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Editor in Chief Karen Hildebrand, 212-979-4828 khildebrand@dancemedia.com

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Advertising Director Jessica Sarlo, 212-979-4853, jsarlo@dancemedia.com

Show Comments ()
Just for fun

In our not-so-humble opinion, correcting pirouettes can be one of the most challenging parts of a dance teacher's job.

It's the moment in the day you start questioning every decision you've ever made đŸ€·.

Don't agree? Hear us out!

Here are five reasons correcting pirouettes is a....special challenge.

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The fun doesn't stop after Showstopper's competition season ends. Join Showstopper this fall and winter for their 2018-19 Dance Conventions. Bring the whole studio or dance solo, but register soon so you do not miss out!

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Dance Teacher Tips

Check out these dance seminars from experts in the classical, tap and commercial dance fields. They are EVERYTHING you need to inspire your next dance class.

YOU'RE WELCOME, PEOPLE!

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Sequins and sparkles
 sure they dazzle on stage, but for some dancers, certain dance costumes can be uncomfortable and invoke feelings of insecurity. We believe dancers should always feel comfortable so they can focus on the joy of dance. We also believe dance studio owners and teachers should have peace of mind when selecting costumes for their dancers, especially those with sensory sensitivities.

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Studio Owners
Photo by Samspel Preston Photography, courtesy of Scheitler

Jessica Scheitler is that rare breed who fully understands both creative and business-minded people. She grew up at Central Dance Academy, a competition studio in Le Mars, Iowa, and studied dance at Marymount Manhattan College in New York City. She worked as an independent choreographer after college and learned how to effectively make money through dance. With arts in her DNA and finances at the forefront of her mind, she minored in arts administration and mathematics and ultimately became an enrolled agent (a federally licensed tax practitioner). Now she owns her own business, Financial Groove, which offers accounting help for performers and studio owners all over the world.

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In an industry exploding with options where bigger is often billed as better, BravO! National Dance & Talent Competition fills a unique void by putting the focus on what matters most - the performers.

Based in Omaha, Nebraska, BravO! combines a participant, studio, and family-friendly schedule with leading edge competition elements and a staff that is dedicated, accommodating, and friendly. They take the competition experience to new heights for dancers, teachers, and spectators alike.

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Dancer Health

Jasmine Challis consults for Dance UK to compile an information sheet on food and nutrition for dancers. "This recipe, which loosely resembles risotto, doesn't have specific quantities, and you can adapt it to your liking," she says.

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Dance News
Pat Birch on the set of Grease, choreographing the legendary Hand Jive scene, with Olivia Newton John and John Travolta. Photo courtesy Birch

Forty years ago, the movie musical Grease introduced audiences around the world to Grease lightning and an iconic hand jive. Would anyone guess now that all those unforgettable rock-n'-roll style dances were choreographed by a former Martha Graham Dance Company soloist? (Was John Travolta actually in a contraction?)

Choreographer Patricia Birch, better known as Pat, says "I was always attracted to Broadway, even when I was dancing with Martha."

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Dance Teacher Tips
Thinkstock

Dancing can do great things for your body. But science is increasingly exploring the many ways it's also good for your brain. A recent study showed that dancers' brains react to music even faster than trained musicians or other people. The author of the dissertation, Hanna Poikonen, observed brain activity in all three groups while they watched dances and found that expert dancers were the quickest to respond to rhythmic changes. She believes creating movement to sound could affect how your brain hears music.

Even among dancers, however, there is wide variation in musicality. Some of your students might be naturally musical, while others might struggle a bit more. But whether or not a dance student possesses this mysterious quality, musicality is an essential skill that can help any dancer perform their best and move forward in their training and career.

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Just for fun

Here at Dance Teacher, we are WELL-aware of how much y'all love your black athleisure. Seriously. At every photo shoot we have to BEG you not to wear all black (unfortunately it doesn't photograph well—sorry, guys).

Today, we thought we would give an ode to dance teachers and their black athleisure. We know it stole your hearts a long time ago.

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Thinkstock


As a teen, Louisville Ballet dancer Lexa Daniels knew college was the right path for her. "I wanted to have a career in ballet," she says, "but I wanted to get a foundational education first." After considering several schools, Daniels realized that the University of Utah was the best fit. What tipped the scales in Utah's favor? "At that point in my life, I was looking for true classical ballet," she says, "and the other schools had a more contemporary approach. I also liked Utah's close ties with Ballet West. There's a lot of crossover between the company and the university."

Myriad factors go into choosing a college, from location and cost to campus amenities and potential double majors. But if your goal is to become a professional ballet dancer after graduation, you'll first need to determine which schools are equipped to guide you toward that dream. As you investigate your options, look for these key signs of a strong ballet program.

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