballet, American Ballet Theatre and Alvin Ailey American Dance Theater.

"This program offers students from the greater Washington, DC, area the opportunity to learn from nationally and internationally recognized companies performing at the Kennedy Center," explains the Kennedy Center's education team. "These classes closely resemble professional company classes and are usually taught by ballet masters and mistresses, company teachers or soloist or principal dancers. Students get the opportunity to experience a wide variety of styles, teachers and a glimpse into the professional world."

This season's Ballet Class Series will feature master classes from The Suzanne Farrell Ballet, Mariinsky Ballet, Kansas City Ballet, American Ballet Theatre, Alvin Ailey American Dance Theater, New York City Ballet and Ballet Nacional de Cuba.

Students in the program also have the option of attending a contemporary dance master class series with Matthew Bourne/New Adventures, Camille A. Brown & Dancers, Mark Morris Dance Group and Andersson Dance.

"Many of the instructors were very encouraging and helped me gain confidence in my technique," adds fellow student Lily Campbell. "The Ballet Class Series broadened my perspective of the dance world."

An additional perk of the program is the opportunity to observe rehearsals of the Mariinsky Ballet's La Bayadère, Kansas City Ballet's The Nutcracker and American Ballet Theatre's mixed repertory program.

Auditions for the Ballet Class Series will take place on September 16 at the Kennedy Center. Registration by September 8 is required. Students must be enrolled in high school and have at least five years of ballet training. Female students should have four years of pointe experience.

Studio owners can take a similar approach to this kind of program at the Kennedy Center. Yes, bringing in guest teachers can be expensive and timing can be tricky, but the extra expense can go a long way. Take Ardell Stone School of Dancing in Roanoke, Virginia's story.

About three or four times a year, owner Ardell Stone invites a guest artist to her studio to teach a master class and choreograph a piece for students on the competition team. But one of her main goals is making sure that as many students as possible get to take advantage. She allows noncompeting students to sign up for classes with the master teacher, offering at least one extra class for about $20 per student. Stone often finds potential guest teachers or choreographers by networking at competitions or teacher workshops. She estimates that she spends upwards of $3,500 for a teacher she really likes, which includes plane tickets (often from California), rental cars and hotel fees. She charges each of about 20 performing students an extra $150 to $200 for a master-class-plus-choreography session. "I don't like my students' families to spend too much money on one choreographer, especially since all the competition kids are required to take part," she says. "But we are in a relatively high socioeconomic area. And, though they charge an arm and a leg, it's well worth every cent."

Read three other studio owner's testimonies about how the value of bringing in guest teachers.


The Conversation
Dance Teachers Trending
Photo by Julianna D. Photography, courtesy of Abreu

Although Rudy Abreu is currently JLo's backup dancer and an award-winning choreographer—his piece "Pray" tied for second runner-up at the 2018 Capezio A.C.E. Awards, and a variation of the piece made it to the finals on NBC's "World of Dance"—he still finds time to teach. Especially about how he hears music.

Keep reading... Show less
Sponsored by Dance Teacher Web
Courtesy Dance Teacher Web

Dance students aren't the only ones who get to spend their summers learning new skills and refining their dance practice. Studio owners and administrators can also use the summer months to scope out new curriculum ideas, learn the latest business strategies and even earn a certification or two.

At Dance Teacher Web's Conference and Expo, attendees will spend July 29–August 1 in Las Vegas, Nevada learning everything from new teaching methods to studio management software. And as if the dance and business seminars weren't enough, participants can also choose from three certifications to earn during the conference to help expand their expertise, generate new revenue and set their studios apart:

Keep reading... Show less
Dance Teacher Tips
Getty Images

James Payne, director of The School of Pennsylvania Ballet, starts class each day by asking students how they feel. "If they're collectively hurting, and I know that the day before they were working hard on something new, I might lessen the intensity of the class," he says. "I won't slow it down, though. Sometimes it's better to move through the aches and get to the other side."

A productive class depends, in part, on how well it is paced. If you move too slow, you risk losing students' interest and creating unwanted heaviness. Move too fast and dancers might not fully benefit from combinations or get sufficiently warm, increasing their risk of injury. But even these guidelines may differ depending on the students' age and level. Good pacing is a delicate balance that can facilitate mental and physical growth, but it requires good planning, close observation and the ability to adapt mid-class.

Keep reading... Show less
David Galindo Photography

New York City is a dream destination for many dancers. However aspiring Broadway stars don't have to wait until they're pros to experience all the city has to offer. With Dance the World Broadway, students can get a taste of the Big Apple—plus hone their dance skills and make lasting memories.

Here's why Dance the World Broadway is the best way for students to experience NYC:

Keep reading... Show less
Getty Images

Q: Our dancers' parents want to observe class, but students won't focus if I let them in the room. I've tried having them observe the last 10 minutes of class, but even that can be disruptive and bring the dancers' progress to a halt. Do you have any advice on how to handle this?

Keep reading... Show less
Studio Owners
Getty Images

Running your own studio often comes with a pull-yourself-up-by-your-bootstraps mentality. After all, you're the one who teaches class, creates choreography, collects tuition, plans a recital, calls parents, answers e-mails, orders costumes—plus a host of other tasks, some of which you probably don't even think about. But what if you had someone to help you, someone who could take certain routine or clerical tasks off your hands, freeing you up to focus on what you love?

Keep reading... Show less
Dance Teachers Trending
Derek and Julianne Hough via @juleshough on Instagram

Here at Dance Teacher, we LOVE a talented dance family. Something about parents and siblings passing their passion for dance down to those who come after them just warms our hearts.

While there are many sets of talented siblings across all genres of dance, ballroom seems to be particularly booming with them.

Don't believe us? Check out these four sets of ballrooms siblings we can't take our eyes off of. Their parents have raised them right!

This is far from a comprehensive list, so feel free to share your favorite sets of dance siblings over in our comments!

Keep reading... Show less
Courtesy of Roxey Ballet

This weekend, Roxey Ballet presented a sensory-friendly production of Cinderella at the Kendell Main Stage Theater in Ewing, New Jersey, with sound adjustments, a relaxed house environment and volunteers present to assist audience members with special needs. The production came on the heels of three educational residencies held at New Jersey–based elementary schools in honor of Autism Awareness Month in April.

Keep reading... Show less
To Share With Students
Shared via Dance Teacher Network Facebook

I'm a part of a popular group on Facebook called Dance Teacher Network which consists of dance teachers across the country discussing and sharing information on all things dance. Yesterday morning, I spotted a photo shared in the group of four smiling young boys in a dance studio. And I couldn't help but smile to myself and think, "Wow, I never had that...that's pretty damn amazing."

Keep reading... Show less
Dance Teachers Trending
Photo courtesy of Marr

When Erica Marr discovered ballroom dancing in her late teens, she instantly fell in love with the Latin beats and strong drum lines that challenged her musicality. After shifting her focus away from contemporary and jazz, she began studying with elite ballroom coaches in New York City and quickly earned a World Championship title in her division.

Keep reading... Show less
Studio Owners
Thinkstock

Q: I own a studio in a city that has a competitive dance market. I've seen other studios in my community put ads on Instagram and Facebook for open-call auditions in April, long before most studios have finished their competition season and year-end recitals. Is this fair?

Keep reading... Show less

mailbox

Get DanceTeacher in your inbox