Yesterday The Times reported that Royal Ballet artist in residence Liam Scarlett has been suspended from the company since last August, following allegations of inappropriate behavior with students. The company brought in the employment firm Linda Harvey Associates to conduct an independent investigation, which is still underway. No findings have yet been made against Scarlett.Australia's Queensland Ballet, where Scarlett is artistic associate, has also suspended its relationship with the choreographer, and San Francisco Ballet just announced that they're replacing Scarlett's Hummingbird in the company's February program.
Martin Harvey brought a little movie star charm into morning ballet class at our New York Dance Teacher Summit. (His acting credits include Gossip Girls, All My Children, Dirty Dancing, A Chorus Line, Carousel, plus Metropolitan Opera productions of Carmen and Manon Lescaut.) Educated at the Royal Ballet School in London, he danced many principal roles for The Royal Ballet during his 12-year career.
Mark Your Calendar
Join us in Long Beach, CA, July 26–28, or in NYC, August 1–3, for our 2019 Dance Teacher Summit.
You never quite know what's going to happen when Natalia Osipova steps onstage—you know you're in for something extraordinary, but the exact nature of what you'll get is a mystery until it's happening. It's only fitting, then, that we would learn of Force of Nature, a new documentary following a year of the ballet superstar's career, a day before its limited release in the UK.
When American Ballet Theatre announced yesterday that it would be adding Jane Eyre to its stable of narrative full-lengths, the English nerds in the DM offices (read: most of us) got pretty excited. Cathy Marston's adaptation of Charlotte Brontë's classic novel was created for England's Northern Ballet in 2016, and, based on the clips that have made their way online, it seems like a perfect fit for ABT's Met Opera season.
It also got us thinking about what other classic novels we'd love to see adapted into ballets—but then we realized just how many there already are. From Russian epics to beloved children's books, here are 10 of our favorites that have already made the leap from page to stage. (Special shoutout to Northern Ballet, the undisputed MVP of turning literature into live performance.)
Northern Ballet in David Nixon's The Great Gatsby (F. Scott Fitzgerald)
Star-crossed lovers? Check. Wild party scenes? Check. The 1920s aesthetic is just bonus.
Dutch National Ballet in John Cranko's Onegin (Alexander Pushkin)
It's a novel in verse, but it still counts! Cranko's pas de deux work vividly paints the emotional turmoil of Pushkin's characters, such as this sequence in which Tatiana imagines being loved by the haughty Onegin.
The Royal Ballet in Liam Scarlett's Frankenstein (Mary Shelley)
It's spooky, it's sensational, it's a deep meditation on the nature of humanity—oh, and it's alive.
Northern Ballet in David Nixon's The Three Musketeers (Alexandre Dumas)
All for one and one for all! (And we're all in for this epic fight choreography the dancers took to a famous Abbey in their hometown of Leeds, England.)
Charlotte Ballet in Sasha Janes' Wuthering Heights (Emily Brontë)
The Brontë sisters had a knack for writing complex, tempestuous relationships—great fodder for pas de deux like this one.
The Washington Ballet in Septime Webre's Peter Pan (J. M. Barrie)
Sword-fighting, pirates, pixie dust and a ticking crocodile? This one simply flies off the page.
Hamburg Ballet in John Neumeier's Anna Karenina (Leo Tolstoy)
Some would argue that Tolstoy's epic is the greatest literature ever written, but you can't argue with the fact that the titular heroine is a deliciously complex character to tackle.
The Royal Ballet in Christopher Wheeldon's Alice's Adventures in Wonderland (Lewis Carroll)
Why is a raven like a writing desk? We still might not know the answer to Carroll's riddle, but we do know that Wheeldon's blockbuster production is so full of incredible moments (like Steven McRae stealing the show as a tap-dancing Mad Hatter) that we had trouble narrowing it down.
Atlanta Ballet in Michael Pink's Dracula (Bram Stoker)
There's a reason it seemed at one point like every ballet company in America had a production of Dracula in its repertoire.
Northern Ballet in Jonathan Watkins' 1984 (George Orwell)
Just in case the dystopian nightmare conjured by Orwell wasn't vivid enough in your own imagination.
It's August—the sun is shining, summer intensives are winding down, and Nutcracker seems very far away. But this new trailer for Disney's The Nutcracker and the Four Realms is already getting us in the holiday mood. While this modern take on classic holiday story, in theaters November 2, is not a dance film, it does include mega-stars Misty Copeland and Sergei Polunin as the Ballerina Princess and Nutcracker Prince.
As principal choreographer and later director of The Royal Ballet in London, Kenneth MacMillan reinvigorated classical ballet by using dramatic narrative to investigate the human psyche. He believed dance should reflect the realities and hardships of people's lives, rather than just depict fairy tales. His works were emotionally intense and often featured harsh themes: fear, isolation, oppression, war, violence and loss.
Royal Ballet prima ballerina Margot Fonteyn and celebrated Russian ballet dancer Rudolf Nureyev created one of the most magnetic and beloved partnerships in ballet history. Appearing together throughout the 1960s and '70s, they brought a special chemistry and artistry to their roles, propelling them to superstar status at The Royal Ballet and worldwide.
Who: American Ballet Theatre
principal James Whiteside
What you'll see: a lot of muscles and humor, with a healthy dose of cat photos
What may surprise you: Whiteside moonlights as the drag queen Ühu Betch and pop singer JbDubs.