Dance Teacher Tips
Robin Dunn, right, and dancer Caleb Smith. Photo by Kyle Froman

Robin Dunn loves to teach the sexy walk in her beginner hip-hop classes, because it's a basic step, yet students can put their own mark on it. Two key things to remember: Maintain a light bounce and relax the upper body throughout. "Another key thing? Put your personality into it," says Dunn.

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Dance Teacher Tips
Irene Dowd with Juilliard student Leiland Charles. Photo by Jim Lafferty

Irene Dowd's third-year students at The Juilliard School sound more like they're in medical school than a dance class, citing complex kinesiology terms and muscle names, like multifidus and iliocostalis. But instead of memorizing the vocabulary with index cards and textbooks, the students in Dowd's anatomy/kinesiology class come ready to move. “Motor-learning specialists have found that we learn by doing," says Dowd, who began teaching at Juilliard as an assistant to ideokinesis matriarch Lulu Sweigard in the late 1960s. “If you learn it [anatomy] intellectually, you forget it. You have to do it physically, and then you can start to understand what you've learned."

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San Francisco Ballet School's Pascale Leroy helps a student at the barre. Photo by Erik Tomasson, courtesy of SFB School

When Laszlo Berdo teaches men's class at Central Pennsylvania Youth Ballet, he sees some dancers who turn very well, but only to one side. “I have guys who can do triples in à la seconde on the right, but they can't do a double pirouette or a single à la seconde to the left," he says. “There's an extreme difference."

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Dance Teacher Tips
Photo by Bridget Lujan, courtesy of Juneau Dance Theatre
  • Start with a good preparation. Plié in fourth, keeping the hips square and the back knee straight. Arms are in fourth. Texas Ballet Theater School associate director Kathryn Warakomsky encourages students to keep their heels down and use the whole foot on the floor, rather than rolling forward on the arches or letting the front foot slide into the turn first: "You want to go down into the floor and push from the back foot to go up."
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Dance Teacher Tips
Many breaking moves require the upper body to bear weight. Photo by Kyle Froman

Pavan Thimmaiah casually hovers in a freeze, his weight between his head and hands on the floor, legs extending out on an upward diagonal. From this topsy-turvy position, he encourages his students to try this breaking staple. “Take a picture and make it your Facebook profile," he jokes.

Self-taught Thimmaiah founded PMT Dance Studio in New York City in 2001 to teach breaking in a classroom setting to students of all different backgrounds, levels and ages. By focusing on safe technique and catering to his students' diverse skill levels, he's built a loyal following of teen and adult b-boys and girls in his Breakin' 101 for Beginners class. “I think a lot of times in breaking classes, teachers want to fly around and show what they can do," he says. “I want to show the students what they can do."

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Viral Videos

Tammi Shamblin works magic with the boys of Ballet Tech in New York City. Here, she uses imagery to teach rond de jambe.

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Dance Teacher Tips

Derek Mitchell is on street jazz and contemporary faculty at Broadway Dance Center, where he grew up training under legends Frank Hatchett and Sheila Barker. Here, he teaches a street jazz pivot turn combination focusing on the importance of foot placement and spinal movement.

 

 

 

 

 

 

 

 

 

 

Photo by Kyle Froman

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