Technique

How LeeWei Chao Teaches a Piqué Arabesque

Alonzo King LINES' LeeWei Chao with dancer Hayley Bowman. Photo by Chris Hardy

The piqué arabesque is a ballet staple that looks deceptively simple. At Alonzo King LINES Dance Center, LeeWei Chao uses the image of standing on the edge of a cliff to inspire correct alignment, emphasizing a strong supporting side so that dancers avoid tilting and dipping forward. "Your body energy goes up," he says. "Stay on that edge of the cliff. You sense the danger there, but that's the most beautiful moment."



LeeWei Chao is from Taipei, Taiwan. He trained in the Vaganova method before dancing with Taipei City Ballet, Henry Yu Dance Company and Singapore Dance Theatre. After moving to the U.S., he danced with the Joffrey Ballet and Milwaukee Ballet. He is currently on faculty at Smuin Ballet and Alonzo King LINES Ballet, and he teaches ballet, men's technique and pas de deux for the LINES BFA program, LINES Dance Center, summer program and training program. Chao is also a choreographer who has set work on Milwaukee Ballet, Oklahoma City Ballet and New Mexico School of the Arts, among others.

Hayley Bowman is a graduate of the Alonzo King LINES Ballet BFA program with the Dominican University of California. She is a freelance dancer and teacher in the San Francisco Bay Area.

Music
Mary Malleney, courtesy Osato

In most classes, dancers are encouraged to count the music, and dance with it—emphasizing accents and letting the rhythm of a song guide them.

But Marissa Osato likes to give her students an unexpected challenge: to resist hitting the beats.

In her contemporary class at EDGE Performing Arts Center in Los Angeles (which is now closed, until they find a new space), she would often play heavy trap music. She'd encourage her students to find the contrast by moving in slow, fluid, circular patterns, daring them to explore the unobvious interpretation of the steady rhythms.

Keep reading... Show less
For Parents

Darrell Grand Moultrie teaches at a past Jacob's Pillow summer intensive. Photo Christopher Duggan, courtesy Jacob's Pillow

In the past 10 months, we've grown accustomed to helping our dancers navigate virtual school, classes and performances. And while brighter, more in-person days may be around the corner—or at least on the horizon—parents may be facing yet another hurdle to help our dancers through: virtual summer-intensive auditions.

In 2020, we learned that there are some unique advantages of virtual summer programs: the lack of travel (and therefore the reduced cost) and the increased access to classes led by top artists and teachers among them. And while summer 2021 may end up looking more familiar with in-person intensives, audition season will likely remain remote and over Zoom.

Of course, summer 2021 may not be back to in-person, and that uncertainty can be a hard pill to swallow. Here, Kate Linsley, a mom and academy principal of Nashville Ballet, as well as "J.R." Glover, The Dan & Carole Burack Director of The School at Jacob's Pillow, share their advice for this complicated process.

Keep reading... Show less
Teachers Trending

From left: Anthony Crickmay, Courtesy Dance Theatre of Harlem Archives; Courtesy Ballethnic

It is the urgency of going in a week or two before opening night that Lydia Abarca Mitchell loves most about coaching. But in her role as Ballethnic Dance Company's rehearsal director, she's not just getting the troupe ready for the stage. Abarca Mitchell—no relation to Arthur Mitchell—was Mitchell's first prima ballerina when he founded Dance Theatre of Harlem with Karel Shook; through her coaching, Abarca Mitchell works to pass her mentor's legacy to the next generation.

"She has the same sensibility" as Arthur Mitchell, says Ballethnic co-artistic director Nena Gilreath. "She's very direct, all about the mission and the excellence, but very caring."

Ballethnic is based in East Point, a suburban city bordering Atlanta. In a metropolitan area with a history of racism and where funding is hard-won, it is crucial for the Black-led ballet company to present polished, professional productions. "Ms. Lydia" provides the "hard last eye" before the curtain opens in front of an audience.

Keep reading... Show less

Get Dance Business Weekly in your inbox

Sign Up Used in accordance with our Privacy Policy.