Educational

Balanchine The Teacher: Fundamentals That Shaped the First Generation of New York City Ballet Dancers

by Barbara Walczak and 

Una Kai

University Press of Florida

In a nutshell: An in-depth manual that sheds light on the teaching methods of George Balanchine.

Walczak and Kai, two former Balanchine students, pay homage to their beloved teacher by sharing his innovative teachings in this exhaustive book. Each recounts personal lessons learned from the ballet master, giving an inside look at how he organized and developed classes between 1940 and 1960. The material includes barre and center exercises for 24 classes, common corrections and appropriate class music. Despite the lack of visual elements, the authors manage to vividly detail his style. This guide is for all levels of teachers who wish to pass on Balanchine’s methodology to advanced students. —Courtney Rae Allen

Dance and Culture: 

An Introductory Reader 

for Middle and High 

School Levels

by Wendy Oliver

National Dance Association

In a nutshell: An insightful textbook designed to help young teens gain a general understanding of dance’s global evolution.

Oliver aims to help high school students “view dance through a cultural lens” in this classroom-friendly manual. She describes how movement traditions from around the world evolved within specific cultures, were influenced by international exposure and came to shape styles in America. (The roots of tap and jazz, for example, can be traced back to Irish step and African slave dance.) Oliver presents the material in textbook format, with bulleted lists, highlighted passages, review questions, class activities and pop references that make it easy to digest. While those wanting to delve deeper into each area will need to look elsewhere, this book is a handy resource for teachers and students seeking to understand dance in cultural rather than purely technical terms. —Kirsten Spearman

Children’s

A Dictionary of Dance

by Liz Murphy

Blue Apple Books

In a nutshell: An easy-to-read, illustrated alphabetical introduction to the fundamental elements of dance.

Murphy presents a fun and colorful way to introduce little ones to the basics of dance. She assigns a dance term to each letter of the alphabet—A for “arabesque,” B for “break dancing,” C for “choreographer,” etc.—illustrating and defining each one so that children will find it easy to grasp the concepts. A variety of dance forms, musical and stage terms and parts of the body are covered in a way that is sure to sustain the interest of budding performers—even male dancers. Murphy’s artwork features a multiethnic cast and has an appealing collage-esque, coloring-book feel. —Tracy Krisanits

Biography

Quick, Before the Music Stops: How Ballroom Dancing Saved My Life

by Janet Carlson

Broadway Books

In a nutshell: A touching tale about restoring life through a passion.

In this memoir, Carlson shares how her unexpected return to ballroom dance, 

after competing successfully for seven years, sparked a midlife quest for self-rediscovery, and ultimately helped her move on from a divorce and reconnect with her daughters. Through dance, she regained her confidence and realized how trust and communication are essential not only in partner dance, but in personal relationships as well. The book’s most important lesson is that having a passion can instill enthusiasm and happiness into one’s life. Carlson’s vulnerable yet   determined tone provides heartwarming inspiration for dancers and non-dancers alike. —Elizabeth Louise Hatt

Photography

Ailey Ascending: A Portrait 

in Motion

by Andrew Eccles

Chronicle Books

In a nutshell: A stunning photographic collage that combines the beauty of still life with the allure of movement as art.

With opening remarks by Artistic Director Judith Jamison and famed   playwright Anna Deavere Smith, among others, this photo book chronicles Alvin Ailey American Dance Theater over the course of its 50th anniversary year. Photographer Andrew Eccles’ images capture everything from Ailey school children to company performances of Revelations and For “Bird”—With Love. Through portraits, performance shots and behind-the-scenes looks, Eccles  highlights the beauty of the company’s dancers and the structural magnificence of their new home, the Joan Weill Center for Dance. —KS

The Conversation
Dance Teachers Trending
Photo courtesy of Hightower

The beloved "So You Think You Can Dance" alum and former Emmy-nominated "Dancing with the Stars" pro Chelsie Hightower discovered her passion for ballroom at a young age. She showed a natural ability for the Latin style, but she mastered the necessary versatility by studying jazz, ballet and other forms of dance. "Every style of dance builds on each other," she says, "and the more music you're exposed to, the more your rhythm and coordination is built."

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Studio Success with Just for Kix
Bill Johnson, Courtesy Just for Kix

Running a dance studio is a feat in itself. But adding a competition team into the mix brings a whole new set of challenges. Not only are you focusing on giving your dancers the best training possible, but you're navigating the fast-paced competition and convention circuit. Winning is one goal, but you also want to create an environment that's fun, educational and inspiring for young artists. We asked Cindy Clough, executive director of Just For Kix and a studio owner with over 40 years of experience, for her advice on building a healthy dance team culture:

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Just for fun
Via Instagram

Happy Father's Day to all of the dance dads in the world! Whether you're professional dancers, dance teachers, dance directors or simply just dance supporters, you are a key ingredient to what makes the dance world such a happy, thriving place, and we love you!

To celebrate, here are our four favorite Instagram dance dads. Prepare to say "Awwwwwwwweeeeeee!!!!!!"

You're welcome!

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Sponsored by Insure Fitness
AdobeStock, Courtesy Insure Fitness Group

As a teacher at a studio, you've more than likely developed long-lasting relationships with some of your students and parents. The idea that you could be sued by one of them might seem impossible to imagine, but Insure Fitness Group's Gianna Michalsen warns against relaxing into that mindset. "People say, 'Why do I need insurance? I've been working with these people for 10 years—we're friends,'" she says. "But no one ever takes into account how bad an injury can be. Despite how good your relationship is, people will sue you because of the toll an injury takes on their life."

You'll benefit most from an insurance policy that caters to the specifics of teaching dance at one or several studios. Here's what to look for:

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Studio Owners
Getty Images

If you're a studio owner, the thought of raising your rates most likely makes you cringe. Despite ever-increasing overhead expenses you can't avoid—rent, salaries, insurance—you're probably wary of alienating your customers, losing students or inviting confrontation if you increase the price of your tuition or registration and recital fees. DT spoke with three veteran studio owners who suggest it's time to get past that. Here's how to give your business the revenue boost it needs and the value justification it (and you) deserve.

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Sponsored by World Class Vacations
David Galindo Photography

New York City is a dream destination for many dancers. However aspiring Broadway stars don't have to wait until they're pros to experience all the city has to offer. With Dance the World Broadway, students can get a taste of the Big Apple—plus hone their dance skills and make lasting memories.

Here's why Dance the World Broadway is the best way for students to experience NYC:

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Dance Teachers Trending
Margie Gillis (left); photo by Kyle Froman

Margie Gillis dances the human experience. Undulating naked in a field of billowing grass in Lessons from Nature 4, or whirling in a sweep of lilac fabric in her signature work Slipstream, her movement is free of flashy technique and tricks, but driven and defined by emotion. "There's a central philosophy in my work about what the experience of being human is," says Gillis, whose movement style is an alchemy of Isadora Duncan's uninhibited self-expression and Paul Taylor's musicality, blended with elements of dance theater into something utterly unique and immediately accessible. "I want an authenticity," she says. "I want to touch my audiences profoundly and deeply."

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Dance Teacher Tips
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Teaching arabesque can be a challenge for educators and students alike. Differences in body types, flexibility and strength can leave dancers feeling dejected about the possibility of improving this essential position.

To help each of us in our quest for establishing beautiful arabesques in our students without bringing them to tears, we caught up with University of Utah ballet teacher Jennie Creer-King. After her professional career dancing with Ballet West and Oregon Ballet Theater and her years of teaching at the studio and college levels, she's become a bit of an arabesque expert.

Here she shares five important tips for increasing the height of your students' arabesques.

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Dance Teacher Tips
Photo by Jennifer Kleinman, courtesy of Danell Hathaway

It's high school dance concert season, which means a lot of you K–12 teachers are likely feeling a bit overwhelmed. The long nights of editing music, rounding up costumes and printing programs are upon you, and we salute you. You do great work, and if you just hang on a little while longer, you'll be able to bathe in the applause that comes after the final Saturday night curtain.

To give you a bit of inspiration for your upcoming performances, we talked with Olympus High School dance teacher Danell Hathaway, who just wrapped her school's latest dance company concert. The Salt Lake City–based K–12 teacher shares her six pieces of advice for knocking your show out of the park.

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Getty Images

Q: I'm looking to create some summer rituals and traditions at my studio. What are some of the things you do?

A: Creating fun and engaging moments for your students, staff and families can have a positive impact on your studio culture. Whether it's a big event or a small gesture, we've found that traditions build connection, boost morale and create strong bonds. I reached out to a variety of studio owners to gather some ideas for you to try this summer. Here's what they had to say.

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Dance Teacher Tips
Sam Williams and Jaxon Willard after competition at RADIX. Photo courtesy of Williams

Self-choreographed solos are becoming increasingly popular on the competition circuit these days, leading dance teachers to incorporate more creative mentoring into their rehearsal and class schedules. In this new world of developing both technical training and choreographic prowess, finding the right balance of assisting without totally hijacking a student's choreographic process can be difficult.

To help, we caught up with a teacher who's already braved these waters by assisting "World of Dance" phenom Jaxon Willard with his viral audition solos. Center Stage Performing Arts Studio company director Sam Williams from Orem, Utah, shares her sage wisdom below.

Check it out!

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Studio Owners
Getty Images

Dance studios are run by creative people with busy schedules, who have a love-hate relationship with props and sequins. The results of all this glitter and glam? General mass chaos in every drawer, costume closet and prop corner of the studio. Let's be honest, not many dance teachers are particularly known for their tidiness. The ability to get 21 dancers to spot in total synchronization? Absolutely! The stamina to run 10 solos, 5 group numbers, 2 ballet classes and 1 jazz class in one day? Of course! The emotional maturity to navigate a minefield of angry parents and hormonal teenagers? You know it!

Keeping the studio tidy? Well...that's another story.

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