Major ballet companies are banding together for The Equity Project, to increase the presence of black dancers in ballet. Photo by Joseph Rodman, Courtesy DTH.

Twenty-one ballet organizations have come together to support the advancement of racial equity in professional ballet. They're all part of The Equity Project: Increasing the Presence of Blacks in Ballet, a new effort being led by Dance Theatre of Harlem, The International Association of Blacks in Dance and Dance/USA.

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Arthur Mitchell was always aware of his charm. Photo courtesy Dance Magazine Archives

Last Wednesday, Dance Theatre of Harlem co-founder and ballet pioneer Arthur Mitchell died. He was 84 years old and, though vibrant and tenacious as ever, this past year the toll that illness and age were taking on him was visible.

In October when he hosted "An Informal Performance on the Art of Dance" to celebrate the donation of his archives to Columbia University's Rare Book & Manuscript Library and the upcoming Wallach Art Gallery Exhibition, he shared that his recent hip surgery left him requiring a shoe with a lift. He acknowledged his "altered state" with panache, that side-eyed smirk catching the light with a cheek bone, and ending with a chuckle that broadened to a dazzling open-mouthed smile.

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Editor's List: The Goods
Dance Theatre of Harlem's Alison Stroming in a Capezio leotard (via capezio.com)

There's a change in the air these past few weeks—is it fall? Not quite yet. More importantly, it's PUMPKIN SPICE SEASON. And now, the quintessentially autumnal flavor isn't just for lattes anymore. Dancewear companies are picking up on the trend, offering more and more pieces in rich, sweet orange shades. Behold, eight of our favorite pumpkin spice-inspired pieces for your dancing enjoyment.

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Just for fun
Lauren Post unwinds by sewing pointe shoes in the tub. Photo via Instagram/@laurencpost

Let's face it. Dancers just do things differently. We can never walk down a grocery aisle—we have to tap. We can never simply pick something up we've dropped—without going into a penché. But it's not a bad thing. We love all the ways that dance bleeds into our daily lives.

Turns out the pros aren't ever really off-duty either. Here's how we caught them dancing through their downtime.

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Just for fun
Lauren Post unwinds by sewing pointe shoes in the tub. Photo via Instagram/@laurencpost

Let's face it. Dancers just do things differently. We can never walk down a grocery aisle—we have to tap. We can never simply pick something up we've dropped—without going into a penché. But it's not a bad thing. We love all the ways that dance bleeds into our daily lives.

Turns out the pros aren't ever really off-duty either. Here's how we caught them dancing through their downtime.

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Dance News
Copeland leading the class at Harlem Stage. Photo courtesy of Harlem Stage

With barres lining the charming Harlem Stage, a group of young students from Dance Theater of Harlem and Harlem School of the Arts emerged from the wings. Among them was the petite ballet superstar, American Ballet Theatre principal Misty Copeland. Harlem Stage in association with Dance Theater of Harlem and the Harlem School of the Arts presented the class designed to give these aspiring dancers the chance to engage with a professional artist.

The students, filled with nervous excitement, took their places. "Relax, have fun and let's learn something," said Copeland.

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Dance Teachers Trending
Antonio (left) and Kirven married in 2013. Photo by Matthew Karas

When Antonio and Kirven Douthit-Boyd took their final bows with the Alvin Ailey American Dance Theater (AAADT) in August 2015, they knew exactly what their next step would be. Within two weeks they moved to St. Louis, Missouri, Antonio's hometown, to become co-artistic directors of the dance program at Center of Creative Arts (COCA), the same performing arts center where Antonio had enrolled as a teenager. Their job involves guiding aspiring professional dancers and directing and choreographing performances for both the school and the performance stage.

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Dance Theatre of Harlem's Lindsey Croop learned the power of positivity in ballet class with Charla Genn.

“One of the things that sets her apart is she's so positive and funny. She comes up with rhymes for everything, like 'Lift your chest in arabesque to be the best!' She also makes them individualized. When I point my foot, she'll say, 'Point your talus to Dallas!' because I'm from Texas. She really influences my mental game and has just helped me so much as a complete dancer."

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