Fabian Barnes celebrates 20 years of performance and outreach.
Hip Hop, You Don't Stop
Learn how to develop a comprehensive hip-hop program that's right for your school.
Few Good Men
Young men may just be discovering dance during their college years. Here's how to draw them into the dance studio and encourage their growth.
Outfits that will make your male dancers want to shake a leg
Make Your Studio Boy-Ready
Apply these simple tips to help male dancers feel welcome at your facility.
Make sure your male and female students are treated equally.
A conversation with the legendary dancer-turned-artistic director. He emphasizes artistry in his teaching.
Performance Planner: West Side Story Update
Convert this audience favorite into your own recital.
Music to Your Ears
Five programs for editing music for recitals and competitions
ArtsSmarts is part of a grassroots effort to bring arts into the classroom.
Ask the Experts
Answers to questions about paying employees under the table, studio flooring and pushy parents
B is for Budget
Keep your recital spending under control with our handy budget worksheet.
After having spent a lifetime looking at ourselves in the mirror, constantly appraising, who of us wouldn't want to take a dance class in the dark? Two Australian dance students, Alice Glenn and Heidi Barrett, had the same thought in 2009 when they founded No Lights No Lycra, a global dance community that offers dancers and nondancers alike the chance to get their groove on in a dark space, where there's no light, no Lycra, no technique, no teacher and no steps to learn. It's just a place to lose yourself in the music and find your own dance mojo. The event became so popular that it spread past its Melbourne beginnings, first throughout Australia and now, globally.
Four incredible educators: Joanne Chapman, Claudio Muñoz, Pamela VanGilder and Kathleen Isaac foster their students' love of dance, whether instilling artistry, offering rigorous training or giving special needs students an outlet through movement.
When Jennie Somogyi retired from New York City Ballet, she found herself in high demand as a teacher. Parents called, texted and persisted. "I don't even know how some of them got my contact information," she says with a laugh. But Somogyi, who departed from NYCB in 2015 after a 22-year career, hadn't made any definitive plans for the next stage of her life. "I just like to see how things move me," she says. She discovered, though, that she enjoyed the process of giving private lessons and seeing the rapid progress students could make. Over time, she realized that teaching was something she wanted rather than needed.
Does your studio slow down when the weather warms up? If you don't offer a summer session, June through August can be a cash-flow challenge. One popular—and easy—strategy is to offer weeklong camps instead. We spoke to three professionals to learn how they make summer camp work.
This week Ballet Hispánico launched its first ChoreoLaB workshop, a summer intensive intended to better prepare aspiring professional dancers—with more than just excellent technique. Artistic director Eduardo Vilaro wanted to create a program that bridges the school and the company, to help dancers transitioning into the professional world and better hone their skills.