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Chava Lansky

After days spent rallying against "Good Morning America" host Lara Spencer's flippant comments about boys doing ballet, the dance world triumphed on Monday. Not only did Spencer issue a lengthy on-air apology, complete with an interview with Robbie Fairchild, Travis Wall and Fabrice Calmels, but over 300 dancers gathered outside of the "GMA" studios for an impromptu ballet class.

The dance field seemed geared to press forward with positivity; a change.org petition urging "GMA" to cover the benefits of ballet for young men has gathered over 40,000 signatures, and many are examining the ways in which the #boysdancetoo movement can be made more inclusive. This made it all the more disheartening to open Instagram this morning and see that Fox News commentators Raymond Arroyo and Laura Ingraham took the bullying a step further last night, mocking Spencer's apology on a program called "The Ingraham Angle."

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I didn't realize how much the whole movement meant to me until I saw the mass of male dancers congregated in front of "Good Morning America" led by the likes of Travis Wall, Alex Wong and Robbie Fairchild. It was pre-7 am—I was all packed up and ready to begin my trek to work when I stumbled upon a livestream of the event. I had read an article the day prior, and heard some whispering about a meet-up outside "GMA." But I wasn't quite sure what type of turnout I could expect. And I certainly could not anticipate how it would make me feel.

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Many of this morning's students outside the "GMA" studios with the five teachers in the front row. Chava Lansky.

At 6:30 this morning, I exited the subway in Times Square and walked towards the group of dancers gathered outside the "Good Morning America" studios. The moment I entered the fray, any lingering early morning grogginess disappeared; the energy in the crowd was palpable. By 7 am, the time that "GMA" goes live to millions nationwide, over 300 dancers of all stripes had gathered, and class began.

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On this morning's edition of "Good Morning America," host Lara Spencer did what the dance community has been clamoring for since last Thursday, when her flippant comments about Prince George enjoying ballet lessons provoked widespread outrage: She apologized live on air.

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Peter Boal coaching PNB dancers in Opus 19/The Dreamer. Photo by Lindsay Thomas, courtesy of PNB

In a windowless subterranean studio under the New York State Theater, I pulled back an imaginary arrow and let it fly.

"Good!" said ballet master Tommy Abbott. "I think you're ready. Tomorrow you rehearse with Mr. Robbins."

I was slated to play Cupid in Jerome Robbins' compilation of fairy tales called Mother Goose. It was a role given to the tiniest boy who could follow directions at the School of American Ballet. In 1976, that was me.

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