News

Did You Know Ski Ballet Was Once an Olympic Sport?

Once upon a time, a long, long time ago back in the 1980s, ski ballet was a sport. At the Olympics. Yes, it's hard to fathom, but there was, in fact, an event, (technically a demonstration sport) at the 1988 Calgary Games and the 1992 Albertville Games, that entailed performing to music on a ski slop, with full skis and poles. One athlete even sported gold lamé sleeves on his ski suit. Although it was called "ski ballet," it's more like an eclectic celebration of ice skating meets gymnastics, with a ski base, and a dash of baton twirling.

The only question to be asked: Why is this still not a thing? Do yourself a favor, stop everything and watch these amazing highlights from this forgotten, yet wildly fantastic hybrid sport.

P.S. You're welcome.


Hermann Reitberger's Men's Ballet Final performance at Calgary in 1988 might be the most dramatic performance since Swan Lake. His mullet haircut is also quite impressive.


Here's a compilation that includes those gold lamé sleeves.


And finally, here are three women's performances from the 1992 games, including American Sharon Petzold's jazzy number to Fever.

Teaching Tips
Courtesy Jill Randall

Fall may be fast-approaching, but it's never too late to slip in a little summer reading—especially if it'll make you all the more prepared for the perhaps crazier-than-usual season ahead.

Here are six new releases to enrich your coming school year:

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Sponsored by A Wish Come True
Courtesy A Wish Come True

Studio owners who've been in the recital game for a while have likely seen thousands of dance costumes pass through their hands.

But with the hustle and bustle of recital time, we don't always stop to think about where exactly those costumes are coming from, or how they are made.

If we want our costumes to be of the same high quality as our dancing—and for our costume-buying process to be as seamless as possible—it helps to take the time to learn a bit more about those costumes and the companies making them.

We talked to the team at A Wish Come True—who makes all their costumes at their factory in Bristol, Pennsylvania—to get an inside look at what really goes into making a costume, from conception to stage.

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Studio Owners

Jana Belot's 31-year-old New Jersey–based Gotta Dance has six studios, 1,720 students and, usually, 13 recitals. In a normal year, Belot rents a 1,000-seat venue for up to 20 consecutive days and is known for her epic productions, featuring her studio classes and Gotta Dance's pre-professional dance team, Showstoppers. Until March, she was planning this year's jungle-themed recital in this same way.

When the pandemic hit, Belot soon decided to do a virtual recital instead. Due to the scale of the production—300 to 500 dancers performing in each of the 13 shows—postponing or moving to an outdoor venue wasn't practical. (Canceling, for her, was out of the question.)

Unsurprisingly, Belot's virtual recital was just as epic as her in-person shows—with 10,000 submitted videos, animation, musicians and more. Here's how it all came together, and what it cost her.

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