NYCDA Foundation Honors Debbie Allen

Chloé and Maud Arnold pose with NYCDAF Ambassador for the Arts, Debbie Allen.

Last night, the NYC Dance Alliance Foundation awarded Debbie Allen the 2015 NYCDAF Ambassador for the Arts Award at the annual “Bright Lights Shining Stars” gala. Held at the NYU Skirball Center for the Performing Arts, the event paid tribute to Allen through song, dance and celebration.

Highlights from the evening:

Chloé Arnold’s Syncopated Ladies opened the show with a bang! With ear-to-ear grins, their fierce quintet, set to music by Beyoncé, created a celebratory tone for the entire evening.

Kolton Krouse performs Andy Pellick's Path of Enlightenment.

NYCDA student Kolton Krouse performed a gravity-defying solo choreographed by NYCDA faculty member Andy Pellick. Krouse was later awarded the Adele Astaire College Scholarship by An American in Paris star Robert Fairchild.

Jessica Lee Goldyn and dancers perform "I'm a Brass Band" from Sweet Charity.

Broadway star Jessica Lee Goldyn and a chorus of male dancers performed “I’m a Brass Band” from Sweet Charity. With original choreography by Bob Fosse, this was hands-down my personal favorite from the evening.

Allen's daughter Vivian Nixon performed the role of Anita from West Side Story.

Allen’s daughter Vivian Nichole Nixon made a surprise appearance, reprising Allen’s Tony-nominated role, Anita from Jerome Robbins' West Side Story. Nixon's lively rendition of “America” proved that the apple doesn’t fall far from the tree.

Dancesanity Stars' Karla Choko and Josen Torres showed that salsa can be enjoyed at any age, when they were joined onstage by their young students Nathalie Huiracocha and Felix Monge. The petite duet impressed—they held their own next to the professional duo.

Joe Lanteri stands with 2013 NYCDAF Ambassador for the Arts Catherine Zeta-Jones and her husband Michael Douglas. Zeta-Jones gave the welcome remarks at the top of the show.

Over the past five years, the NYCDA Foundation has awarded more than $17 million in college scholarships to hundreds of young dancers nationwide. Founded in 1993 by executive director Joe Lanteri, the NYCDA convention currently travels to 23 cities each season. Faculty includes Andy Blankenbuehler, Jared Grimes, Suzi Taylor and Melinda Sullivan. Many NYCDA alumni have gone on to have successful careers in dance including, Travis Wall, Derek Hough and Nick Lazzarini.

Photos from top: by Rachel Neville; by Eduardo Patino (3); by Rachel Neville, all courtesy of NYCDA.

Music
Getty Images

Securing the correct music licensing for your studio is an important step in creating a financially sound business. "Music licensing is something studio owners seem to either embrace or ignore completely," says Clint Salter, CEO and founder of the Dance Studio Owners Association. While it may seem like it's a situation in which it's easier to ask for forgiveness rather than permission—that is, to wait until you're approached by a music-rights organization before purchasing a license—Salter disagrees, citing Peloton, the exercise company that produces streaming at-home workouts. In February, Peloton settled a music-licensing suit with the National Music Publishers' Association out-of-court for an undisclosed amount. Originally, NMPA had sought $300 million in damages from Peloton. "It can get extremely expensive," says Salter. "It's not worth it for a studio to get caught up in that."

As you continue to explore a hybrid online/in-person version of your class schedule, it's crucial that your music licenses include coverage for livestreamed instruction—which comes with its own particular requirements. Here are some answers to frequently asked questions about music licensing—in both normal times and COVID times—as well as some safe music bets that won't pose any issues.

Keep reading... Show less
Teaching Tips
A 2019 Dancewave training. Photo by Effy Grey, courtesy Dancewave

By now, most dance educators hopefully understand that they have a responsibility to address racism in the studio. But knowing that you need to be actively cultivating racial equity isn't the same thing as knowing how to do so.

Of course, there's no easy answer, and no perfect approach. As social justice advocate David King emphasized at a recent interactive webinar, "Cultivating Racial Equity in the Classroom," this work is never-ending. The event, hosted by Dancewave (which just launched a new racial-equity curriculum) was a good starting point, though, and offered some helpful takeaways for dance educators committed to racial justice.

Keep reading... Show less
Higher Ed
The author, Robyn Watson. Photo courtesy Watson

Recently, I posted a thread of tweets elucidating the lack of respect for tap dance in college dance programs, and arguing that it should be a requirement for dance majors.

According to onstageblog.com, out of the 30 top-ranked college dance programs in the U.S., tap dance is offered at 19 of them, but only one school requires majors to take more than a beginner course—Oklahoma City University. Many prestigious dance programs, like the ones at NYU Tisch School of the Arts and SUNY Purchase, don't offer a single course in tap dance.

Keep reading... Show less

Get Dance Business Weekly in your inbox

Sign Up Used in accordance with our Privacy Policy.