University of Wisconsin–Madison marks the 80th anniversary of its dance program, the oldest in the country.
The 2007 Dance Teacher Awards
Congratulations to Andrea Paris, Linda Muir Finney, Tom Ralabate and Freddie-Lee Heath.
Savvy solutions for creating affordable performance pieces
Does dance belong in the classroom or the gym? Educators weigh in.
Lessons to Go
The unique lesson plans to save for a rainy day
Teachers explain the importance of incorporating cultural dance into their curriculum.
Taking the Initiative
A nonprofit group in Detroit steps up to the plate to foster arts programs for students in need.
Performance Planner: From Screen to Stage
Build your next show around favorite onscreen dance moments.
Hot hip-hop costumes
The former New York City Ballet dancer speaks about his most creative project yet.
Ellen Robbins on what she does best—nurturing young dancers
Learn to monitor favoritism in your classroom.
A modern dance maverick
What to do when your studio dancers decide to attend a performing arts high school
A Different Kind of Dance
One courageous dance educator's story of life with breast cancer
Ask the Experts
Answers to your questions about chatty teens and hydration
Lose Your Voice?
Ways to care for one of your most valuable teaching tools
Harness the Power of the Web
Give your site extra bite.
A guide for collecting delinquent payments
Welcome to the new dance-teacher.com. Now you can enjoy all the news and inspiration you've come to expect from Dance Teacher magazine in a captivating daily format—from your desktop, your phone and your tablet. Personal perspectives, exclusive photos, how-to technique videos, lesson plans and much more.
Dance-teacher.com is where the best in our field share their passion for dance education. Get the latest teaching advice, recommended methods and tools, career options and business solutions. For teachers and studio owners alike, whether your setting is a private studio, conservatory, the convention floor, college dance or the k-12 classroom. This is your community.
Dig in, we hope you like it! Produced by Dance Teacher magazine. Powered by RebelMouse.
The exhibit Radical Bodies: Anna Halprin, Simone Forti, Yvonne Rainer in California and New York, 1955–1972 is filled with exhibits, performances and conferences honoring the three postmodern dance living legends.
"I describe it as organized chaos," says Kimberly Rishi with a laugh, as she hunts for a quiet space inside her 12,000-square-foot studio in Ashburn, Virginia. In any given week, Studio Bleu Dance Center's 11 dance studios accommodate 800 enrolled students, 52 staff members, adults who take drop-in classes, plus kids in vocal and piano programs and an affiliated ballet conservatory. "It may look like there's always a party going on," Rishi says, "but that's not the case. There's a schedule, and everyone knows where they're headed."
When Rishi took the reins in 2003, there were only 80 students, 20 of whom were competitive. Today, 300 dancers are enrolled for the competition program. And just this winter, she launched a musical theater program, taking in triple-threat hopefuls in the area. While the Ashburn area (outside of Washington, DC) is burgeoning, faculty member Heidi Moe says Studio Bleu's growth is due to more than changing demographics. It's the direct result of Rishi's business experience and leadership ability.
Irish dancer Cara Butler remembers the helpful advice that her teacher Donny Golden gave her as a child to ease her mind before competitions.
"I remember that he was really good at calming my nerves as a kid. He would always say, 'Your nerves are a form of energy. Use it as fuel.' That was something, especially when I was younger, that would always get me through it. I find that even today I still get nervous about certain performances. But he taught me to just use it as energy and think of it as a good thing. If you're not nervous, where is the emotion and the passion? Nerves are good."
Dancer and choreographer Chuck Davis, who founded the largest African dance festival, DanceAfrica, and performance company African American Dance Ensemble, died Sunday at his home in Durham, North Carolina. He was 80. Known for his benevolent spirit and powerful presence, he was committed to keeping the roots of African dance alive, as well as fusing together the older traditions with contemporary choreography. In 2004 he was honored with a Dance Magazine Award and a Bessie Award in 2014 for outstanding service to the field of dance.