News

Did You Know Ski Ballet Was Once an Olympic Sport?

Once upon a time, a long, long time ago back in the 1980s, ski ballet was a sport. At the Olympics. Yes, it's hard to fathom, but there was, in fact, an event, (technically a demonstration sport) at the 1988 Calgary Games and the 1992 Albertville Games, that entailed performing to music on a ski slop, with full skis and poles. One athlete even sported gold lamé sleeves on his ski suit. Although it was called "ski ballet," it's more like an eclectic celebration of ice skating meets gymnastics, with a ski base, and a dash of baton twirling.

The only question to be asked: Why is this still not a thing? Do yourself a favor, stop everything and watch these amazing highlights from this forgotten, yet wildly fantastic hybrid sport.

P.S. You're welcome.


Hermann Reitberger's Men's Ballet Final performance at Calgary in 1988 might be the most dramatic performance since Swan Lake. His mullet haircut is also quite impressive.


Here's a compilation that includes those gold lamé sleeves.


And finally, here are three women's performances from the 1992 games, including American Sharon Petzold's jazzy number to Fever.

News
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Despite worldwide theater closures, the Universal Ballet Competition is keeping The Nutcracker tradition alive in 2020 with an online international competition. The event culminates in a streamed, full-length video of The Virtual Nutcracker consisting of winning entries on December 19. The competition is calling on studios, as well as dancers of all ages and levels, to submit videos by November 29 to be considered.

"Nutcracker is a tradition that is ingrained in our hearts," says UBC co-founder Lissette Salgado-Lucas, a former dancer with Royal Winnipeg Ballet and Joffrey Ballet. "We danced it for so long as professionals, we can't wait to pass it along to dancers through this competition."

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Robbie Sweeny, courtesy Funsch

Christy Funsch's teaching career has taken her from New York City to the Bay Area to Portugal, with a stint in a punk band in between. But this fall—fresh off a Fulbright in Portugal at the Instituto Politécnico de Lisboa, School of Dance (ESD), teaching and researching empathetic embodiment through somatic dance training—Funsch's teaching has taken her to an entirely new location: Zoom. A visiting professor at Slippery Rock University for the 2020–21 academic year, Funsch is adapting her eclectic, boundary-pushing approach to her virtual classes.

Originally from central New York State, Funsch spent 20 years performing in the Bay Area, where she also started her own company, Funsch Dance Experience. "My choreographic work from that time is in the dance-theater experiential, fantasy realm of performance," she says. "I also started blending genres and a lot of urban styles found their way into my choreography."

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Courtesy Meg Brooker

As the presidential election approaches, it's a particularly meaningful time to remember that we are celebrating the centennial of the 19th Amendment, when women earned the right to vote after a decades-long battle.

Movement was more than a metaphor for the fight for women's suffrage—dancers played a real role, most notably Florence Fleming Noyes, who performed her riveting solo Dance of Freedom in 1914 to embody the struggle for women's rights.

This fall, Middle Tennessee State University director of dance Meg Brooker is reconstructing Dance of Freedom on 11 of her students. A Noyes Rhythm teacher and an Isadora Duncan scholar, Brooker is passionate about bringing historic dance practices into a contemporary context.

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