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Photo by Suzanne Faulkner Stevens, courtesy of Lincoln Center

How many of us have hovered breathlessly over our iPads, watching grainy YouTube footage of Gelsey Kirkland and Mikhail Baryshnikov in Theme and Variations? Or Suzanne Farrell in Mozartiana? (Hundreds of thousands of us, to be exact.) Well, get ready: Yesterday, Lincoln Center announced its brand new Dance Week, a series of seven online broadcasts devoted to our favorite art form. Part of Lincoln Center at Home, the organization's new portal for digital offerings, the six-day fest will feature performances by Ballet Hispánico, American Ballet Theatre, New York City Ballet, School of American Ballet and Alvin Ailey American Dance Theater. What's particularly exciting is that some of these—including the aforementioned Theme and Variations and Mozartiana—are legendary performances of yesteryear.

Ready to hear the lineup? Check it out below, then tune in to Lincoln Center's website or Facebook page to watch the performances.

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This Bitter Earth. Photo by Sam Wootton, courtesy of NYCB

Create a Watch Party! Here are four free offerings from New York City's most celebrated arts organizations to share with your students and their families.

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Performing with Honji Wang at Jacob's Pillow; photo by Christopher Duggan, courtesy of Jacob's Pillow

Celebrated New York City Ballet principal Sara Mearns has recently been exploring collaborative possibilities with dance artists outside ballet. Just this year she was guest artist with Lori Belilove & The Isadora Duncan Company, and performed on Broadway in her husband Joshua Bergasse's choreography for I Married an Angel. This summer she appeared in a highly anticipated series of cross-genre collaborations at Jacob's Pillow, titled Beyond Ballet, with Honji Wang of the French hip-hop duo Company Wang Ramirez, postmodern dance artist Jodi Melnick, choreographer Christopher Williams and more. Here she speaks with DT about the effects of her explorations.

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Suzanne Farrell works with Sara Mearns during a rehearsal of George Balanchine's "Diamonds." Rosalie O'Connor, Courtesy NYCB.

In a large practice studio inside Lincoln Center's Koch Theater, Suzanne Farrell watches quietly as New York City Ballet principals Sara Mearns and Russell Janzen work through a series of supported poses. As Janzen kneels to face her, Mearns brushes through to croisé arabesque, extending her leg high behind her. "I wouldn't penché there," says Farrell, gently. "You can, but I wouldn't."

"I get so excited here," says Mearns with a laugh. The three are slowly working through the pas de deux of "Diamonds," the ballet George Balanchine created on Farrell and Jacques D'Amboise in 1967 that makes up the third act of his full-length Jewels.

"I know," Farrell says. "But it's more exciting if the arabesque turn afterwards is sustained."

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Suzanne Farrell rehearses Sara Mearns in George Balanchine's "Diamonds." Rosalie O'Connor, Courtesy NYCB.

In a large practice studio inside Lincoln Center's Koch Theater, Suzanne Farrell watches quietly as New York City Ballet principals Sara Mearns and Russell Janzen work through a series of supported poses. As Janzen kneels to face her, Mearns brushes through to croisé arabesque, extending her leg high behind her. "I wouldn't penché there," says Farrell, gently. "You can, but I wouldn't."

"I get so excited here," says Mearns with a laugh. The three are slowly working through the pas de deux of "Diamonds," the ballet George Balanchine created on Farrell and Jacques D'Amboise in 1967 that makes up the third act of his full-length Jewels.

"I know," Farrell says. "But it's more exciting if the arabesque turn afterwards is sustained."

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From left: Jonathan Stafford; Photo by Paul Kolnik; Wendy Whelan, Photo by Lindsey Thomas

Well over a year after the retirement of Peter Martins, New York City Ballet has announced that former principal dancer Jonathan Stafford will lead the company and its affiliated School of American Ballet as artistic director. Fellow former principal Wendy Whelan will serve as associate artistic director.

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Viral Videos

Every once in a while, the stars align, things fall precisely into place, and the perfect marketing campaign is born. Such is the case with New York City Ballet's new trailer for their upcoming run of The Sleeping Beauty.

Instead of going the traditional promotional route (performance clips, snippets of the score), NYCB took it to the next level by staging an elaborate photoshoot for Princess Aurora (played by principal Lauren Lovette) and her court, to commemorate her upcoming 16th birthday. And when we say "court," we mean it: everyone and their mother is there, from the Lackey, to Catalabutte, to the King and Queen, trailed by their guards, of course. Watching company members Aarón Sanz, Maria Kowroski, Meaghan Dutton O'Hara, and Ask la Cour (among many others) flex their acting chops is hysterical—they're all masters in the art of serving face (especially Kowroski, whose Carabosse literally sent chills down our spine), and we're so here for it.

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Photo credits, clockwise from bottom left: Peter Mueller, Courtesy Cincinnati Ballet; Jayme Thornton; Jochen Viehoff, Courtesy Stephanie Troyak; Karolina Kuras, Courtesy National Ballet of Canada; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Kim Kenney, Courtesy Atlanta Ballet; Jim Lafferty; Arian Molina Soca, Courtesy Pennsylvania Ballet; Altin Kaftira, Courtesy Dutch National Ballet; Scott Shaw, Courtesy Shamar Wayne Watt

Every year we love to see Dance Magazine's coveted list of the dancers, choreographers and companies that are on the verge of skyrocketing in the field of dance. This year's picks are nothing short of exceptional.

Congratulations to these 25 up-and-coming artists!

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