Studio Owners

What It's Like to Be A Studio Franchise Owner Right Now

Genevieve Weeks, founder of Tutu School. Courtesy of Tutu School

As the founder of Tutu School, a dance studio business with a successful franchise model that has grown to 37 locations throughout the United States, Genevieve Weeks was in a unique position for a studio owner at the start of COVID-19. Not only did she have to make sure her own, original Tutu School locations weathered the virus' storm, she also felt a duty to guide her franchisees through the tumult.

Though she admits it was a particularly grueling experience for her at the start—her husband at one point was bringing all of her meals to her at her laptop, so she could continue working without pause—the appreciation she's felt from her franchisees is palpable. "What I've heard from the Tutu School owners is that they're grateful to be part of a franchise system right now," says Weeks.

So how does a franchise survive something like COVID-19? Here's what got Weeks—and her franchisees—through the first few months of the pandemic.

Acting on foresight.

"One advantage of having so many locations all over the U.S.—Seattle, the Bay Area, one opening in New York—was that we knew it was coming, maybe before other people in the country fully realized it," says Weeks. Even before any Tutu School locations were under stay-at-home orders, Weeks and her franchisees began streaming classes online, alongside in-person classes. "We streamed ongoing classes for people who didn't feel comfortable coming in to the studio," she says. "We set it up through Nest cameras, originally."

A teacher sits on the floor, arms raised to the sky in delight. She's flanked by two toddler-aged girls who copy her.

Tutu School teacher Monica Frangoul with two young students, before COVID-19 moved all classes online.

Courtesy of Tutu School

Staying flexible—and creative.

Weeks and her franchisees rolled out some additional features to keep their current Tutu School families incentivized. "We wanted to let them know how grateful we were that they stayed," she says, "but we're not asking for donations. We're not a charity—we're a business."

For starters, Weeks continued to stream classes through what would've ordinarily been Tutu School's spring break—a week that most studios use to regroup and organize online content. "We knew the kids were stuck at home, too," she says. Then, realizing that many people were quickly experiencing online-class burnout—and that online classes for toddlers posed a special challenge—Weeks began offering shorter-format classes for her youngest students. "We tried to get creative and provide more variation in actual programming, offering on-demand classes to spice things up and shorter classes for toddlers especially," says Weeks.

At first, one of the usual business benefits of Tutu School's monthly membership system became a COVID-19 disadvantage. "A monthly membership model is a revolving door—a 3-year-old might stop dance classes to do three months of soccer, but they'll be back when soccer is over," says Weeks. "Our cancellation rates were not that much higher than they ordinarily would be," she says, but she and her franchisees struggled to bring in new monthly students at the rate they'd been able to before, pre-COVID-19. She mitigated that dip in new enrollees by offering new students the chance to stream and pay for classes on a weekly membership basis. "It felt more flexible," says Weeks, "and we've had a fair amount of success."

Continuity of service.

"Our strategy from the beginning of this has been to fully pivot to streaming overnight—to stay as stable as possible and have it feel as seamless as possible," says Weeks. "We knew that continuity was going to be really important." Though a seamless transition to online classes was a business-minded one, Weeks also calls it a "philosophical" one. "In this time of upheaval for our students, we wanted to mitigate that disruption by providing as much continuity and possibility for connection as we could," she says. Weeks chose to use the online platform Whereby, as opposed to Zoom, because it offered more opportunities for branding, making online classes "feel more like a Tutu School experience," she says.

Seamless business continuity came with a personal price for Weeks, however. "I didn't leave my computer for a few days, and my creative administration coordinator didn't leave hers, either," she says. "We were churning out guides for our franchisees—how to get set up streaming; how to set up and brand your account; here's the messaging for families; here are class guides for teachers for how to adapt material into an online class."

New perks for customer loyalty.

To reward customers who didn't unenroll when classes went online, Weeks offered two perks. Families could stream additional classes at no extra charge, and, once stay-at-home is over, they could make up any online classes in person, with no expiration date. This means students can make up classes even after they're no longer enrolled. And while she'd created the plan as an incentive to retain a student, Weeks also saw it could be a way to bring a former student back: Say an ex-student comes in to take a makeup class in October. Maybe that student will remember how much fun Tutu School classes are and re-enroll.

Teacher Voices
Photo courtesy Rhee Gold Company

Since the start of the COVID-19 crisis, there has been a shift in our community that is so impressive that the impact could last long into our future. Although required school closures have hit the dance education field hard, what if, when looking back on this time, we see that it's been an incredible renaissance for dance educators, studio owners and the young dancers in our charge?

How could that be, you ask?

Keep reading... Show less
Teachers Trending
Photo by Yvonne M. Portra, courtesy Faulkner

It's a Wednesday in May, and 14 Stanford University advanced modern ­dance students are logged on to Zoom, each practicing a socially distanced duet with an imaginary person. "Think about the quality of their personality and the type of duet you might have," says their instructor Katie Faulkner, "but also their surface area and how you'd relate to them in space." Amid dorm rooms, living rooms, dining rooms and backyards, the dancers make do with cramped quarters and dodge furniture as they twist, curve, stretch and intertwine with their imaginary partners.

Keep reading... Show less
Getty Images

Securing the correct music licensing for your studio is an important step in creating a financially sound business. "Music licensing is something studio owners seem to either embrace or ignore completely," says Clint Salter, CEO and founder of the Dance Studio Owners Association. While it may seem like it's a situation in which it's easier to ask for forgiveness rather than permission—that is, to wait until you're approached by a music-rights organization before purchasing a license—Salter disagrees, citing Peloton, the exercise company that produces streaming at-home workouts. In February, Peloton settled a music-licensing suit with the National Music Publishers' Association out-of-court for an undisclosed amount. Originally, NMPA had sought $300 million in damages from Peloton. "It can get extremely expensive," says Salter. "It's not worth it for a studio to get caught up in that."

As you continue to explore a hybrid online/in-person version of your class schedule, it's crucial that your music licenses include coverage for livestreamed instruction—which comes with its own particular requirements. Here are some answers to frequently asked questions about music licensing—in both normal times and COVID times—as well as some safe music bets that won't pose any issues.

Keep reading... Show less

Get Dance Business Weekly in your inbox

Sign Up Used in accordance with our Privacy Policy.