Drew Jacoby's playlist helps dancers take risks.
Though she dons pointe shoes instead of pumps, Drew Jacoby is still a full-blown businesswoman. After jobs with Alonzo King LINES Ballet and Complexions Contemporary Ballet, she partnered up with colleague Rubinald Pronk to establish a freelance duo, performing at galas and festivals around the world. Jacoby pioneers again this month, producing BLUEPRINT at Peridance Capezio Center in New York City. The summer intensive includes a faculty list of contemporary and ballet masters like Helen Pickett (William Forsythe), Kevin Irving (Nacho Duato) and Manuel Vignoulle (Cedar Lake Contemporary Ballet).
BLUEPRINT’s goal is to bridge the gap between classical and contemporary students. “Often, commercial and contemporary dancers need a bit more structure while ballet kids need to be broken down,” says Jacoby. She helps them meet in the middle by focusing on their common weakness—moving timidly. “In training, it’s so much about technique and trying to be correct. But the issue I see from students, regardless of the kind of dance they study, is they don’t take enough chances,” she says. For bunheads and barefooted dancers whose minds and bodies think differently, learning from each other may be the best way to improve. DT
Artist: Major Lazer
Song: “Pon De Floor”
“I ask students to come ready to dance, because my warm-up is quick—20 minutes. It’s mostly stretching, ab work, push-ups and cardio, because the rep I do is so hard on the back, and they need to fire up their cores. This music really drives you when you’re doing difficult strengthening exercises.”
Artist: Leslie Stuck
“Leslie is a dance composer, and this is a CD of pas de deux works he’s done for different companies. Some of the tracks kind of remind me of William Forsythe’s In the middle, somewhat elevated. It has that icy and sharp quality.”
Composer: Johann Sebastian Bach
Piece: Partita No. 2 in D minor: Chaconne
“This is my favorite piece of music. I don’t usually have a typical song set for class, but I always end up putting this on. The work is classical, but high-energy and very dance-y.”
“I like to surprise my students and put on something popular that has a funky vibe. Though sometimes you have to be careful. Just because I put on a fun song doesn’t mean I want you to dance sexy! I’m just trying to show them the differences in how they dance choreography to something classical versus this.”
Artist: The Knife
Album: Deep Cuts
“I use this band when I want dancers to move with a more gooey quality. There’s a creepiness and heaviness to these songs that gets them lower and closer to the floor.”
Photo: Drew Jacoby and Rubinald Pronk; by Bill Cooper, courtesy of Drew Jacoby