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Back in 2011, Yale University's dean of science was thinking about refreshing the program's offerings for non-majors when he happened upon a Pilobolus performance. A light bulb went off: Dance is full of physics.

That realization led to what has become an eight-year collaboration between particle physicist Sarah Demers and former New York City Ballet dancer Emily Coates, both professors at Yale who were brought together to co-teach a course called The Physics of Dance. Their partnership has involved everything from directing a short film to presenting a TedX Talk and performing a piece that Coates created, commissioned by Danspace Project. This month, they're publishing a book about what they've discovered by dialoging across two seemingly disparate disciplines.

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Dance News
It includes this familiar face! (Erin Baiano)

Something's coming, I don't know when
But it's soon...maybe tonight?

Those iconic lyrics have basically been our #mood ever since we first heard a remake of the West Side Story film, directed by Steven Spielberg and choreographed by Justin Peck, was in the works. THE CASTING. THE CASTING WAS COMING.

Well, last night—after an extensive search process that focused on finding the best actors within the Puerto Rican/Latinx community—the WSS team finally revealed who'll be playing Maria, Anita, Bernardo, and Chino (joining Ansel Elgort, who was cast as Tony last fall). And you guys: It is a truly epic group.

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Dance Teachers Trending
New York City Ballet soloist Georgina Pazcoguin. Photo by Nick Nakahara, Courtesy Pazcoguin.

As conversations in the ballet world about race and representation have opened up in the past few years, its most beloved holiday tradition, The Nutcracker, has come under scrutiny as well. Last year New York City Ballet made changes to its second act Chinese Tea variation, removing elements of racial caricature from both the costume and makeup and the choreography.

NYCB soloist Georgina Pazcoguin, who is part Filipino, was one of the voices fighting for that change. This year, as companies and schools worldwide are gearing up for Nutcracker season, Pazcoguin, along with former dancer and arts administrator Phil Chan, is back with a new campaign. Final Bow For Yellowface is an online platform dedicated to educating companies and schools on how to veer away from offensive Asian stereotypes (yellowface) and providing resources on how to make those changes. The site also lets readers join dance world luminaries including Virginia Johnson, Julie Kent, Adam Sklute, Troy Schumacher and Christopher Wheeldon in signing a pledge to end the practice of yellowface onstage. We touched base with Pazcoguin to hear about how this initiative came to be, and what she and Chan have in the works for the future.

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New York City Ballet soloist Georgina Pazcoguin. Photo by Nick Nakahara, Courtesy Pazcoguin.

As conversations in the ballet world about race and representation have opened up in the past few years, its most beloved holiday tradition, The Nutcracker, has come under scrutiny as well. Last year New York City Ballet made changes to its second act Chinese Tea variation, removing elements of racial caricature from both the costume and makeup and the choreography.

NYCB soloist Georgina Pazcoguin, who is part Filipino, was one of the voices fighting for that change. This year, as companies and schools worldwide are gearing up for Nutcracker season, Pazcoguin, along with former dancer and arts administrator Phil Chan, is back with a new campaign. Final Bow For Yellowface is an online platform dedicated to educating companies and schools on how to veer away from offensive Asian stereotypes (yellowface) and providing resources on how to make those changes. The site also lets readers join dance world luminaries including Virginia Johnson, Julie Kent, Adam Sklute, Troy Schumacher and Christopher Wheeldon in signing a pledge to end the practice of yellowface onstage. We touched base with Pazcoguin to hear about how this initiative came to be, and what she and Chan have in the works for the future.

Keep reading... Show less
Dance Magazine
New York City Ballet soloist Georgina Pazcoguin. Photo by Nick Nakahara, Courtesy Pazcoguin.

As conversations in the ballet world about race and representation have opened up in the past few years, its most beloved holiday tradition, The Nutcracker, has come under scrutiny as well. Last year New York City Ballet made changes to its second act Chinese Tea variation, removing elements of racial caricature from both the costume and makeup and the choreography.

NYCB soloist Georgina Pazcoguin, who is part Filipino, was one of the voices fighting for that change. This year, as companies and schools worldwide are gearing up for Nutcracker season, Pazcoguin, along with former dancer and arts administrator Phil Chan, is back with a new campaign. Final Bow For Yellowface is an online platform dedicated to educating companies and schools on how to veer away from offensive Asian stereotypes (yellowface) and providing resources on how to make those changes. The site also lets readers join dance world luminaries including Virginia Johnson, Julie Kent, Adam Sklute, Troy Schumacher and Christopher Wheeldon in signing a pledge to end the practice of yellowface onstage. We touched base with Pazcoguin to hear about how this initiative came to be, and what she and Chan have in the works for the future.

Keep reading... Show less
Site Network
New York City Ballet soloist Georgina Pazcoguin. Photo by Nick Nakahara, Courtesy Pazcoguin.

As conversations in the ballet world about race and representation have opened up in the past few years, its most beloved holiday tradition, The Nutcracker, has come under scrutiny as well. Last year New York City Ballet made changes to its second act Chinese Tea variation, removing elements of racial caricature from both the costume and makeup and the choreography.

NYCB soloist Georgina Pazcoguin, who is part Filipino, was one of the voices fighting for that change. This year, as companies and schools worldwide are gearing up for Nutcracker season, Pazcoguin, along with former dancer and arts administrator Phil Chan, is back with a new campaign. Final Bow For Yellowface is an online platform dedicated to educating companies and schools on how to veer away from offensive Asian stereotypes (yellowface) and providing resources on how to make those changes. The site also lets readers join dance world luminaries including Virginia Johnson, Julie Kent, Adam Sklute, Troy Schumacher and Christopher Wheeldon in signing a pledge to end the practice of yellowface onstage. We touched base with Pazcoguin to hear about how this initiative came to be, and what she and Chan have in the works for the future.

Keep reading... Show less

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