Alvin Ailey American Dance Theater's Masazumi Chaya: What My Teacher Taught Me

AAADT associate artistic director Masazumi Chaya had quite a bit of catching up to do when he moved to the United States from Japan. He had studied Vaganova technique exclusively before moving to New York, where he encountered Benjamin Harkarvy and discovered ballet in an entirely new way.

"Benjamin was a 20th-century teacher who taught powerful positions--it wasn't quite so romantic as what I was used to. I didn't have fantastic turnout or extension, but if I did my best in class, he noticed and told me so, which made me want to try even harder the next day. I was used to a strict atmosphere in Japan, but Benjamin made dancing fun. With him, it was more than just taking class. I developed a new understanding of dance."

We're giving away a pair of tickets to Ailey's December 24 performance as part of their New York City Center run!

Do you subscribe to Dance Teacher's biweekly newsletter? It's free! Inside you'll find giveaways, job listings and exclusive interviews—that you won't find in our print edition. Sign up today!


Photos from top: by Lois Greenfield; by Andrew Eccles, both courtesy of AAADT

Teachers Trending
Photo by Yvonne M. Portra, courtesy Faulkner

It's a Wednesday in May, and 14 Stanford University advanced modern ­dance students are logged on to Zoom, each practicing a socially distanced duet with an imaginary person. "Think about the quality of their personality and the type of duet you might have," says their instructor Katie Faulkner, "but also their surface area and how you'd relate to them in space." Amid dorm rooms, living rooms, dining rooms and backyards, the dancers make do with cramped quarters and dodge furniture as they twist, curve, stretch and intertwine with their imaginary partners.

Keep reading... Show less
Getty Images

Securing the correct music licensing for your studio is an important step in creating a financially sound business. "Music licensing is something studio owners seem to either embrace or ignore completely," says Clint Salter, CEO and founder of the Dance Studio Owners Association. While it may seem like it's a situation in which it's easier to ask for forgiveness rather than permission—that is, to wait until you're approached by a music-rights organization before purchasing a license—Salter disagrees, citing Peloton, the exercise company that produces streaming at-home workouts. In February, Peloton settled a music-licensing suit with the National Music Publishers' Association out-of-court for an undisclosed amount. Originally, NMPA had sought $300 million in damages from Peloton. "It can get extremely expensive," says Salter. "It's not worth it for a studio to get caught up in that."

As you continue to explore a hybrid online/in-person version of your class schedule, it's crucial that your music licenses include coverage for livestreamed instruction—which comes with its own particular requirements. Here are some answers to frequently asked questions about music licensing—in both normal times and COVID times—as well as some safe music bets that won't pose any issues.

Keep reading... Show less
Teaching Tips
A 2019 Dancewave training. Photo by Effy Grey, courtesy Dancewave

By now, most dance educators hopefully understand that they have a responsibility to address racism in the studio. But knowing that you need to be actively cultivating racial equity isn't the same thing as knowing how to do so.

Of course, there's no easy answer, and no perfect approach. As social justice advocate David King emphasized at a recent interactive webinar, "Cultivating Racial Equity in the Classroom," this work is never-ending. The event, hosted by Dancewave (which just launched a new racial-equity curriculum) was a good starting point, though, and offered some helpful takeaways for dance educators committed to racial justice.

Keep reading... Show less

Get Dance Business Weekly in your inbox

Sign Up Used in accordance with our Privacy Policy.