Michaela DePrince at her 2014 TEDx Amsterdam talk. Still via YouTube.
Earlier this month we learned that former comp star and current UC Berkeley student Miko Fogarty will be giving a TEDx talk in March about her path from ballet to college. This news got us thinking about some of our favorite ballet TED talks from years past. Check out our top eight now!
International performer Joy Womack balances flexibility and strength to maintain her turnout. Photo by Quinn Wharton for Pointe.
Turnout is one of the defining characteristics of classical ballet and the foundation of your technique, but the deceptively simple concept of external rotation can be hard to execute. For those born with hip joints that don't naturally make a tight fifth position, it's tempting to take shortcuts in the quest for more rotation, but you'll end up with weaker technique and a higher risk of injury. We asked top teachers and physical therapists to break down the meaning of turnout and offer safe ways to maximize your range.
Birmingham Royal Ballet announced today that international star Carlos Acosta will be taking over as director in January of 2020. Current BRB director David Bintley will be stepping down this summer, at the end of the company's 2019 season, after a 24-year tenure. "It is a tremendous honor and privilege to have been appointed to lead Birmingham Royal Ballet," Acosta said in a statement.
Since retiring from The Royal Ballet in 2015, Acosta has focused much of his attention on his native Cuba, where he's proven his directorial abilities at the helm of Acosta Danza, the contemporary company that he founded in 2016. In 2017 Acosta also opened his first Dance Academy through his foundation, which provides free training to students. We don't yet know how Acosta will balance his time between his projects in Cuba and his new role at BRB.
New York City Ballet soloist Georgina Pazcoguin. Photo by Nick Nakahara, Courtesy Pazcoguin.
As conversations in the ballet world about race and representation have opened up in the past few years, its most beloved holiday tradition, The Nutcracker, has come under scrutiny as well. Last year New York City Ballet made changes to its second act Chinese Tea variation, removing elements of racial caricature from both the costume and makeup and the choreography.
NYCB soloist Georgina Pazcoguin, who is part Filipino, was one of the voices fighting for that change. This year, as companies and schools worldwide are gearing up for Nutcracker season, Pazcoguin, along with former dancer and arts administrator Phil Chan, is back with a new campaign. Final Bow For Yellowface is an online platform dedicated to educating companies and schools on how to veer away from offensive Asian stereotypes (yellowface) and providing resources on how to make those changes. The site also lets readers join dance world luminaries including Virginia Johnson, Julie Kent, Adam Sklute, Troy Schumacher and Christopher Wheeldon in signing a pledge to end the practice of yellowface onstage. We touched base with Pazcoguin to hear about how this initiative came to be, and what she and Chan have in the works for the future.
SFB corps de ballet dancer Miranda Silveira in Athleta. Photo Courtesy Athleta.
Just in time for Nutcracker season (and the cold weather that has us layering on our coziest warmups), fitness brand Athleta teamed up with San Francisco Ballet for their first Athleta Dance collection. Available beginning November 27, the capsule collection will include designs in women's and girl's sizes inspired by and created in collaboration with the dancers of SFB.
Of course, this isn't the first time a major athletic wear brand has teamed up with professional ballerinas. Under Armour has now launched two collections with American Ballet Theatre principal Misty Copeland, and most recently, Royal Ballet principal Francesca Hayward created limited-edition designs with Lululemon.
SFB's Miranda Silveira in the Athleta Dance En Pointe leotard, $79, available in black.
Sara Mearns and Joshua Bergasse said "I do" in a beachside ceremony on November 3. Photo by Perry Vaile Photography, courtesy of Brides.
If you follow New York City Ballet principal Sara Mearns on Instagram, you'll have noticed that for the past several months, her feed has included wedding prep pics in addition to her usual performance posts and cross-training clips. This past weekend, the big day finally arrived, and Mearns married Broadway and television choreographer Joshua Bergassein a dreamy beach ceremony in North Carolina.
And if you were hoping Mearns' wedding day would include a bit of ballet, she didn't disappoint. Not only were some familiar NYCB faces in the bridal party and at the reception, but Mearns made sure to include a nod or two to her career. Luckily, Mearns also spent the day with Brides magazine, letting them in on the ceremony and the reception to exclusively capture all of the best moments.
Sergei Polunin and Misty Copeland lead a corps of 18 dancers in choreography by Liam Scarlett. Photo courtesy Walt Disney Studios Motion Pictures
The wait for Disney's reimagining of The Nutcracker is over. Although The Nutcracker and The Four Realms is not a full-length ballet, woven into the plot is a five-minute performance by megastars Misty Copeland and Sergei Polunin alongside 18 supporting dancers, with a CGI Mouse King moved by jookin sensation Lil Buck (aka Charles Riley). Royal Ballet artist in residence Liam Scarlett led the film's choreography in his first major motion picture experience. "It was a call I didn't expect to get," says Scarlett. "I really am the biggest Disney fan, so I couldn't believe it!"
Mackenzie Foy as Clara and Keira Knightly as Sugar Plum star in this new Nutcracker spin-off. Photo by Laurie Sparham, Courtesy Disney Enterprises, Inc.
If there's one thing that dancers know well, it's The Nutcracker. From the minutiae of the plot to the choreography to Tchaikovsky's timeless score, we've got it down.
Disney's new holiday film, The Nutcracker and The Four Realms, released in theaters November 2, is not a retelling of the ballet's story, and it's not a dance movie. Nevertheless, we think there's plenty in it for bunheads to love (like Misty Copeland). Don't believe us? First, watch this featurette featuring Copeland, and then read on for four reasons why you might want to take a break from your Nut rehearsals to head to the movies.
Disney's The Nutcracker and The Four Realms - "On Set with Misty Copeland" Featurette