<h2>1. Follow before you lead.</h2><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xNzMyNjM4Mi9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTY0Mjc2MDIzOX0.MmcyQk3Zx-XMbFRTwWUvwUaLYpxlGBAQIh09VZS5thc/img.png?width=980" id="bd2d0" class="rm-shortcode" data-rm-shortcode-id="04df57254575b3a4dcf047d94400fd62" data-rm-shortcode-name="rebelmouse-image">
<small class="image-media media-photo-credit" placeholder="add photo credit...">Cox in her performing days. Photo via <a href="https://www.instagram.com/p/8UZ3IWuYur/?hl=en&taken-by=christineccox" target="_blank">Instagram</a></small></p><p>Cox's journey to BalletX was no cake walk—but it made her the leader she is today. As a teenager, she set her sights on joining Pennsylvania Ballet, but it took several auditions and several years dancing for other companies like BalletMet, Ballet Hispanico and American Repertory Ballet before she was ultimately accepted into her dream company.</p><p>Cox is thankful for those experiences because they taught her how to be the fearless leader she is today. "I would do nothing differently," she says. Cox attributes a great deal of what she knows as a leader to watching the great directors of the companies she danced for.</p><h2>2. Be willing to take risks.</h2><p class="shortcode-media shortcode-media-rebelmouse-proxy-image">
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<small class="image-media media-photo-credit" placeholder="add photo credit...">BalletX rehearsing Matthew Neenan's Let mortal tongues awake</small>
</p><p>Cox left Pennsylvania Ballet in 2006 to give BalletX its own identity separate from Pennsylvania Ballet. It was a risk, but she knew that to grow her own troupe, she had to leave the company she'd grown up idolizing.</p><h2>3. Don't be afraid to diversify.</h2><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xNzMyNTY4Ni9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY3NDAxOTkwMX0.4D2a5i18XUGtnlxK2kwEmtqGYxRDGqZEu-ptJUU3Oi8/img.jpg?width=980" id="4a23a" class="rm-shortcode" data-rm-shortcode-id="a45a7fddd8eb8da7e9b39e146bb02ca9" data-rm-shortcode-name="rebelmouse-image">
<small class="image-media media-photo-credit" placeholder="add photo credit...">Dance eXchange students. Photo via BalletX.org</small></p><p>Initially, BalletX's business model focused solely on performances. But Cox felt the need to give back to the community in which the company had flourished. In 2014 she founded the <a href="https://www.balletx.org/education/dance-exchange/" target="_blank">Dance eXchange</a>: an in-school dance program for 200 third and fourth graders at three public schools in Philadelphia. Based on the award-winning methodology of the <a href="http://nationaldance.org/" target="_blank">National Dance Institute</a> in New York City, Dance eXchange takes BalletX teaching artists and live musicians into the classroom to teach students the basics of dance with a focus on achieving personal standards of excellence.</p><h2>4. Know that you will make mistakes.</h2><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xNzMyNTcxOS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1MjY3MzQ5MH0.Oy5Ddxr3JP_i9WWxV1Z_W3t1ZFlkkNwet2rUUTRq1Kk/img.jpg?width=980" id="ca73b" class="rm-shortcode" data-rm-shortcode-id="a0b4264c178637f89fdbcd898cebd5ea" data-rm-shortcode-name="rebelmouse-image">
<small class="image-media media-photo-credit" placeholder="add photo credit...">Chloe Perkes, Zachary Kapeluck in Beautiful Once by Jodie Gates. Photo by Bill Hebert.</small></p><p>Cox says that making mistakes is part of learning what it takes to be a successful leader. "If you are afraid to make mistakes, you are afraid to try," she says. When starting the company, some early slipups included missing grant deadlines because they weren't written on the calendar, or being late to important meetings with stakeholders. Small mistakes add up, and Cox realized that she had to be as serious about the business aspects of BalletX as she was the artistic ones.</p><h2>5. Surround yourself with people who have the skills you don't.</h2><p class="shortcode-media shortcode-media-rebelmouse-proxy-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vbWVkaWEucmJsLm1zL2ltYWdlP3U9JTJGbWVkaWElMkZmczlCa29ydFU1S0dyQVFMUkglMkZnaXBoeS5naWYmaG89aHR0cHMlM0ElMkYlMkZtZWRpYS5naXBoeS5jb20mcz00NjImaD1jMmE4YTBmMzM4ODViY2ViNWY3MTU0ZjcwMTNhMDc4MTYzNGFjMjgyZTQ0M2IyOTAxYWM2NzU4YjUwMjlmZGEyJnNpemU9OTgweCZjPTM2MDc4MTI5ODUiLCJleHBpcmVzX2F0IjoxNjE3MzY2NzAwfQ.ao1E3en8Y4R2Mu7rvhDMYFr7k49xluK6_-8b6D67SM0/img.jpg" id="31613" class="rm-shortcode" data-rm-shortcode-id="048dc1e49cf243724c519e61a5fb67d6">
<small class="image-media media-photo-credit" placeholder="add photo credit...">BalletX rehearsing a new Trey McIntyre piece, The Boogeyman</small>
</p><p>Cox attributes her successes to the great relationships she has with her board and staff members, particularly associate artistic director Tara Keating. However, she admits that she's made the mistake of hiring both dancers and administrators who weren't, at first, the right fit for BalletX. In those instances, she says, "I try to make it a better fit and work with what I have."</p><h2>6. Learn when to hold back.</h2><div id="6b604" class="rm-shortcode" data-rm-shortcode-id="6M7BDP1559854962"><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-version="4" style=" background:#FFF; border:0;
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<a href="https://www.instagram.com/p/BBggAnAD6am/" style=" color:#000; font-family:Arial,sans-serif;
font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;
word-wrap:break-word;" target="_top">BalletX on Instagram: “BX Artistic Director @christineccox and Choreographer @treybmcintyre at our open rehearsal last week. It's been a joy to have Trey with us…”</a></p>
</div></blockquote></div><p>Cox is very much aware that people judge men and women in business differently. She naturally wears a lot of feelings on her sleeve, but she knows that each day she has to calculate how much of that side of herself she shares with the dancers and her team.</p><h2>7. Believe in the work.</h2><p class="shortcode-media shortcode-media-youtube">
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</p><p>Having a great deal of integrity about the work she does has not only given Cox immense pride in her company, but it has brought the organization national exposure. By showcasing BalletX to groups of theaters and presenters, having a strong Philadelphia base of support and touring regularly, the company has gotten 11 write-ups in the <a href="https://www.nytimes.com/2016/08/18/arts/dance/review-eccentricity-and-offbeat-humor-by-balletx-philadelphia-joyce-theater.html" target="_blank"><em>New York Times</em></a> in the last four years, and kept eyes on BalletX across the country.</p>
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