News: Ballet Without Borders

When Davis Robertson of the Joffrey Ballet School traveled to Moscow in June 2010, he had no idea what to expect. As program director of the contemporary ballet division, his goal was to broach the idea of a summer student exchange with Bolshoi Ballet Academy. Much to his surprise, he received an enthusiastic response from director Marina Leonova. Bolshoi representatives outlined several other possibilities, including student exchanges during the year, teacher exchanges and an invitation for Robertson to choreograph a new work and run workshops in contemporary ballet.

 

This summer, Robertson will accompany 15 to 25 specially selected Joffrey Ballet School students to Moscow. They will spend several weeks taking classes and living at the Bolshoi Ballet Academy while he guest-teaches. “There will be two types of education going on,” Robertson says. “One in the studio technically, and one just permeating the air of the Joffrey students’ lives while they are there.”

 

Plans to continue the exchange include a visit from Bolshoi students and teachers to the Joffrey School in NYC. Info: www.joffreyballetschool.com

 

Photo: Joffrey Ballet School students in The Nutcracker (by James Culp, courtesy of the Joffrey Ballet School)

Teachers Trending
Annika Abel Photography, courtesy Griffith

When the murder of George Floyd in Minneapolis last May catalyzed nationwide protests against systemic racism, the tap community resumed longstanding conversations about teaching a Black art form in the era of Black Lives Matter. As these dialogues unfolded on social media, veteran Dorrance Dance member Karida Griffith commented infrequently, finding it difficult to participate in a meaningful way.

"I had a hard time watching people have these conversations without historical context and knowledge," says Griffith, who now resides in her hometown of Portland, Oregon, after many years in New York City. "It was clear that there was so much information missing."

For example, she observed people discussing tap while demonstrating ignorance about Black culture. Or, posts that tried to impose upon tap the history or aesthetics of European dance forms.

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Studio Owners
Courtesy Tonawanda Dance Arts

If you're considering starting a summer program this year, you're likely not alone. Summer camp and class options are a tried-and-true method for paying your overhead costs past June—and, done well, could be a vehicle for making up for lost 2020 profits.

Plus, they might take on extra appeal for your studio families this year. Those struggling financially due to the pandemic will be in search of an affordable local programming option rather than an expensive, out-of-town intensive. And with summer travel still likely in question this spring as July and August plans are being made, your studio's local summer training option remains a safe bet.

The keys to profitable summer programming? Figuring out what type of structure will appeal most to your studio clientele, keeping start-up costs low—and, ideally, converting new summer students into new year-round students.

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Dancer Diary
Claire McAdams, courtesy Houston Ballet

Former Houston Ballet dancer Chun Wai Chan has always been destined for New York City Ballet.

While competing at Prix de Lausanne in 2010, he was offered summer program scholarships at both the School of American Ballet and Houston Ballet. However, because two of the competition's winners that year were Houston Ballet's Aaron Sharratt and Liao Xiang, dancers Chan idolized, he turned down SAB. He joined Houston Ballet II in 2010, the main company's corps de ballet in 2012, and was promoted to principal in 2017. Oozing confidence and technical prowess, Chan was a Houston favorite, and even landed himself a spot on Dance Magazine's "25 to Watch."

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