Dance Teachers Trending

Jody Sperling Brings the Magic of Loie Fuller to La Danseuse

Sperling in her Time-Lapse Fantasy (2013). Photo courtesy of Time Lapse Dance
When French director Stéphanie Di Giusto set out to create a film about Loie Fuller, the modern dancer (1862–1928) known for her groundbreaking work with fabric and lighting design, Di Giusto came to Jody Sperling for advice. For the past 17 years, Sperling has made a name for herself as an expert on "La Loïe" by breathing new life into Fuller's work via Sperling's small company, Time Lapse Dance. She and her dancers masterfully re-create Fuller's serpentine, otherworldly style—a process that requires considerable upper-body strength to manipulate voluminous, cape-like costumes.

La Danseuse, which premiered at the prestigious Cannes Film Festival last May, explores Fuller's bon vivant expatriate life in Paris. Granted, says Sperling, the film “takes a lot of license with history," but Di Giusto wasn't interested in a strict retelling. “She didn't want to do a museum piece," says Sperling. “She wanted to tell Loie's story in a way that would speak to a contemporary audience."


Training: BA in dance and Italian from Wesleyan University; MA in performance studies from New York University's Tisch School of the Arts

Performance: Founded Time Lapse Dance in 2000; served as choreographer and consultant for the 2016 film La Danseuse

On training French singer-songwriter/actress SoKo to dance “I worked with SoKo [as Loie] every day but Sunday, between five and six hours a day, for five weeks. She'd never had any dance training before. I'd do my own practice in the morning, and then she'd come in, and I would give her a dance class. She had this spontaneous energy but not the balance or control. She was a fantastic student, very focused and motivated."

Seeing her research on Loie Fuller come to life “I gave a broad range of input for the costuming and the lighting. There's a scene in the movie with charts on the wall, which are basically copied from my notebook—for example, how to draw the costume. And in the movie Loie [the character] tells the costume woman, 'I don't want it to be like number 77. I want it to be like 79.'"

The biggest training surprise “The feet were so important. You think it's all in the arms—the director wanted me to work on SoKo's arm strength—but what's going to make the difference is the mobility in your ankles and the depth of your plié. How you're transferring weight is amplified by the fabric."

The Conversation
Dance Teachers Trending
Photo courtesy of Hightower

The beloved "So You Think You Can Dance" alum and former Emmy-nominated "Dancing with the Stars" pro Chelsie Hightower discovered her passion for ballroom at a young age. She showed a natural ability for the Latin style, but she mastered the necessary versatility by studying jazz, ballet and other forms of dance. "Every style of dance builds on each other," she says, "and the more music you're exposed to, the more your rhythm and coordination is built."

Keep reading... Show less
Sponsored by Harlequin Floors
Burklyn Ballet, Courtesy Harlequin

Whether you're putting on a pair of pointe shoes, buckling your ballroom stilettos or lacing up your favorite high tops, the floor you're on can make or break your dancing. But with issues like sticking or slipping and a variety of frictions suitable to different dance steps and styles, it can be confusing to know which floor will work best for you.

No matter what your needs are, Harlequin Floors has your back, or rather, your feet. With 11 different marley vinyl floors available in a range of colors, Harlequin has options for every setting and dance style. We rounded up six of their most popular and versatile floors:

Keep reading... Show less
Studio Owners
Getty Images

Q: I'm trying to think of ways to maximize studio space and revenue during the summer. What has worked for you?

Keep reading... Show less
Sponsored by Insure Fitness
AdobeStock, Courtesy Insure Fitness Group

As a teacher at a studio, you've more than likely developed long-lasting relationships with some of your students and parents. The idea that you could be sued by one of them might seem impossible to imagine, but Insure Fitness Group's Gianna Michalsen warns against relaxing into that mindset. "People say, 'Why do I need insurance? I've been working with these people for 10 years—we're friends,'" she says. "But no one ever takes into account how bad an injury can be. Despite how good your relationship is, people will sue you because of the toll an injury takes on their life."

You'll benefit most from an insurance policy that caters to the specifics of teaching dance at one or several studios. Here's what to look for:

Keep reading... Show less
Studio Owners
Getty Images

In 2019, dance parents are more eager than ever to observe their child's progress, and stay up-to-date with the ins and outs of what's happening in the classroom. That means yearly recitals aren't always enough to keep them satisfied—especially if you have rules against visitors observing class from week to week. The solution? Visitor observation weeks. Trust us, the guardians and loved ones of your students will love you for it!

We caught up with Suzanne Blake Gerety, vice president of Kathy Blake Dance Studios and regular contributor to Dance Teacher's "Ask The Experts" column, to hear her tips on how to have a successful visitor observation week.

Keep reading... Show less
Studio Success with Just for Kix
Bill Johnson, Courtesy Just for Kix

Running a dance studio is a feat in itself. But adding a competition team into the mix brings a whole new set of challenges. Not only are you focusing on giving your dancers the best training possible, but you're navigating the fast-paced competition and convention circuit. Winning is one goal, but you also want to create an environment that's fun, educational and inspiring for young artists. We asked Cindy Clough, executive director of Just For Kix and a studio owner with over 40 years of experience, for her advice on building a healthy dance team culture:

Keep reading... Show less
Dancer Health
Adequate dorsiflexion mobility is needed to find a supple demi-plié needed to bound into the air and land safely. Getty Images

Dancers are trained to think often about the range of motion, stability and power of their extended lines: the point of the foot, the reach of the penché, the explosion of the sauté in the air. But finding that same mix of flexibility and strength in the flexed foot is just as integral to technique and injury prevention. Without adequate dorsiflexion mobility, it is nearly impossible to find the kind of supple demi-plié needed to bound into the air and land safely.

Keep reading... Show less
Sponsored by World Class Vacations
David Galindo Photography

New York City is a dream destination for many dancers. However aspiring Broadway stars don't have to wait until they're pros to experience all the city has to offer. With Dance the World Broadway, students can get a taste of the Big Apple—plus hone their dance skills and make lasting memories.

Here's why Dance the World Broadway is the best way for students to experience NYC:

Keep reading... Show less
Site Network
Irina Kolpakova in the studio with Katherine Williams. Photo by Quinn Wharton for Pointe

Being coached by a treasure like former Kirov prima Irina Kolpakova is an experience most dancers only dream of. But company members at American Ballet Theatre have been the lucky beneficiaries of her wisdom since 1990. Thanks to Instagram, where pros like Gillian Murphy and James Whiteside share snippets of their sessions with Kolpakova, any ballet lover can be a fly on the wall during rehearsals with the famed ballet mistress.

Keep reading... Show less
Dance Teachers Trending
Photo by The Fleet, courtesy of Lion's Jaw Festival

Growing up in New Jersey, Lisa Race trained with a memorable dance teacher: Fred Kelly, the younger brother of famous tapper Gene. "Fred would introduce our recitals," she says. "He would always cartwheel down the stairs." It wasn't until years later, when Race was pursuing her master's degree and chose to write a research paper on Kelly, that she realized there was a clear connection between her own movement style—improvisational and floor-based—and his. "In this television clip I watched, Fred jumps up to the piano, then jumps off it—he's going up and down and around," she says. "I thought, 'Oh, wow, all this time, I've thought of my dancing as my own, but that's where it started!' Moving upside-down and into the floor. There's a thread there. I rerouted it in different ways, but there's a connection."

Now, as a professor at Connecticut College, she concentrates on how to introduce her students to that love and freedom of upside-down work—and how to best prepare them for life after graduation, no matter what dance path they take.

Keep reading... Show less
Studio Owners
Getty Images

It's summertime, which means we're all starting to feel HOT! HOT! HOT!

While a warm room is certainly better than a cold room when it comes to dancing, you don't want your students to get heat stroke at your studio. To help you survive this sweaty time of year, here are tips and tricks that will keep your classrooms comfortable for an excellent class.

Enjoy!

Keep reading... Show less

mailbox

Get DanceTeacher in your inbox