Dance Teacher Tips
Photos by Kyle Froman

A few years ago, Mary Ann Lamb got a phone call from Ann Reinking, who was choreographing a production of The Visit starring Chita Rivera. Lamb was thrilled when Reinking offered her the role of Young Claire without even asking for an audition. "And then she said, 'In the first act, you're going to play Chita Rivera when she's a 17-year-old virgin,'" Lamb says, "and I'm like, 'What am I gonna do? I'm like 50 years old!' I started panicking. My dream was to be in the room with Ann Reinking and Chita Rivera, but I was scared to death I was going to make a fool of myself."

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Dance News

Original Diamonds cavalier Jacques d'Amboise shows PNB soloist Jerome Tisserand how to properly woo a lady onstage.

To polish Pacific Northwest Ballet’s staging of Balanchine’s timeless Jewels (1967), artistic director Peter Boal called in the experts. He invited the very first interpreters of lead roles in the ballet to offer their guidance to his cast. Once stars of the New York City Ballet stage, these icons continue to shape the dance world as renowned educators and directors. Fortunately, cameras caught clips of them in action during their coaching sessions in Seattle. Jacques d'Amboise, who founded the National Dance Institute, Violette Verdy, who teaches ballet at Indiana University, and longtime Miami City Ballet director Edward Villella offered inspirational nuggets of wisdom for performing the pieces they helped define more than 40 years ago.

When d'Amboise mentors Diamonds’ principals, he demonstrates why less is more and doesn't miss an opportunity to smooch a beautiful woman's (Lesley Rausch) hand:

For Emeralds, the charming Verdy discusses dancers’ motivation and the origin of movements (plus we get to see a nice clip of the beautiful Carla Körbes in motion!):

During his coaching session on Rubies, Villella stresses the importance of making sure the movement expresses Balanchine's signature style:

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