Rosalie O'Connor, Courtesy ABT

Ask a hundred people what musicality is, and you're likely to get a hundred different answers. "Musicality is where an artist's personality shines brightest," says Smuin Contemporary Ballet member Ben Needham-Wood. For American Ballet Theatre soloist Skylar Brandt, "it's what distinguishes one dancer from another. It helps me express myself more vividly and emotionally."

Teachers encourage it, directors seek it out and dancers who possess it bring choreography to life in compelling ways. But what exactly is musicality, and how can dancers get more of it?

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Dance Theatre of Harlem's Derek Brockington and Da'Von Doane in Claudia Schreier's Passage. Photo by Brian Callan, courtesy of DTH

Back to your routine after the holidays, but still looking for something to watch? Then this new PBS documentary titled Dancing on the Shoulders of Giants is for you. The hour-long film tracks the creation of two dance pieces: Claudia Schreier's Passage for Dance Theatre of Harlem, and Sir Richard Alston's Arrived featuring students of Norfolk's Governor's School for the Arts. Both works were co-commissioned by the American Evolution 2019 Commemoration and the Virginia Arts Festival last May, in recognition of the 400th anniversary of the first arrival of Africans to English North America and the history of slavery that followed.

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Earlier this month we learned that former comp star and current UC Berkeley student Miko Fogarty will be giving a TEDx talk in March about her path from ballet to college. This news got us thinking about some of our favorite ballet TED talks from years past. Check out our top eight now!

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Isabella Boylston, partnered here by Zachary Catazaro, is Vail's artist in residence this year. Photo by Erin Baiano, courtesy of Vail International Dance Festival

When Damian Woetzel came to Vail a decade ago as artistic director, he brought the vision of creating an open artistic community.

"Dancers often go to festival gigs, arrive with their music and costumes, perform, get the check and go," says Woetzel. "It's very normal and efficient. But I was always more interested in collaborations, artistic development, working with new artists, so I tried from the beginning to create an atmosphere in which to experiment and try something new."

This month, the festival celebrates Woetzel's collaborative mission and its expansion during his time there.

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