The back is an essential focus of Cynthia Harvey’s ballet classes, especially as a part of port de bras. Here, she offers “plain,” en face port de bras, followed by the same position with épaulement, to show the difference the back (and head and neck) can add to any position. Aspirational imagery helps students find their best épaulement: “Feel as if you have a tiara on,” says Harvey. “Don’t look like a student—look like a ballerina.”