Dance students at Arts Umbrella in Vancouver, British Columbia, spend their first week at a remote camp overlooking the Pacific Ocean. The retreat, led by artistic director Artemis Gordon, prepares them to make the most of the next two years of this residential program that is intended to be a bridge between high school and a professional dance career.
Gordon facilitates the week with a boundless curiosity and a tendency to follow every big question with another, even bigger, question. Instead of starting right into their physical practice, Gordon prompts the group of 28 who've come from all over the world to think about such questions as: What is technique? How does artistry interface with technique and are they different or the same thing? Discussions tend to go deep and broad: What is the zeitgeist right now? Culturally speaking, what countries are doing/promoting what? How do economics and politics affect our daily conditions as artists?
In essence, Gordon's organizing principle for her program is to embody the answer to one very poignant question about the future of the art and profession of dance: "What world do we think we are going into and what skills do we need to prepare for that world?"