Technique

How Ellenore Scott Teaches a Stylized Layout

Ellenore Scott with assistant Jeffrey Gugliotti. Photo by Kyle Froman

Ellenore Scott's stylized version of a layout requires counterbalance and core stability. Be careful not to sacrifice the neutrality of the pelvis for a higher extension.


Scott, with her trademark humor, encourages dancers to focus on reaching toward a goal in step two: "Like that dog you've always wanted. You're reaching for a wiener dog."


Ellenore Scott is a dancer, teacher and choreographer. She was a finalist on Season 6 of "So You Think You Can Dance." She has performed on the television shows "Glee," "Smash" and "The Ellen DeGeneres Show," and for the 82nd annual Academy Awards. She has served as the assistant choreographer for the Broadway musicals CATS and Falsettos. In 2012, she founded her own company, ELSCO Dance. She teaches at Broadway Dance Center and Peridance Capezio Center in NYC.

Jeffrey Gugliotti is a member of ELSCO Dance.

Teaching Tips
A 2019 Dancewave training. Photo by Effy Grey, courtesy Dancewave

By now, most dance educators hopefully understand that they have a responsibility to address racism in the studio. But knowing that you need to be actively cultivating racial equity isn't the same thing as knowing how to do so.

Of course, there's no easy answer, and no perfect approach. As social justice advocate David King emphasized at a recent interactive webinar, "Cultivating Racial Equity in the Classroom," this work is never-ending. The event, hosted by Dancewave (which just launched a new racial-equity curriculum) was a good starting point, though, and offered some helpful takeaways for dance educators committed to racial justice.

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The author, Robyn Watson. Photo courtesy Watson

Recently, I posted a thread of tweets elucidating the lack of respect for tap dance in college dance programs, and arguing that it should be a requirement for dance majors.

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After months of lockdowns and virtual learning, many studios across the country are opening their doors and returning to in-person classes. Teachers and students alike have likely been chomping at the bit in anticipation of the return of dance-class normalcy that doesn't require a reliable internet connection or converting your living room into a dance space.

But along with the back-to-school excitement, dancers might be feeling rusty from being away from the studio for so long. A loss of flexibility, strength and stamina is to be expected, not to mention emotional fatigue from all of the uncertainty and reacclimating to social activities.

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