Just for fun
Royal Winnipeg Ballet revived Lila York's adaptation of Margaret Atwood's The Handmaid's Tale earlier this month. Photo by David Cooper, Courtesy RWB

When American Ballet Theatre announced yesterday that it would be adding Jane Eyre to its stable of narrative full-lengths, the English nerds in the DM offices (read: most of us) got pretty excited. Cathy Marston's adaptation of Charlotte Brontë's classic novel was created for England's Northern Ballet in 2016, and, based on the clips that have made their way online, it seems like a perfect fit for ABT's Met Opera season.

It also got us thinking about what other classic novels we'd love to see adapted into ballets—but then we realized just how many there already are. From Russian epics to beloved children's books, here are 10 of our favorites that have already made the leap from page to stage. (Special shoutout to Northern Ballet, the undisputed MVP of turning literature into live performance.)


Northern Ballet in David Nixon's The Great Gatsby (F. Scott Fitzgerald)

Star-crossed lovers? Check. Wild party scenes? Check. The 1920s aesthetic is just bonus.

Dutch National Ballet in John Cranko's Onegin (Alexander Pushkin)

It's a novel in verse, but it still counts! Cranko's pas de deux work vividly paints the emotional turmoil of Pushkin's characters, such as this sequence in which Tatiana imagines being loved by the haughty Onegin.

The Royal Ballet in Liam Scarlett's Frankenstein (Mary Shelley)

It's spooky, it's sensational, it's a deep meditation on the nature of humanity—oh, and it's alive.

Northern Ballet in David Nixon's The Three Musketeers (Alexandre Dumas)

All for one and one for all! (And we're all in for this epic fight choreography the dancers took to a famous Abbey in their hometown of Leeds, England.)

Charlotte Ballet in Sasha Janes' Wuthering Heights (Emily Brontë)

The Brontë sisters had a knack for writing complex, tempestuous relationships—great fodder for pas de deux like this one.

The Washington Ballet in Septime Webre's Peter Pan (J. M. Barrie)

Sword-fighting, pirates, pixie dust and a ticking crocodile? This one simply flies off the page.

Hamburg Ballet in John Neumeier's Anna Karenina (Leo Tolstoy)

Some would argue that Tolstoy's epic is the greatest literature ever written, but you can't argue with the fact that the titular heroine is a deliciously complex character to tackle.

The Royal Ballet in Christopher Wheeldon's Alice's Adventures in Wonderland (Lewis Carroll)

Why is a raven like a writing desk? We still might not know the answer to Carroll's riddle, but we do know that Wheeldon's blockbuster production is so full of incredible moments (like Steven McRae stealing the show as a tap-dancing Mad Hatter) that we had trouble narrowing it down.

Atlanta Ballet in Michael Pink's Dracula (Bram Stoker)

There's a reason it seemed at one point like every ballet company in America had a production of Dracula in its repertoire.

Northern Ballet in Jonathan Watkins' 1984 (George Orwell)

Just in case the dystopian nightmare conjured by Orwell wasn't vivid enough in your own imagination.

Dance News
The Washington Ballet performing this year's World Premier of Antony Tudor's Lilac Garden. Photo by media4artists Theo Kossenas, courtesy of TWB

In an event inspired by the words of President John F. Kennedy, The Washington Ballet will perform the world premier of WHO WHEN WHY this Saturday, June 24, at the Smithsonian American Art Museum's Kogod Courtyard.

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Esmiana Jani and Tamas Krizsa in The Washington Ballet's Juanita y Alicia. Photo by Dean Alexander, courtesy of The Washington Ballet

After just a few months on the job as artistic director for The Washington Ballet, Julie Kent has revamped the company's enrichment programs and its school.

Dance legends will join Kent three times during the season in the series “ICONS: of dance—Sundays at The Joe." American Ballet Theatre artistic director Kevin McKenzie is the first to appear, September 18, to discuss his time training with Mary Day, founder of The Washington School of Ballet (TWSB). A member of the artistic staff will lead another five-part series “Beyond the Stage—Sundays at The Joe," which covers information and history about upcoming main stage works. The first takes place September 25, to discuss the company's 40th anniversary program. And beginning in October, Kent will lead four “Dialogue with Dancers—Sundays at The Joe" discussions where two company members talk about their backgrounds, motivations and approaches to their roles. “You have to support the programming with opportunities for people to learn why the master works are important," she says.

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The new studios are available to the public to rent.

The Washington School of Ballet has announced the expansion of its northwest campus, located a few blocks from the main headquarters. The three new dance studios on the second floor will serve as a rehearsal space for The Washington Ballet and allow for added youth and adult ballet classes and new adult ballroom and contemporary classes. The Joseph C. Coleman Studios are open and available to rent for rehearsals and events.

Photo courtesy of The Washington Ballet

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