CURRENT ISSUE
March 2010

Full Table of Contents
Click here to read our January 2009 cover story "The Pioneers: Inside ABT's New Training Program"
Online-only features
- Lynn Simonson leads a tendu exercise, emphasizing proper pelvic alignment
- Math Dance performance excerpts by Dr. Schaffer and Mr. Stern
- Ballet class with Elizabeth Parkinson at FineLine Theatre Arts
- Marni Thomas teaches Graham contractions
- Ballet class with Summer Lee Rhatigan, director of San Francisco Conservatory of Dance
- Tony Stevens demonstrates jazzy plies
- Mandy Moore's choreography in "Fashion Forward" at the 2009 DT Summit
- Video of Mandy Moore choreographing "Fashion Forward" at the 2009 DT Summit
- DT interviews Kim McSwain about her inspirational life
- Behind-the-scenes interview with Shane Sparks!
- Salsa with Cheryl Burke; a behind-the-scenes look at our October cover shoot!
- Interview with Cheryl Burke
- Dance at University of Michigan in the 1920s, and photos from their recent centennial celebration
- Modern Class with Carolyn Adams and ADF Honors Carolyn Adams, Ruth Andrien and Sharon Kinney
- Aerial Dance: two videos from Nancy Smith's "Frequent Flyer Productions"
- Ballet Class at Juilliard with Lawrence Rhodes
- Tech Rehearsal with Tap City Youth Ensemble
- Inside the NYU/ABT MA program with guest blogger Hannah G.
- Healthy Feet Exercises for Tappers
- Thinking on Their Feet preview
- View youngARTS slideshow
- Behind the Scenes with Urban Bush Women
- On Set with Tyce Diorio
- Behind the Scenes with ABT's Raymond Lukens, Rachel Moore and Franco De Vita
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Shine a Light
by Erin K. Dean, Jenny Thompson
Martha Hill & the Making of American Dance
By Janet Mansfield Soares
Wesleyan University Press
In a nutshell: A lively portrait of Martha Hill’s formative role in modern dance in the United States.
Martha Hill’s story as a catalyst in the development of American contemporary dance is often overshadowed by the likes of Martha Graham and Doris Humphrey. But author Janet Mansfield Soares does justice to the often unsung heroine by shedding light on her struggles and dedication to turning the artform into a serious area of study. In nine chapters, the author chronicles pinnacle moments in this modern missionary’s life, from “Growing Up in Ohio 1900–1922” to “Dancing with Graham 1929–1931” to “Plans for Lincoln Square 1955–1956,” along with her influence on the Juilliard School and the American Dance Festival. Amid the historical backdrop, Soares, a longtime student of Hill’s, reveals Hill’s deep regret of abandoning a performance career, among other secrets she worked hard to conceal from the public. “I am a product of my experiences,” Hill told Soares on sharing private information for this biography. “My life within its social context is an interesting story.” —Erin K. Dean
New Dance: Writings on Modern Dance
By Doris Humphrey
Princeton Book Company, Publishers
In a nutshell: A glimpse inside the mind of Doris Humphrey.
In this short, 132-page book, Doris Humphrey reflects on her perception of modern dance through a collection of never-before-seen notes, essays and lectures. She explains her philosophies of the moving body, composition and teaching dance, and details the application of her theories to choreography, discussing methods used to teach space, rhythm and design. The modern dance pioneer also gives advice on choosing subject matter, accomplishing projection and rejecting isolation and egocentricity to carry on the work; she addresses such questions as: “Do you love to dance?” “Do you love to see someone else moving according to your dream?” and “How do you convey the meaning or the mood of what you are doing to the best possible advantage to the people who are in front of you?” The book’s first part, “Principles,” presents Humphrey’s personal worldview in relation to dance, and part two, “Notes on Dances,” chronicles her creative process for 42 works, including masterpieces like Water Study, New Dance and Passacaglia in C Minor. —Jenny Thompson
Split Sides
By The Merce Cunningham
Dance Company
Cunningham Dance Foundation and ARTPIX
In a nutshell: The Merce Cunningham Dance Company performs Split Sides (2003).
This two-hour DVD set captures the 45th and 46th performances of the late Merce Cunningham’s Split Sides (2003). Known for implementing chance operations to create dance, the iconic modern choreographer rolls dice just before each featured work to determine the set design, costumes, lighting, music, choreography and order in which these elements appear. While there are 32 possible combinations of performances for this dance, this two-disc DVD presents four showings that allow viewers the option to alternate between the original Radiohead and Sigur Rós soundtracks, or watch it in silence. Also featured are set designs by Robert Heishman and Catherine Yass, costumes by James Hall and lighting by James F. Ingalls. Filmmaker Charles Atlas beautifully captures the two chance-determined pieces—each split into two 20-minute sections—in this DVD that will captivate modern dance enthusiasts. —JT




