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Photo by Aidan Gibney, courtesy of Lanzisera

Walking into Millennium Dance Complex in Los Angeles at 11:30 am on any given Tuesday or Thursday, you're likely to find a large group of dancers flocking to take Nick Lanzisera's class. Millennium's staff says his contemporary class is so popular, he often fills their rooms with up to 80 students.

Lanzisera, whose professional credits include The Oscars, The Grammys, the MTV Video Music Awards, High School Musical 2 and 3, Fame, Footloose and more, got his teaching start as a substitute for one of his mentors, Erica Sobol, at Debbie Reynolds Dance Studio. Though he didn't expect to become an educator until later in his career, Lanzisera enjoyed the experience so much that he began to sub in regularly. One of those classes was attended by a manager at Millennium, who invited him to teach their new contemporary class, and he has maintained the same Tuesday/Thursday slot for nearly eight years.

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Körbes with Karel Cruz in one of her final rehearsals at PNB

The Los Angeles dance scene’s meteoric rise continues, with another major gain for the Golden Coast: the superlative Carla Körbes. We hadn’t finished drying our eyes following her retirement from Pacific Northwest Ballet earlier this month, when the announcement came she’d been appointed associate artistic director of L.A. Dance Project. While founding artistic director Benjamin Millepied is overseas running Paris Opéra Ballet, Körbes will be on-site, overseeing programming, casting and rehearsals.

She joins LADP managing director James Fayette, also associate director of the freshly launched Colburn Dance Academy, which trains pre-professional ballet students under the leadership of Fayette's wife, retired New York City Ballet principal Jenifer Ringer. (More on this in our July issue.)

And Körbes’ news comes on the heels of the announcement that American Ballet Theatre’s executive director Rachel S. Moore is also heading west as the new president and CEO of L.A.’s Music Center.

The migration continues! We can’t wait to see what Körbes achieves in her new role.

Photo by Lindsay Thomas, courtesy of photographer

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