Remember when you attended your first convention? And how exciting (and scary!) it was to take class from a famous teacher? Today, many of the dancers your students emulate from television and the concert stage also teach at dance conventions. What an opportunity it is, for instance, to take class from DT cover girl Brooke Lipton, who makes casting decisions for the hit TV show, “Glee.” In “Red Hot,” L.A.-based writer Victoria Looseleaf tells how Lipton made a career for herself in the tough professional environment of Hollywood, and she shares the positive influence Lipton has on young dancers as a teacher for The PULSE On Tour and Hollywood Connection.
Conventions can open doors for your dancers—all your dancers, not just those with commercial aspirations. We get excited about the glamour and ambition, but let’s not forget the powerful educational foundation of these events. In this issue, Dance Teacher focuses on what it takes to teach in that setting (“Mastering the Master Class”) and how your students can benefit (“High Five with Cris Judd”)—including the 2012 Convention Guide for easy reference to contact details and other essentials.
How are you celebrating the holidays at your studio? In “Holidays in Every Way,” writer Nancy Wozny spoke to studio directors about how they reflect the varying demographic interests of their communities. Do you do something unique? Let us know by liking us on Facebook and joining the discussion about ways to make your studio inviting to everyone. And do have a look at “Goods” to see our holiday gift suggestions for the dancers on your list.
While The Nutcracker may be consuming your life this month, the new year is right around the corner. If you’re one of the many who resolve to diet or exercise with renewed vigor on January 2, be sure to read “My Personal Fitness Plan,” where three busy teachers share their health and fitness routines. They impressed us, and we hope they will inspire you.
Here’s to a fulfilling holiday season and fruitful new year.
After having spent a lifetime looking at ourselves in the mirror, constantly appraising, who of us wouldn't want to take a dance class in the dark? Two Australian dance students, Alice Glenn and Heidi Barrett, had the same thought in 2009 when they founded No Lights No Lycra, a global dance community that offers dancers and nondancers alike the chance to get their groove on in a dark space, where there's no light, no Lycra, no technique, no teacher and no steps to learn. It's just a place to lose yourself in the music and find your own dance mojo. The event became so popular that it spread past its Melbourne beginnings, first throughout Australia and now, globally.
Four incredible educators: Joanne Chapman, Claudio Muñoz, Pamela VanGilder and Kathleen Isaac foster their students' love of dance, whether instilling artistry, offering rigorous training or giving special needs students an outlet through movement.
When Jennie Somogyi retired from New York City Ballet, she found herself in high demand as a teacher. Parents called, texted and persisted. "I don't even know how some of them got my contact information," she says with a laugh. But Somogyi, who departed from NYCB in 2015 after a 22-year career, hadn't made any definitive plans for the next stage of her life. "I just like to see how things move me," she says. She discovered, though, that she enjoyed the process of giving private lessons and seeing the rapid progress students could make. Over time, she realized that teaching was something she wanted rather than needed.
Does your studio slow down when the weather warms up? If you don't offer a summer session, June through August can be a cash-flow challenge. One popular—and easy—strategy is to offer weeklong camps instead. We spoke to three professionals to learn how they make summer camp work.
This week Ballet Hispánico launched its first ChoreoLaB workshop, a summer intensive intended to better prepare aspiring professional dancers—with more than just excellent technique. Artistic director Eduardo Vilaro wanted to create a program that bridges the school and the company, to help dancers transitioning into the professional world and better hone their skills.