To Share With Students

6 Things Aspiring Professional Ballroom Dancers Should Know When Getting Started

Cheyenne Murillo and her partner Sasha Altukhov at Millennium Dancesport Championship. Photo courtesy of Murillo

It seems everyone is trying to break into the ballroom scene these days, and we don't blame them—it's ALL kinds of fabulous!

But getting started can seem overwhelming for everyone involved. Whether you're a studio owner looking to implement a new ballroom program or a student looking to get started, you're likely to have A LOT of questions.

To help, we've talked with Cheyenne Murillo, U.S. Open Pro Rising Star Champion and teacher at Strictly Ballroom in Orem, Utah, to answer five questions every aspiring professional is sure to have.

You're welcome!


Cheyenne Murillo and her partner Sasha Altukhov at Millennium Dancesport championship in Orlando, Florida.Photo courtesy of Murillo

1. What kind of time commitment does this entail?

"This will depend on what your goals are. If you want to be in the finals at Nationals or have goals of going professional one day, a lot of time and work has to be put in," Murillo says. "Our more competitive dancers will spend at least three to four hours a day on ballroom. This usually includes two 45-minute lessons per day and two hours of practice per day. If your goals are to simply have fun, you can, of course, put as much time as you'd like into it."


2. What kind of financial commitment should dancers expect?

"Depending on the teacher, the lessons can range form $50 to $300 per lesson," she says. "It's a lot, but the good thing is, you're splitting the bill with you partner. For rehearsal, you will just need to pay for the studio rental which will vary from place to place. Here we charge $10 per hour. Competition fees are roughly $50 per event per competition, split between the partners. Decent dresses for the ladies start at about $500 and can get up to $5,000, but most dancers sell them and get some money back at the end of the year."


3. There are five Latin and five Standard dances. Can students train in both?

Quick crash course on Latin dances: samba, cha-cha-cha, rumba, paso doble and jive.

Quick crash course on Standard dances: waltz, tango, Viennese waltz, foxtrot and quickstep.

"Dancers can train in both and be what's called a 10 dancer. A lot of kids 16–18 will do both styles if they have the time, but once they get older, they generally choose one style to be more serious in. It's similar to dancers who train in ballet and jazz. At some point, most dancers will have to choose which one they want to focus on in order to really excel."


4. What job opportunities are there in the ballroom dance industry?

"Teaching, television shows like 'Dancing with the Stars,' professional competitions and commercial gigs."


5. What clothing do they need to have for rehearsal?

"Really any type of tight-fitting dance clothes will work. Many of my dancers will wear a formfitting top with leggings or a skirt. Men should wear Latin shoes, and ladies should wear Latin heals. You can find these at stores like Aida Dance Shoes or Supadance."

The Conversation
Getty Images

It's February! The month of love (and by extension, the month of pink) is upon us. We are major fans of a good class theme, and dressing lovey-dovey is one of our very favorites! So this month, to keep you on brand, we have a list of our favorite pink leos on the market right now. They're all kinds of wonderful.

Check them out and let us know your favorite in the comments!

Keep reading... Show less
Just for fun
Getty Images

It's the day after Valentine's Day, and every single one of us is in a chocolate coma scrolling through endless love posts on social media. It's both the best and the worst day of the year 😂. Obnoxiously mushy Instagram captions aside, whether you have a significant other or not, we all know that your studio co-workers are the actual loves of your life.

Check out our five reasons why, and let us know over in our comments if we got 'em right!

XOXO

Keep reading... Show less
Dance Teacher Tips
Thinkstock

Q: Do you have any advice for dividing students into groups?

Keep reading... Show less
Dance Teacher Tips
Photo by Chris Hardy Photography

In Antoine Hunter's jazz class, students inevitably pick up sign language just by virtue of being his student. Though he doesn't typically incorporate ASL into his class combos, this dynamic phrase, which is one of his favorites, includes four signs: "heart," " re," "gone" and "deaf."

Keep reading... Show less
Dance Teachers Trending
The Big Apple Tap Fest, courtesy of Dee

Debbi Dee took her first tap class at age 5 from vaudevillian hoofer and rhythm tapper Curly Fisher, in Rochester, New York. She studied tirelessly with him in the garage he had turned into a small, makeshift dance studio until she was 13 years old, when he claimed he had taken her as far as he could, and she needed to find herself a new teacher. Instead, she jumped feet first into her professional career, tapping with the Lawrence Welk and Count Basie orchestras on the traveling state fair circuit, on the Bob Hope USO shows, and in nightclubs in Vegas and the Catskills.

Keep reading... Show less
Dance Teacher Tips
Thinkstock

We've all had times when we've failed miserably while trying our best to communicate important concepts and ideas to our students. We are all well-meaning with hopes that our dancers will achieve their dreams and become kind humans along the way. Unfortunately, our delivery may need some honing in order to help them without causing some damage,

Here are four common phrases dance teachers often say, and four ways we can adjust them to make them constructive and productive.

Let us know over on our Facebook page what phrases you try to avoid as a dance teacher!

Keep reading... Show less
Sponsored by Harlequin Floors
Courtesy Harlequin Floors

Just like your car, your studio needs periodic tune-ups to keep it humming along smoothly. If you take the time to address a few small fixes, your business will stand out. And you don't have to break the bank, either—you might be surprised how low-cost, DIY improvements can make a surprising difference.

Keep reading... Show less
Unsplash

Running a studio can be a major juggling act. It's no surprise, then, that a few things slip through the cracks—costing you money or students. Watch out for two common but often unnoticed mistakes, and you'll find yourself with more time, clients and revenue on your hands.

1. Using online registration as a crutch

If you offer registration via your studio website, make sure you aren't losing clients by neglecting in-person registration. One day Kathy Morrow, director of Dance Du Coeur in Sugar Land,Texas, overheard a front desk staffer directing a new client to the studio's website to register, rather than offering to do it over the phone. "I thought, You had a fish on the hook—why didn't you walk them through it?" she says. "When you register, there are a lot of boxes to check off. Some people want to pay with a check, some to link to a credit card. We can make it easier by answering any questions directly."

2. Not delegating

Have you heard yourself say, once too often, "If I want it done right, I have to do it myself"? Overextending yourself because of perfectionism or a misguided need to control can be counterproductive. By creating choreography, teaching, bookkeeping, cleaning, making phone calls, typesetting, doing payroll, mailings and ordering, you could be leaving no time for the very things that will create your best business. Misty Lown decided to delegate all the teaching at her Onalaska, Wisconsin-based studio, Misty's Dance Unlimited. "Giving up teaching was super-hard," she says, "but it's the best decision I ever made. Whenever I was teaching, it meant I never saw the other five classrooms that were operating during that time. Now I can rotate my time checking on classrooms and interacting with students."

Dance Teacher Tips
Getty Images

Working with a 9-year-old student, Alexandra Koltun asks the young girl to face the barre. She reviews fifth position, demi-pointe with the front foot and coupé devant. "I separate all the positions, so the student understands each one," says Koltun, founder and artistic director of Koltun Ballet Boston. She reaches down to shape the girl's foot into sur le cou-de-pied, leaving the heel in front and gently squeezing the toes around the ankle. "This position will equip the foot with more strength," she says.

Depending on a ballet teacher's preference and style of training, sur le cou-de-pied (meaning "on the neck of the foot") may be incorporated into class at different times and in various ways. From steps like pas de cheval to frappé and développé, the wrapped position can be fundamental to a student's technical development. Or it can be used less often and as a supplement to cou-de-pied front and back. Either way, the value of the position remains constant as a tool to mold and strengthen dancers' feet.

Keep reading... Show less
Just for fun

Show your significant other how much you love them through dance! Send them one of your favorite romantic dance videos that best describes your feelings, and they're sure to swoon!

Here are four of our favorites that depict a range of emotions along the spectrum of true love. Let us know over on our Facebook page which one best represents your relationship!

You're welcome in advance!

Keep reading... Show less
Just for fun

The best way to celebrate a holiday in the dance teacher world is to create a class combo that fits the theme! It's a sure-fire way to get you and your kiddos into the spirit of the day! So, Valentine's Day, we recommend some mushy, cheesy, oh-so-wonderful love songs!

Check out these six songs for potential class combo ideas. They're sure to be a hit.

You're welcome!

Keep reading... Show less
Unsplash

When it comes to running a thriving dance studio, Cindy Clough knows what she's talking about. As executive director of Just For Kix and a studio owner for more than four decades, she's all too aware of the unique challenges the job presents, from teaching to scheduling to managing employees and clients.

Here, Clough shares her best advice for new studio owners, and the answers to some common questions that come up when you're getting started.

Keep reading... Show less

mailbox

Get DanceTeacher in your inbox