Seen and Heard at the Dance Teacher Summit: Denise Wall

Our Dance Teacher Summit is less than two weeks away, and we’re marking that countdown today with an interview with Summit ambassador Denise Wall. Wall was DT’s 2012 Lifetime Achievement Award winner and has owned her studio for over 30 years. Her students—including her son, “So You Think You Can Dance” star Travis Wall—have gone on to perform professionally all over the world. We spoke with her about her favorite Summit instructors and typical hot button issues that get dissected at the Summit.

Denise Wall

Co-owner, Denise Wall’s Dance Energy

Virginia Beach, VA

200 students

Dance Teacher: What surprised you most at last year’s Summit?

Denise Wall: When the question of teacher salaries came up at a studio owners’ seminar, it was surprising how different everyone’s answer was. Some people are paying so low, I’m not sure how they get people to work for them. You’re not just paying for the hours of teaching, you’re paying for their knowledge and the time spent preparing for the class. At the same time, I know there’s a wide pay range depending on location. You expect places like New York, Chicago and Los Angeles to have higher salaries, but some other places were paying their teachers at even higher rates.

DT: The age-old question of how to deal with intrusive parents came up during the studio owners’ seminar, as well. What is your solution?

DW: I try to be an open book. In the fall, I did a big open house at the studio for my new parents to let them know what we’re all about. I had all my teachers talk about themselves and their backgrounds. Their resumés are on our website, but having them speak makes a difference.

Then I explained how I place kids in classes. In September the biggest question is always, “Why didn’t Susie move up?” Parents are all about what each level is called, but every year I restructure the school and talk to every teacher about every student to group kids together by what they need to work on at that time, like hip flexibility. I can advance kids more quickly that way. So if they’re in Ballet 1 for three years, parents think they’re not progressing, but they are progressing as a class working on that skill. If I changed the group’s name every year to Ballet 2, Ballet 3, I’d have Ballet 20! I tried explaining the process this time and it actually stopped a lot of the questions. I even had parents there who have been with us for five years.

DT: What is your most memorable experience from the DT Summit?

DW: I met Paula Morgan for the first time at the 2012 Summit. [A popular California-based convention teacher, Morgan has developed her own technique, blending elements of yoga, Pilates and ballet to build long, lean muscles. Former students include Paula Abdul, Tyce Diorio and Ray Leeper.] People kept telling me I had to meet her, and I finally took her class. Within 10 minutes I had tears rolling down my face. When we met, it was like fireworks going off. I was like, “This is my mother of dance.” And being around Judy Rice and Anthony Morigerato—every teacher there is just amazing. It gives me enough motivation to get through a year. —Andrea Marks

 

 

Photos from top: by Matthew Murphy; courtesy of Break the Floor Productions

 

Dance Teachers Trending
Barbara Bashaw in Thompson Hall of Columbia Teachers College. Photo by Kyle Froman

Barbara Bashaw has always been a pioneer. Since kicking off her career in education by building a dance program from the ground up at an elementary school in Brooklyn, she's gone on to become an inspiring force in teacher training. Now, as director of the new doctoral program in dance education at Columbia University's renowned Teachers College and as executive director of the even newer Arnhold Institute for Dance Education Research, Policy & Leadership, she's in a position to effect change nationwide.

"The study of dance education is a young field," Bashaw says. "Music and visual arts are far ahead of us, in terms of the research that has been done, as well as the foothold they have in education. Anywhere education is being discussed, we want to put dance on the table—and that means developing researchers and championing research that will push public policy." In a climate where arts education feels both more endangered and more necessary than ever, Bashaw is ready to blaze a trail.

Keep reading...
Instagram
Karen Hildebrand (center) with 2019 DT Awardee Marisa Hamamoto and members of Infinite Flow. Photo by Joe Toreno

Every year in our summer issue, we honor four dance educators for their outstanding contributions to the field. Recipients have included studio owners, professors, program directors, K–12 teachers and more, whose specialties run the gamut of dance genres.

We need your help to identify this year's best in the profession. Do you have a colleague or mentor who deserves to be recognized as a leader and role model?

Send your nomination by March 1, 2020. You can e-mail us at danceteachereditors@dancemedia.com with the following details:

Keep reading...
Sponsored by Akada Software
Photo by Jenny Studios, courtesy of Utah Dance Artists

Running a dance school used to involve a seemingly endless stream of paperwork. But thanks to the advent of software tailored specifically for dance studios' needs, those hours formerly spent pushing papers can now be put to better use.

"Nobody opens a dance studio because they want to do administrative work," says Brett Stuckey, who leads Akada Software's support team. "It's our job to get you out of the office and back into your classroom."

We talked to Stuckey about how a studio software program can streamline operations, so you can put your energy toward your students.

Keep reading...
Dance Teacher Tips

Susan Pilarre has been closely tied to the School of American Ballet for nearly her entire life.

From her first class there at age 11 through her 16-year career with its affiliated company, New York City Ballet, Pilarre learned directly from the great choreographer George Balanchine, absorbing the details of his unique style. Sensing her innate understanding of his principles, Balanchine encouraged her to teach; she joined SAB's permanent faculty in 1986. Since then, she has become recognized as an authority on Balanchine's teachings, instilling SAB and NYCB's distinctive speed, clarity and energy into generations of dancers.

Here, Pilarre shares how the specifics that Balanchine insisted upon in class contribute to the strength, beauty and musicality that define his style—and dispels common misconceptions.

Keep reading...

To celebrate Valentine's Day in the most dance-centric way possible, we sat down with five powerhouse dance-teaching couples to talk about their love stories. What do they admire about each other? What are their couple goals and their teaching philosophies, and how do they make their relationships work, especially when they work together? Get ready to swoon!

Keep reading...
For Parents
Photo by Paul B. Goode, courtesy of BAE

Watching through the studio windows—or even from the sidelines in a Mommy and Me class—can surely make parents wonder what exactly our little tykes are getting out of weekly ballet lessons. After all, they're repeating the same things class after class. Are they bored? Are they progressing? Why are they doing that again?

Keep reading...
Site Network
Photo by Nina Lokmadzhieva, courtesy of Varna IBC

The oldest ballet competition in the world doesn't have the funds for the show to go on: The 29th edition of the Varna International Ballet Competition, scheduled for July 12–30, 2020, has been postponed indefinitely.

Keep reading...
Dance Teacher Tips
Getty Images

Q: I have a 15-year-old student who has problems keeping her heel fully on the ground during a demi-plié. How can I help her?

Keep reading...
Site Network
The eight 2020 Prix de Lausanne prize winners. Photo by Rodrigo Buas, courtesy of PdL

The 2020 Prix de Lausanne has officially come to a close after a thrilling week of classes, coaching sessions, competition performances and networking forums. The annual competition, which was live streamed around the world and watched over 1.1 million times, gave 77 dancers an opportunity to perform and take class in front of an international panel of judges. In addition to a classical variation, candidates had to master a contemporary solo by Mauro Bigonzetti, Jean-Christophe Maillot, Cathy Marston, Wayne McGregor, Heinz Spoerli or Richard Wherlock.

Keep reading...
Dance News
Photo by Wendy Turner, courtesy of Boulder Jazz Dance Workshop

This summer, as for the past 42 years, students will flock to Colorado to immerse themselves in jazz dance training and performance. High school and college students, professional artists and teaching artists alike will find opportunities for growth and connection.

The Boulder Jazz Dance Workshop honors tradition while also embracing innovation and change within the jazz dance genre and dance field in general. Before executive/artistic director Lara Branen began the Workshop, she and her co-founder Michael Geiger had studied at separate times with San Francisco jazz teachers Ann Garvin, Linda Heine and Ed Mock. Later Lynn Simonson became their primary inspiration. Each year Branen invites new guest artists to join long-term faculty who devotedly return year after year, including: Wade Madsen (modern dance), Nancy Cranbourne (jazz), Christy McNeil Chand (jazz) and Meghan Lawitz (contemporary). This summer will include lyrical, musical theater rep and a heels class, in addition to the program's regular offerings.

Keep reading...
Site Network
Getty Images

Nope, there's still no Oscar for Best Choreography—but we now get to reveal the winner of our own Dance Spirit award for Best Movie Choreography of 2019! Though we're big fans of all seven of the nominated choreographers, and think each one deserves to be acknowledged for their contributions to some of our favorite films this year, there can only be one winner. And based on your votes, that is...

Keep reading...
Site Network
Photo courtesy of Meier

Pointe shoes are high-maintenance. New pairs are not only expensive, but time consuming. So it's no surprise that many dancers try to extend the lifespan of each shoe. But did you know that dancing on dead shoes can increase your risk for a variety of injuries?

Keep reading...

mailbox

Get DanceTeacher in your inbox