The Show Must Go on: 4 Pros on How They Managed Their Most Embarrassing Onstage Moments

Nathalia Arja in George Balanchine's "Emeralds." Photo by Alexander Iziliaev, courtesy of Miami City Ballet

Whether it's a wardrobe malfunction or a spectacular, opera-house–sized fail, onstage mistakes happen to everybody. See how these four professionals survived their worst mishaps—and what they took away from them.

Sterling Baca

Baca in Ben Stevenson's Cinderella. Photo by Alexander Iziliaev, courtesy of Pennsylvania Ballet

"There I was on my very first day at the Metropolitan Opera House: on my hands and knees, center stage," recounts Pennsylvania Ballet principal Sterling Baca. He had joined American Ballet Theatre from the ABT Studio Company two weeks prior and didn't see a crucial casting sheet for the Don Quixote dress-tech rehearsal until minutes before it started.

In a domino-like sequence of unfortunate events, Baca had managed to get only half-dressed, and he missed his entrance and his character's dance with Kitri. Then he remembered too late that he was also supposed to catch Basilio's guitar. He turned around from setting down a tambourine to see the guitar already soaring through the air. He dove for it, but it grazed his fingertips, hit the floor and broke.

Baca had some literal and metaphorical pieces to pick up and apologies to make to the wardrobe and props departments, artistic staff and his fellow dancers. Luckily, everyone understood that he was new and "showed mercy," he says.

The Lesson: Although Baca can laugh about the incident now, he warns that "it only turns into a joke when you don't do it again." His advice? Double- and triple-check every single piece of paper on the call board.

News
Getty Images

Despite worldwide theater closures, the Universal Ballet Competition is keeping The Nutcracker tradition alive in 2020 with an online international competition. The event culminates in a streamed, full-length video of The Virtual Nutcracker consisting of winning entries on December 19. The competition is calling on studios, as well as dancers of all ages and levels, to submit videos by November 29 to be considered.

"Nutcracker is a tradition that is ingrained in our hearts," says UBC co-founder Lissette Salgado-Lucas, a former dancer with Royal Winnipeg Ballet and Joffrey Ballet. "We danced it for so long as professionals, we can't wait to pass it along to dancers through this competition."

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Robbie Sweeny, courtesy Funsch

Christy Funsch's teaching career has taken her from New York City to the Bay Area to Portugal, with a stint in a punk band in between. But this fall—fresh off a Fulbright in Portugal at the Instituto Politécnico de Lisboa, School of Dance (ESD), teaching and researching empathetic embodiment through somatic dance training—Funsch's teaching has taken her to an entirely new location: Zoom. A visiting professor at Slippery Rock University for the 2020–21 academic year, Funsch is adapting her eclectic, boundary-pushing approach to her virtual classes.

Originally from central New York State, Funsch spent 20 years performing in the Bay Area, where she also started her own company, Funsch Dance Experience. "My choreographic work from that time is in the dance-theater experiential, fantasy realm of performance," she says. "I also started blending genres and a lot of urban styles found their way into my choreography."

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News
Courtesy Meg Brooker

As the presidential election approaches, it's a particularly meaningful time to remember that we are celebrating the centennial of the 19th Amendment, when women earned the right to vote after a decades-long battle.

Movement was more than a metaphor for the fight for women's suffrage—dancers played a real role, most notably Florence Fleming Noyes, who performed her riveting solo Dance of Freedom in 1914 to embody the struggle for women's rights.

This fall, Middle Tennessee State University director of dance Meg Brooker is reconstructing Dance of Freedom on 11 of her students. A Noyes Rhythm teacher and an Isadora Duncan scholar, Brooker is passionate about bringing historic dance practices into a contemporary context.

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