February 2017

Buy this issue!

  • Career Focus

    By Karen Hildebrand
  • Luna Dance Institute's Transformative Approach to Dance Education

    By Claudia Bauer
  • 4 Essential Skills for Teaching Artists

    By Kat Richter
  • Barbara Mahler: How I Teach Klein Technique

    By Rachel Rizzuto
  • Ask the Experts: Incorporating Social Media

    By Barry Blumenfeld
  • Face to Face: Jody Sperling

    By Rachel Rizzuto
  • Teachers' Tools: Joshua Trader

    By Rachel Caldwell
  • Music: Heidi Henderson

    By Helen Rolfe
  • Health: 3 Exercises to Improve Women's Partnering, from a Former Pilobolus Dancer

    By Andrea Marks
  • History: Talley Beatty

    By Rachel Caldwell
  • Theory & Practice: The Art of the Transition

    By Julie Diana
  • Higher Ed: Low-Residency Degree Programs Offer Working Artists Flexibility

    By Kat Richter
  • What's Up for 2017: 7 Studio Owners Look at the Big Picture

    By Rachel Rizzuto
Getty Images

Securing the correct music licensing for your studio is an important step in creating a financially sound business. "Music licensing is something studio owners seem to either embrace or ignore completely," says Clint Salter, CEO and founder of the Dance Studio Owners Association. While it may seem like it's a situation in which it's easier to ask for forgiveness rather than permission—that is, to wait until you're approached by a music-rights organization before purchasing a license—Salter disagrees, citing Peloton, the exercise company that produces streaming at-home workouts. In February, Peloton settled a music-licensing suit with the National Music Publishers' Association out-of-court for an undisclosed amount. Originally, NMPA had sought $300 million in damages from Peloton. "It can get extremely expensive," says Salter. "It's not worth it for a studio to get caught up in that."

As you continue to explore a hybrid online/in-person version of your class schedule, it's crucial that your music licenses include coverage for livestreamed instruction—which comes with its own particular requirements. Here are some answers to frequently asked questions about music licensing—in both normal times and COVID times—as well as some safe music bets that won't pose any issues.

Keep reading... Show less
Teaching Tips
A 2019 Dancewave training. Photo by Effy Grey, courtesy Dancewave

By now, most dance educators hopefully understand that they have a responsibility to address racism in the studio. But knowing that you need to be actively cultivating racial equity isn't the same thing as knowing how to do so.

Of course, there's no easy answer, and no perfect approach. As social justice advocate David King emphasized at a recent interactive webinar, "Cultivating Racial Equity in the Classroom," this work is never-ending. The event, hosted by Dancewave (which just launched a new racial-equity curriculum) was a good starting point, though, and offered some helpful takeaways for dance educators committed to racial justice.

Keep reading... Show less
Higher Ed
The author, Robyn Watson. Photo courtesy Watson

Recently, I posted a thread of tweets elucidating the lack of respect for tap dance in college dance programs, and arguing that it should be a requirement for dance majors.

According to onstageblog.com, out of the 30 top-ranked college dance programs in the U.S., tap dance is offered at 19 of them, but only one school requires majors to take more than a beginner course—Oklahoma City University. Many prestigious dance programs, like the ones at NYU Tisch School of the Arts and SUNY Purchase, don't offer a single course in tap dance.

Keep reading... Show less

Get Dance Business Weekly in your inbox

Sign Up Used in accordance with our Privacy Policy.