It was August in New York City, and Paula Morgan was leading a body placement seminar at the 2014 Dance Teacher Summit. When someone asked for advice on addressing bowleggedness in students, the already energetic Morgan switched into high gear. She demanded an example body from the group of attendees; a bowlegged dancer volunteered and stood on the low stage.
With feet touching in parallel, her legs curved outward before joining the hips, leaving a long, almond-shaped gap from crotch to heels. Morgan coached her to imagine wrapping her muscles around her legs, engaging subtle outward rotation without moving the feet. She put a hand between the dancer's calves. “Squeeze my hand," she said. “Keep wrapping." She swiped her free hand along the demonstrator's tights to help her feel the direction of the rotation. Her calves closed on Morgan's fingers. The room erupted in applause. “What about knock knees?" someone asked, and the process began all over again.