February 2007

Home Is Where the Heart Is

Fabian Barnes celebrates 20 years of performance and outreach.

Hip Hop, You Don't Stop

Learn how to develop a comprehensive hip-hop program that's right for your school.

Few Good Men

Young men may just be discovering dance during their college years. Here's how to draw them into the dance studio and encourage their growth.


Outfits that will make your male dancers want to shake a leg

Make Your Studio Boy-Ready

Apply these simple tips to help male dancers feel welcome at your facility.

Fair Play

Make sure your male and female students are treated equally.

Edward Villella

A conversation with the legendary dancer-turned-artistic director. He emphasizes artistry in his teaching.

Performance Planner: West Side Story Update

Convert this audience favorite into your own recital.

Music to Your Ears

Five programs for editing music for recitals and competitions

Smart Moves

ArtsSmarts is part of a grassroots effort to bring arts into the classroom.

Ask the Experts

Answers to questions about paying employees under the table, studio flooring and pushy parents

B is for Budget

Keep your recital spending under control with our handy budget worksheet.

Getty Images

Securing the correct music licensing for your studio is an important step in creating a financially sound business. "Music licensing is something studio owners seem to either embrace or ignore completely," says Clint Salter, CEO and founder of the Dance Studio Owners Association. While it may seem like it's a situation in which it's easier to ask for forgiveness rather than permission—that is, to wait until you're approached by a music-rights organization before purchasing a license—Salter disagrees, citing Peloton, the exercise company that produces streaming at-home workouts. In February, Peloton settled a music-licensing suit with the National Music Publishers' Association out-of-court for an undisclosed amount. Originally, NMPA had sought $300 million in damages from Peloton. "It can get extremely expensive," says Salter. "It's not worth it for a studio to get caught up in that."

As you continue to explore a hybrid online/in-person version of your class schedule, it's crucial that your music licenses include coverage for livestreamed instruction—which comes with its own particular requirements. Here are some answers to frequently asked questions about music licensing—in both normal times and COVID times—as well as some safe music bets that won't pose any issues.

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Teaching Tips
A 2019 Dancewave training. Photo by Effy Grey, courtesy Dancewave

By now, most dance educators hopefully understand that they have a responsibility to address racism in the studio. But knowing that you need to be actively cultivating racial equity isn't the same thing as knowing how to do so.

Of course, there's no easy answer, and no perfect approach. As social justice advocate David King emphasized at a recent interactive webinar, "Cultivating Racial Equity in the Classroom," this work is never-ending. The event, hosted by Dancewave (which just launched a new racial-equity curriculum) was a good starting point, though, and offered some helpful takeaways for dance educators committed to racial justice.

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Higher Ed
The author, Robyn Watson. Photo courtesy Watson

Recently, I posted a thread of tweets elucidating the lack of respect for tap dance in college dance programs, and arguing that it should be a requirement for dance majors.

According to onstageblog.com, out of the 30 top-ranked college dance programs in the U.S., tap dance is offered at 19 of them, but only one school requires majors to take more than a beginner course—Oklahoma City University. Many prestigious dance programs, like the ones at NYU Tisch School of the Arts and SUNY Purchase, don't offer a single course in tap dance.

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