Getty Images

From mid-March into early April, dance communities around the world experienced a seismic shift as performance seasons were cancelled, training programs were suspended and physical contact outside one's home was mandated unsafe. As dancers, we are taught to problem solve in real-time, so it came as no surprise when streamed performances and classes began popping up almost immediately. Dance Magazine asked six voices from our national dance community to share their thoughts regarding the swift distribution of online content. What are the implications of sharing our art form for a fee versus free, especially during a time when dancer are struggling financially?

Keep reading... Show less
Site Network
Peter Boal in class a New York City Center. Courtesy of PNB

"People have so much fear associated with arabesque turns," says Peter Boal, artistic director of Pacific Northwest Ballet. Here, he shares images and ideas to help you confidently master this advanced pirouette. "It's a real accomplishment when you can put it all together."

Keep reading... Show less
Peter Boal coaching PNB dancers in Opus 19/The Dreamer. Photo by Lindsay Thomas, courtesy of PNB

In a windowless subterranean studio under the New York State Theater, I pulled back an imaginary arrow and let it fly.

"Good!" said ballet master Tommy Abbott. "I think you're ready. Tomorrow you rehearse with Mr. Robbins."

I was slated to play Cupid in Jerome Robbins' compilation of fairy tales called Mother Goose. It was a role given to the tiniest boy who could follow directions at the School of American Ballet. In 1976, that was me.

Keep reading... Show less
Trending
Bearden teaching company class at Ballet Arkansas. Photo by Chris Cranford, courtesy of Ballet Arkansas

"I was asked many times by other artistic directors, from Devon Carney to Peter Boal, 'Wait a minute, you don't live there? How is this working?'" says Michael Bearden about directing Ballet Arkansas in Little Rock. For the past four years, he has lived a double life—one part artistic director of the up-and-coming regional ballet company and the other part a tenure-track professor at University of Utah in Salt Lake City, commuting more than 1,400 miles between the two locations every six weeks. He started teaching at University of Utah before he had even completed his bachelor's degree. "I was never one to shy away from a challenge," he says.

With masterful multitasking ability, goal-oriented nature and irrefutable charisma, Bearden has proven himself invaluable. Now, following his remarkable juggling act in Utah and Arkansas, at 37, he has landed the coveted position of director of the School of Dance at University of Oklahoma.

Keep reading... Show less

Get Dance Business Weekly in your inbox

Sign Up Used in accordance with our Privacy Policy.